Search results

With the objective of encouraging the use of standard processes for exploring offenders' narratives two complementary procedures are discussed. One is a development of McAdams explorations with highly effective individuals, describing their life as if it were a book. This is a structured interview protocol that has been specifically produced for use with offenders, in which they describe their life as a film (LAAF). A number of studies with male and female incarcerated individuals as well as those without convictions have revealed important differences between people in how they give a free account of their past and future lives. This allows the differentiation of LAAF narratives and reveals the existence of dominant narrative forms in offenders' responses. These relate to those initially elaborated by Frye (1957) for fiction, namely tragedy, comedy, adventure and romance. The second method is the Narrative Role Questionnaire (NRQ) which elicits the inherent role that offenders saw themselves as playing during specific crimes. Completion of the NRQ by various samples reveals important differences between offences in the narratives that provide the agency for their criminal actions. The roles central to these narratives have also been found to embody distinct emotional components that maintain offending. Taken together the NRQ and the LAAF provide a framework for examining offence narratives which enables the main narratives of relevance to criminality to be identified and their implications for theory and practice to be elaborated.

Although there is a vast array of theories on crime, one area that is largely under-represented is that of the actual experience of the offender engaged in criminal acts. The purpose of this paper is to examine the individual and phenomenological experiences of crime amongst women offenders.

The sample consisted of 128 women who had committed a criminal offence, with an average age of 36.40 years (SD=11.12). Participants were recruited to take part in the study by answering a questionnaire exploring the emotions and narrative roles they experienced during commission of a crime. From this, participants’ Criminal Narrative Experience (CNE) was determined.

Smallest Space Analysis (SSA) analyses revealed that emotional experiences and narrative roles were thematically associated, and when both were subjected to SSA analysis, two main themes of CNE were identified: Avenging Angel and Choiceless Victim. The Choiceless Victim experience was the most representative of women’s experiences in this study.

The theoretical and practical implications of these findings are discussed. Future directions for research are also outlined.

The findings offer an alternative perspective and theoretical framework for examining women offenders’ criminal experiences.

Most offender narrative being studied has been in oral forms, produced in the reciprocal process of researcher-(ex) offender interviews. This chapter offers an introduction to a variation of offender narrative study within the prison and rehabilitation context: the narrative of written autobiography. Since the early 1940s, Chinese reform institutions have required written autobiographies from new admitters, provided with clear presubscripted guidelines of instructions as well as postcensorship. For this chapter, we trace back and analyse this model based on 28 prisoners' autobiographies in mainland China between 2007 and 2009, as well as archive documents in different historical periods. We have found that the mandatory offender autobiographies are highly functional writings with clear requirements that embody the existing power structure. We have also found considerable commonality with findings in Western contexts on the presence and problems of narrative compliance in rehabilitation. We argue that narrative criminology should further engage in understanding the practice of narrative censorship and co-authorship in criminal justice processes, as it takes on different forms in different historical–social contexts.

In our chapter we describe the analysis of categorisations as an important part of narrative criminology. Categorisations of people (as offenders, victims, witnesses, etc.) are a central component of the communicative construction and processing of crime. Categories are associated with assumptions about actions and personal characteristics. Therefore, categorisations play a prominent role in the question of whether and how someone should be dealt with or punished. Narratives essentially consist of categorisations as well as the representation of a temporal course of interactions and actions. Analysing categorisations can therefore provide decisive insights for narrative criminology. With the research method of ‘Membership Categorisation Analysis’, categorisations can be reconstructed in detail. We describe this potential by reconstructing how the defendant ‘Dave’ categorised himself in the context of his main trial and how he was categorised by others in order to justify a judgement against him. Our analysis shows that categorisations, which are socially impactful and often controversial, must be established by particular narrative manoeuvres.

This chapter is based on an ethnographic study of an English medium-security prison housing men convicted of sex offences. It argues that victims haunted (Gordon, 2008) both the prison and the narratives of the men it held: they were ever-present in discourse, but depersonalised and lacking in agency. How prisoners described their victims said a great deal about how they sought to portray themselves, and the chapter makes this point by outlining three basic ‘types’ of story. In the first, the prisoner knew the victim well and deliberately sought to remember their suffering; at the same time, they themselves hoped not to be defined by their status as an offender. In the second, the victim was largely missing from the narrative, either because the prisoners barely remembered them or because the prisoners did not really consider them to be a victim. In the third type of story, the prisoners considered themselves to be the real victim, and considered the official victim as well as the criminal justice system to be responsible for their suffering. The chapter concludes by arguing victims were ghosts because the prison only allowed them to appear in certain ways. It suggests that narrative criminologists consider the relationship between narratives and justice, and that one way of doing this is to think about what stories don't communicate as well as what they do.

