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Embedded in built environment discourse, this chapter examines the traditional knowledge and resilience of the Ngadjuri Nation Peoples through an Elder’s narrative of reconciliation as well as resistance in their subsisting colonial settlement. Removed from ‘Country’ in the 1840s, Ngadjuri Aboriginal community endured colonial industries of open-cut copper mining and large-scale pastoralism as irreparable destruction to their cultural landscapes. European processes in the resources sectors reshaped natural topographies, deconstructing Ngadjuri Songlines and Ancestral Dreaming stories. Burra’s colonial stone buildings of settlement, painstakingly cut and composed from materials of the surrounding ecological terrain, prompted new narratives from Ngadjuri as a way of alleviating scars. Broadly speaking, this chapter aims to show how cultural heritage of two communities is provocatively and conceptually unpacked through the vernacular buildings’ cross-cultural foundations. That is, an under-reported narrative was unwittingly bestowed on the colonial-built forms with hidden meanings that deserve further investigation. This chapter offers a counternarrative to colonial histories revealing Ngadjuri’s methods for reconnecting to Country and culture after generations of disempowerment. It explores how within the materiality of colonial structures, the Ngadjuri entwined their remediated storylines – revealing a data curation that had avoided popular discourse in the galleries, libraries, archives, and museums [GLAM] sector representation. This example implies there are bodies of knowledge in built cultural heritage hidden elsewhere on our Aboriginal Nations and the challenges it presents GLAM in their Indigenisation processes.

This article aims to raising awareness on the potential of the application of the Heritage Impact Assessment (HIA) methodology – developed by ICOMOS in 2011 – with a focus on UNESCO World Heritage sites that are characterized by a widespread presence of vernacular architecture, one of the most vulnerable and fragile typologies of heritage.

Starting from a theoretical introduction about the recognition of vernacular heritage into the international non-governmental panorama, and the dynamics that are mostly affecting it, the present contribution focuses on the case study of the Chora of Patmos (Greece), a UNESCO World Heritage site since 1999. The research has been carried out as follows: (1) comparative analysis of selected literature for the theoretical part; (2) field research; (3) interdisciplinary research for understanding the features of the site and assessing potential risks; (4) project design and assessments of the potential impacts.

The pivotal application of the HIA method on the case study of Patmos highlighted the importance of the methodology as an essential tool for facilitating management and safeguarding WH sites from possible threats due to development projects on vernacular architecture.

The originality of the research presented here lies in the connection between three different topics: vernacular architecture, Heritage Impact Assessment and Sustainable World Heritage Management. In fact, its goal is to bring cultural heritage management and sustainable development closer together, by emphasizing that HIA should not be used as a tool to hinder development, but as a practice for shaping and evaluating projects that might alter or compromise the integrity and authenticity of WH sites in a sustainable and balanced way.

The main objective of this paper is to critically assess sustainable development in the context of Behramkale, a vernacular village in Türkiye.

Vernacular Heritage Sustainable Architecture analysis framework has been adopted to understand and assess vernacular architecture and sustainable development in Behramkale.

The vernacular design of the old Behramkale settlement has shown more sustainable characteristics as compared to the new development area. Key findings show that trade-offs were made with respect to environmental and sociocultural aspects of sustainable development to achieve economic sustainability.

Future research with more in-depth interviews would be helpful to find out the inhabitants’ response to the conservation practices.

Based on the research conducted, life cycle analysis and sustainable strategies of vernacular settlements can be useful tools to design, develop and improve old settlements, as well as newly established settlements.

Key lessons learned from conservation practices can help to identify well-adapted solutions to respond to the needs of local communities in Türkiye and similar vernacular settlements in the Mediterranean region.

This paper critically assesses sustainable development in the context of vernacular architecture, heritage conservation and rural sustainability. Conservation practices in Türkiye are evaluated deeply as there is limited research in this field within the Mediterranean heritage conversation and sustainable development context.

The purpose of this paper is to examine the need to go beyond the “monumentalist” vision in restoration of built heritage and embrace principles of sustainability in this architectural practice.

Case studies as conceptual reference. Architectural typology.

The environmental crisis that is currently recognized as one of the most important problems that contemporary society must address urgently is a situation that still has not permeated enough in the practice of monumental restoration, which is still carried out using unlimited resources.

In that sense, the close relationship between the built and the natural environment as an essential ingredient of the vernacular is analysed.

Much of the sustainable principles, that have been put forward as an example to be followed, are elements that have hundreds of years in the constructive tradition.

In this context, vernacular architecture has much to contribute in the field of conservation by the enormous accumulated knowledge that its shapes, materials and social use represent.

This experience must be retrieved, but not as an aseptic laboratory experiment, but through its updated application and active implementation to improve the quality of life for inhabitants and contribute to the preservation of our cultural and natural environments.

The purpose of this paper is to demonstrate how safeguarding intangible cultural heritage contributes to environmental conservation and favours sustainable development of natural landscapes. To do so, the authors will focus on a study of dry stone constructions, which have been recognised by United Nations Educational, Scientific and Cultural Organization (UNESCO) as Intangible Cultural Heritage.

