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1 – 10 of over 1000This article aims to show both the importance of collecting zines, particularly in public libraries, and the issues and challenges associated with the management of such a unique…
Abstract
Purpose
This article aims to show both the importance of collecting zines, particularly in public libraries, and the issues and challenges associated with the management of such a unique collection.
Design/methodology/approach
This paper is based on the research of recent literature, zine‐related web sites, and library catalogues. Examples of current zine collections are frequently discussed.
Findings
The study finds that, although zines provide many challenges in the area of collection management, suitable solutions can be found. These challenges, therefore, should not be an excuse for the lack of zine collections found in libraries today.
Originality/value
This article provides a complete picture of the collection management of zines and discusses practical solutions to address the challenges involved by pointing several examples of successful zine collections.
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Karen Gisonny and Jenna Freedman
This paper sets out to discuss the importance of collecting alternative press materials, particularly zines, in libraries and presents case studies of zine collections; Barnard…
Abstract
Purpose
This paper sets out to discuss the importance of collecting alternative press materials, particularly zines, in libraries and presents case studies of zine collections; Barnard College Library and the New York Public Library.
Design/methodology/approach
This paper builds on work presented by the authors and others at the 12th National ACRL conference in Minneapolis, where zine collections in different types of academic and research libraries were discussed.
Findings
Zines document contemporary culture in the same way newspapers, magazines, TV, radio and movies as, but from a much different point‐of‐view. It is important for libraries to collect zines, and all alternative press materials, to ensure balanced and diverse collections, as well as securing primary source material for scholars today and in the future.
Originality/value
This paper provides concrete examples of how two libraries are handling collections of zines.
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Joyce M. Latham and Sarah Cooke
This project examines how queer and trans zines have complicated the notion of traditional patient narratives and provides insight into the issues that LGBTQ+ (lesbian, gay…
Abstract
This project examines how queer and trans zines have complicated the notion of traditional patient narratives and provides insight into the issues that LGBTQ+ (lesbian, gay, bisexual, transgender, queer/questioning) populations face when accessing healthcare information and resources. Historically, information about queer and trans identities has been suppressed in the United States, reflecting dominant social values that pathologize queer identities. Using health-related zines housed at the Queer Zine Archive Project as a case study, this project investigates how queer and trans zines about healthcare have resisted these homophobic and transphobic ideologies. The analysis reveals that queer and trans zinesters use their feelings of impatience with the medical industry to fuel communal solutions to accessing and providing health care information.
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Barbara Guzetti and Leslie Foley
The purpose of this case study was to describe how a Chicano man, Tomas Moniz, wrote and edited zines to reconstruct stereotypical notions of masculine performance and fatherhood…
Abstract
The purpose of this case study was to describe how a Chicano man, Tomas Moniz, wrote and edited zines to reconstruct stereotypical notions of masculine performance and fatherhood and formed community for grassroots action. Data were triangulated by collecting observations and photographs of the informant distributing and discussing his zine at a national zine symposium and by in situ interviews as he did so. These data were triangulated by collecting 17 issues of Tomas’ zines and by a semistructured interview conducted by telephone and by informal interviews conducted by electronic mail. Screen shots were collected of Tomas’ social media (his Facebook page, blog, and YouTube videos) that extended or supported his zines. These data were analyzed by thematic analysis. Member checks were conducted with the participant as a measure of trustworthiness. Results illustrated how a Chicano man wrote in atypical forms and substance to reconstruct masculinity and fatherhood in an inclusive model. He wrote of being marginalized as a parent by his gender; he discussed difficult issues in the performance of masculinity and parenting; and he self-published contributions by other men (and women) that highlighted alternative ways of performing and representing masculinity. He used his zines and social media to build community for support and activism. This study contributes to the extant research that refutes gender stereotypes and presents alternative models of masculinity and literacy engagement for Latino males. Although there has been a growing interest in the status of men, there is little scholarship on Latino males, their masculinities, and their literacy practices. The absence of such scholarship has reinforced educators’ stereotypical views of Latino males as hyper-masculine and nonacademic, contributing to low expectations for their academic success. This case study refutes those stereotypes and presents a model of a minority man enacting alternative representations of masculinity through literacy. Findings from this study can be used to demonstrate the functions that reading and writing can serve in an adult man’s life and provide permission for minority youth to engage in literacy practices.
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Richard Nash, Dylan Yamada-Rice, Eleanor Dare, Steve Love, Angus Main, John Potter and Deborah Rodrigues
The purpose of this paper is to focus on a designed research methodology to distil existing research findings from an esrc/ahrc funded japan/uk network on location-based virtual…
Abstract
Purpose
The purpose of this paper is to focus on a designed research methodology to distil existing research findings from an esrc/ahrc funded japan/uk network on location-based virtual reality experiences for children in order to generate new knowledge.
Design/methodology/approach
The structured co-production methodology was undertaken in three stages. These were: (1) a collaborative workshop which produced a series of collage narratives, (2) collaborating with a non-human entity in the form of a digital coded tool to reconfigure the workshop responses and mediate the hierarchy of roles, (3) the co-production of a zine as a collaborative reflection method, which shared via postal service enabled a dialogue and exchange of round Robin interventions by the network members.
Findings
The analysis of the data collected in this study highlighted five themes that could be used by other researchers on a wide range of projects. These were: (1) knowing through making, (2) the importance of process, (3) beyond linear representations, (4) agency of physical materials and (5) agency of digital code.
Research limitations/implications
The context of the study being undertaken during the first phase of the global pandemic, revealed insight into a method of co-production that was undertaken under emergency remote working conditions. The knowledge generated from this can be applied to other research contexts such as working with researchers or participants across global borders without the need to travel.