The purpose of this paper is to lay the groundwork for a narrative study of desistance that is both qualitative and quantitative.

The review traces the strands of research that have made self-story an important theme in the study of desistance with particular reference to work since 2001.

The importance of an agentic self-story in the process of desistance from crime came to prominence in the work of Shadd Maruna (1997, 2001). Since then authors have attempted to formulate: first, an integrated theoretical view of desistance incorporating agency; and second, a clinically useful understanding of how self-story is important. The clinical studies have almost always been qualitative, relying on extensive life history interviews which yield great richness of detail but few, if any, testable hypotheses. To date, such studies have not provided the empirical foundation on which to develop policy in correctional environments.

If it is found that a measure of self-belief correlates with desistance from crime, it may be possible to devise psychological interventions to enhance and change self-belief.

The paper proposes adding a quantitative approach to the measurement of self-concept in order to estimate the likelihood of desistance.

The rates of offending and re-offending for young males are higher than any other population. Whilst the UK Ministry of Justice (2020) states that rehabilitation programmes should aim to build a positive identity, little is known about the subjective experiences of how this occurs. Various theories and models suggest that the development of a positive identity assists rehabilitation for young men with convictions (i.e. Johns et al., 2017). Therefore, the current study aimed to gather personal narratives from male, young offenders with the intention of understanding identity development.

Twelve interviews were conducted with young men with convictions aged between 18 and 25 years who had almost completed a rehabilitation process within the community. Narrative analysis was used to analyse the data. All were engaging with the rehabilitation service as a result of conviction for low to medium level offences, including burglary, harm of another person and drug related offences.

Three plots were identified which explain identity when committing offences: “The Powerless”, “The Feared” and “The Disconnected”. One plot was evident within the narratives which explained positive identity when rehabilitated: “The Connected”. The findings illustrate the importance of an approach which considers various aspects of a young offender’s life.

The current study further adds to knowledge base of young offender rehabilitation by providing a systemic understanding of how men with convictions’ identity develop pre- and post-rehabilitation. New implications for trauma informed practice are discussed.

By considering the stories of crime victims, this chapter demonstrates the fluid and contextual nature of narrative. It draws upon research that investigates narratives of individuals who have lost loved ones to homicide (co-victims) by pairing intensive interviews with concurrent participant observation in a wide array of settings in which co-victims share their stories, such as fundraisers, memorials, self-help group meetings, advocacy events and celebratory gatherings. It highlights the benefit of two related methodological strategies for a narrative approach to victimology specifically and narrative criminology more generally: persistent observation of stories and prolonged engagement with storytellers. In doing so, it emphasises three key features of narrative that are especially useful in uncovering the nature, power and potential of crime victims' stories: speaker, audience and timing.

Narrative criminology has continued to expand as an important theoretical and methodological contribution to the study of crime and justice. However, the vast majority of narrative work focuses on the narrative development of those identified as criminal offenders, and little research has explored the narratives of those employed within the criminal justice system. This chapter examines the importance of police storytelling and the unique narratives vital to the cultural life and institution of policing. Police stories are an important part of the ‘meaning-making structure’ in policing and often convey particular power well beyond the limitations of formal organizational or agency policy. Police stories frequently influence understandings of the nature of social problems; community change and decay; and even understandings of race, class, and gender. Police narratives and stories also offer some unique methodological challenges for narrative scholars. Analysis of police stories must focus on the underlying plot details while still analysing the themes or metaphors provided by the narrative. This may require specific attention to the role the story plays in police culture, training, and development of organizational cohesion. Furthermore, narrative researchers must explore the shared narratives distinctive to the profession, while still examining unique meanings that stories convey to different departments and even specialized units. Finally, access to police organizations and individual officers can represent unique challenge for narrative researchers. By examining police narratives, we gain unique insight into the production and maintenance of police authority and culture accomplished through the storytelling process.