The research has been carried out through three methodologies: the search and review of archives (historical and administrative documents), ethnographic methodology (field work and interviews) and case studies.

The abandonment of dry stone constructions is placing rural zones at risk, as they assume a strategic role in environmental conservation efforts. This article seeks to highlight the importance of safeguarding this cultural heritage.

The art of dry stone walling has its origins in ancient times and can be found in numerous regions around the world. The main ideas of this paper may be applied to many of the places where this vernacular architecture can be found.

Some stakeholders may apply the results of this study to identify new uses for heritage resources that allow maintenance of ecosystems while at the same time safeguarding intangible cultural heritage.

This paper stresses the importance of raising public awareness of cultural heritage and vernacular architecture, its link with traditional activities such as farming and livestock raising, the rural landscape and reinforcement of cultural identity and historical memory.

This study illustrates the actions taken by UNESCO to safeguard intangible cultural heritage and the effects of those actions. It also considers dry stone constructions from the perspective of environmental sustainability, an area that has been subject to limited study.

Mud architecture as one of the expressions of vernacular architecture illustrates the success of indigenous knowledge of traditional communities. Due to the pressure of industrialization, urbanization and globalization, the trend of using non-traditional measures guided by the Western-Euro-centric knowledge and technologies considers the traditional practices as expressions of backward past, under-development and poverty. Though mud as a building material is usually assumed as a fragile and ephemeral material that cannot survive against natural hazards, the surviving traditional mud buildings are needed to be investigated to know their performances during and after different types of natural hazard incidents.

This paper intends to study the available cases of mud architecture of Chattogram, Bangladesh to trace the history of their survival despite of experiencing multiple natural hazards and to understand their status and prospect of resisting hazards. Three individual homesteads are chosen as cases for conducting physical survey as well as engaging inhabitants and local masons of the locality in semi-structured interviews in a story telling mode to know the construction process and histories of experiencing natural hazards. Available literatures are reviewed, and experts are interviewed to understand the causes of their performances and possible ways to improve the quality.

Collected information on mud architecture demonstrates their quality of surviving against many natural challenges and this hazard-resilient quality can be enhanced through using contemporary building technologies and materials, promising to co-exist with the global trend.

This study as an attempt to reinvent the vernacular architectural heritage endorses the need of appreciating indigenous knowledge for enhancing community resilience against natural hazards.

The paper introduces ethical and aesthetical implications emerging from participative forms of adaptive heritage reuse. Its aim is to depict the overall framework to contextualize the investigations explored in the Special Issue titled “Ethics and aesthetics of adaptive heritage reuse in Europe.” Therefore, the article confronts with potentialities and contradictions of “open” heritage processes, introducing key critical elements to recode heritage practices and planning in today’s conjuncture of global change.

The paper drawn on a literature review, which combines different bodies of studies: heritage, urban studies, care studies and recent policy documents. A photographic essay, moreover, serves to “augment” the presented argumentations through a visual apparatus resulting from one of Gaia Ginevra Giorgi’s artwork, which develops in the intersection between performative art, participation and territorial reuse.

The author argues that for adaptive heritage reuse to be really sustainable, ethical and aesthetical heritage codes need to be reassessed and reoriented toward the present socio-ecological priorities, multiplicating the ways cultural heritage is conceived, valued and reused. The paper suggests proceeding along the creative paths of uncertainty, providing the first elements to develop political projects of abundance and enjoyment for current urban settlements.

The presented argumentations can be used as a baseline by heritage managers and policymakers to experiment with participative processes of adaptive heritage reuse and to identify more environmentally and socially just trajectories of urban development.

The paper expands the concept of adaptive heritage reuse, considering the active participation of both human and non-human agents. Treating heritage in a laic way, namely free from absolute and preordered judgments of value, it deals with uncomfortable heritage materiality and contexts, illuminating the quality of unpleasant or odd forms of beauty.

The purpose of this paper is to ensure the preservation and sustainability of traditional water mills in Turkey with their original function and to allow these water mills to become heritage for future generations.

The study is the original examination of one sample water mill to be conserved, that is chosen from 11 water mills that were determined after the investigation of water mills in of Antalya, in Mediterranean Region. A preliminary study was first performed using the external observation method on 11 horizontal wheel water mills. The water mills to be accorded the highest priority with regards to conservation were selected based on their characteristics. Restoration techniques were then proposed to ensure the sustainability of the traditional production systems while retaining their original function.

The decision of water mill with the highest priority of conservation is based on the analysis of “structural damage,” “all seasons accessibility” and “supporting environmental factors.” This water mill was used primarily for grain production and is located on the Doyran River in Antalya. Current circumstance of the sample mill is analyzed, restoration techniques for the purpose of conservation and creation of recreational sites and that enable the presentation of traditional production methods are suggested.

This paper includes implications for the contribution to the region’s cultural identity by developing the region’s infrastructure for cultural and ecological tourism and by ensuring the continuation of traditional production methods and craftsmanship.

This paper brings a new approach to the identification of water mills and the decision of the water mills to be conserved as a result of field studies.