Originality/value
The research provides an innovative rethinking of co-production methods in order to generate new knowledge from multidisciplinary and multimodal research.
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Devotes the entire journal issue to managing human behaviour in US industries, with examples drawn from the airline industry, trading industry, publishing industry, metal products…
Abstract
Devotes the entire journal issue to managing human behaviour in US industries, with examples drawn from the airline industry, trading industry, publishing industry, metal products industry, motor vehicle and parts industry, information technology industry, food industry, the airline industry in a turbulent environment, the automotive sales industry, and specialist retailing industry. Outlines the main features of each industry and the environment in which it is operating. Provides examples, insights and quotes from Chief Executive Officers, managers and employees on their organization’s recipe for success. Mentions the effect technology has had in some industries. Talks about skilled and semi‐skilled workers, worker empowerment and the formation of teams. Addresses also the issue of change and the training that is required to deal with it in different industry sectors. Discusses remuneration packages and incentives offered to motivate employees. Notes the importance of customers in the face of increased competition. Extracts from each industry sector the various human resource practices that companies employ to manage their employees effectively ‐ revealing that there is a wide diversity in approach and what is right for one industry sector would not work in another. Offers some advice for managers, but, overall, fails to summarize what constitutes effective means of managing human behaviour.
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Abstract
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Durriya H.Z. Khairullah and Zahid Y. Khairullah
India gained her political independence in 1947 from British rule. The new democracy chose non‐alignment, installed a large national government and legislated protectionist…
Abstract
India gained her political independence in 1947 from British rule. The new democracy chose non‐alignment, installed a large national government and legislated protectionist policies, which kept out most foreign products that almost led to economic isolation. The political leaders believed that protectionism would make India self‐reliant and eventually improve the standard of living especially for the poorer Indians. While other Asian countries were encouraging foreign capital and multinationals, India was doing its best to keep them out (Business Asia, 2000). Although India moved towards self‐reliance, the lack of competition hindered the country’s own economic and technological developments. As a result the market was forced to accept local products that were often inferior or old‐fashioned. For example, until recently the leading car on India’s road was “Ambassador”, a reproduction of a British design from the early 1950s that was bulky and a gas‐guzzler.
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Casey Burkholder, Katie MacEntee, April Mandrona, Amelia Thorpe and Pride/Swell Pride/Swell
The authors explore the coproduction of a digital archive with 50 2SLGBTQ+ youth across Atlantic Canada during the COVID-19 pandemic in order to catalyze broader public…
Abstract
Purpose
The authors explore the coproduction of a digital archive with 50 2SLGBTQ+ youth across Atlantic Canada during the COVID-19 pandemic in order to catalyze broader public participation in understanding 2SLGBTQ+ youth-led activism in this place and time through art production.
Design/methodology/approach
Through a mail-based participatory visual research project and an examination of collage, zines and DIY facemasks, the authors highlight how the production, sharing and archiving of youth-produced art adds to methodological discussions of exhibiting and digital archiving with 2SLGBTQ+ youth as a form of activist intervention.
Findings
In reflexively examining the cocuration of art through social media and project website, the authors argue that coproducing digital archives is an important part of knowledge mobilization. Also, the authors consider how the work has been interacted with by a broader public, so far in an exclusively celebratory manner and note the benefits and challenges of this type of engagement to the youth and to the understandings of 2SLGBTQ+ youth archives.
Originality/value
The authors suggest that these modes of engaging in participatory visual research at a distance offer original contributions in relation to how participation can be understood in a digital and mail-based project. The authors see participant control of how to share works within digital archives as a contribution to the understanding of people's capacity to negotiate and take ownership of these spaces. These strategies are participant-centered and suggest ways that archiving can be made more accessible, especially when working with communities who are socially marginalized or otherwise excluded from the archival process.
The purpose of this paper is to examine the Riot Grrrl activist network in the USA and highlight historical anarchist actions of the Washington, DC chapter by examining the nexus…
Abstract
Purpose
The purpose of this paper is to examine the Riot Grrrl activist network in the USA and highlight historical anarchist actions of the Washington, DC chapter by examining the nexus of feminism and anarchism on a continuum of youth activism, and by paying attention to anti-war campaigns, food distribution programs, free clinics and girl culture.
Design/methodology/approach
The paper historically contextualizes Riot Grrrl within the Situationist International literature and cultural resistance as well as Donna Harraway’s work on cultural workers. Ethnographic work incorporates participant observation and semi-structured interviews as well as textual analysis of rare Riot Grrrl artifacts. Focus is given to the production of zines as mechanisms for communicating and deconstructing anarcho-grrrl culture.
Findings
This paper charts the influence of Riot Grrrl with particular attention to anti-war demonstrations to contemporary activist projects that illustrate tenants of anarchism such as non-hierarchical leadership, direction action, cooperation, mutual aid and volunteerism.
Research limitations/implications
This paper focuses on the Riot Grrrl network in the USA, with a focus on the Washington, DC chapter. Subsequent Riot Grrrl chapters emerged around the world and future research might attend to regional impact these groups made in their communities.
Originality/value
The originality of the paper resides not only in its ethnographic approach to the essence of being a Riot Grrrl, but also includes the author’s own reflections of involvement in this girl-centered activist collective. Further, the author acknowledges Los Angeles performance artist Exene Cervanka, whose anti-war writing and activist work was influential to the Riot Grrrl movement. This essay examines actions to (re)organize, and to disrupt preferred meanings and interpretations of organization and protest so as to mobilize knowledge and to affect authentic social change. This paper commemorates the 25th anniversary of Riot Grrrl and the Mount Pleasant Riots.
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