Revealing Criminal Narratives: The Narrative Roles Questionnaire and the Life as a Film Procedure

Abstract

With the objective of encouraging the use of standard processes for exploring offenders' narratives two complementary procedures are discussed. One is a development of McAdams explorations with highly effective individuals, describing their life as if it were a book. This is a structured interview protocol that has been specifically produced for use with offenders, in which they describe their life as a film (LAAF). A number of studies with male and female incarcerated individuals as well as those without convictions have revealed important differences between people in how they give a free account of their past and future lives. This allows the differentiation of LAAF narratives and reveals the existence of dominant narrative forms in offenders' responses. These relate to those initially elaborated by Frye (1957) for fiction, namely tragedy, comedy, adventure and romance. The second method is the Narrative Role Questionnaire (NRQ) which elicits the inherent role that offenders saw themselves as playing during specific crimes. Completion of the NRQ by various samples reveals important differences between offences in the narratives that provide the agency for their criminal actions. The roles central to these narratives have also been found to embody distinct emotional components that maintain offending. Taken together the NRQ and the LAAF provide a framework for examining offence narratives which enables the main narratives of relevance to criminality to be identified and their implications for theory and practice to be elaborated.

Citation

(2019), "Revealing Criminal Narratives: The Narrative Roles Questionnaire and the Life as a Film Procedure", Canter, D., Youngs, D., Rowlands, D., Fleetwood, J., Presser, L., Sandberg, S. and Ugelvik, T. (Ed.) The Emerald Handbook of Narrative Criminology, Emerald Publishing Limited, Leeds, pp. 343-364. https://doi.org/10.1108/978-1-78769-005-920191029