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Embedded in built environment discourse, this chapter examines the traditional knowledge and resilience of the Ngadjuri Nation Peoples through an Elder’s narrative of reconciliation as well as resistance in their subsisting colonial settlement. Removed from ‘Country’ in the 1840s, Ngadjuri Aboriginal community endured colonial industries of open-cut copper mining and large-scale pastoralism as irreparable destruction to their cultural landscapes. European processes in the resources sectors reshaped natural topographies, deconstructing Ngadjuri Songlines and Ancestral Dreaming stories. Burra’s colonial stone buildings of settlement, painstakingly cut and composed from materials of the surrounding ecological terrain, prompted new narratives from Ngadjuri as a way of alleviating scars. Broadly speaking, this chapter aims to show how cultural heritage of two communities is provocatively and conceptually unpacked through the vernacular buildings’ cross-cultural foundations. That is, an under-reported narrative was unwittingly bestowed on the colonial-built forms with hidden meanings that deserve further investigation. This chapter offers a counternarrative to colonial histories revealing Ngadjuri’s methods for reconnecting to Country and culture after generations of disempowerment. It explores how within the materiality of colonial structures, the Ngadjuri entwined their remediated storylines – revealing a data curation that had avoided popular discourse in the galleries, libraries, archives, and museums [GLAM] sector representation. This example implies there are bodies of knowledge in built cultural heritage hidden elsewhere on our Aboriginal Nations and the challenges it presents GLAM in their Indigenisation processes.

Fresh out of the two-century-old British legacy, Bangladesh, formerly known as East Pakistan from 1947 to 1971, was searching for a post-colonial architectural style. Colonial architecture in the region in general often imposed imported European elements, ignoring the preceding legacies of the Sultanate and the Mughals. The critical challenge was to find a balance between the prevailing high modernism in architecture and the local vernacular and climatic forces. The Pakistani government invited international architects to fill the gap left by a non-existent local architectural industry. Unfortunately, their work has rarely been properly analyzed. With selected case studies, this paper analyzes their work in an attempt to explore their contribution to creating a national architectural identity.

This study uses a case study approach with selected architectural projects from the period. It uses research tools such as systematic analysis of drawings, volumes and photographs and archival research.

The international architects took inspiration from the strong vernacular and climatic forces of the region. The resultant expressions of the two-decade-long search in their combined body of work are some of the finest examples of vernacular and climate-responsive architecture in the region. They transcended the regular international style and became context-specific and unique. The quest for East Pakistan's post-colonial architectural identity was partially met by the newly found identity through vernacular and climate-responsive adaptation in architecture.

This study explores how a unified vernacular and climate-responsive adaptations potentially shaped the post-colonial architectural identity of the region. No prior study exists on this issue for the time period.

This research study aims to explore sociocultural factors such as privacy and gender segregation as they relate to the spatial perception of women's spaces within the vernacular Qatari household, and the activities, habits and practiced culture of its inhabitants.

This analysis utilizes the Space Syntax methodology to examine a sample of vernacular courtyard houses with respect to space connectivity, conducting an analytical exploration of the role of women based on the system of activities.

The findings shed light on the spatial complexity and sensitivity of the Qatari household as it reflects the prevailing sociocultural imperatives in Qatari urbanities, including the country's capital, Doha.

This research study thus reinforces the importance of traditional residential architecture in conserving Qatar's distinctive architectural identity, rooted in its sociocultural attributes.

Sociocultural features such as privacy and gender segregation are among the most prominent factors influencing the spatial form of vernacular courtyard houses in the Arabian Gulf country of Qatar.

It is argued that within a typical vernacular Qatari household, women's spaces are the least connected (most segregated) areas, due mainly to the influence of privacy norms and gender segregation on the spatial configuration of the house.

This paper aims to elaborate on the characteristics of vernacular architecture, particularly the architecture of the Turkish eastern Black Sea region, through a case study in the area; and to attract the attention of architects and researchers on the unique characters of the region. Another aim of the paper is to examine the contribution of vernacular architecture to sustainability through its design methods and principles, which have been developed throughout centuries.

This paper presents a single case study on the architecture of the Turkish eastern Black Sea region through 14 unique samples from Senoz (Büyükdere) Valley. The case study is preceded by theoretical research on vernacular architecture, its characteristics and its contribution to sustainable architecture.

The case study carried out in the Senoz Valley revealed that the region's vernacular architecture is still living. However, it has lost its importance in the past. Outcomes of the case study indicate that the unique character of the architecture in the valley needs to be protected and sustained, so that future generations can also benefit from its special design features.

Senoz Valley is a settlement located near the city of Rize in the eastern Black Sea region of Turkey. Vernacular architecture reflects the characteristics of the region and contains unique features in construction and planning. According to these special features, the architecture of Senoz valley deserves a place in the literature of vernacular architecture.

This paper aims to define an adapted contemporary design language for housing built next to vernacular residential buildings of Anatolian villages. The case has been selected from Balıkesir province in the North-western part of Anatolia within a corpus of 104 houses from selected 81 villages of the region. Originally, vernacular house plans consist of allocation of rooms around a hall: sofa. Each room is a core living space with everyday living needs for a family. House is formed with various spatial relations between sofa and rooms around it. This relation is the determinative feature in formation of vernacular language for each Anatolian house. The study has three phases: analysis, adaptation and generation. The first phase analyzes the elements of vernacular by decomposing its language into sub-parts. In the second phase, the inadequacies of existing vernacular structures were exposed with methods of observation and questionnaires applied on users and new demands for living have been adapted with vernacular existing language grammar rules. In the last phase within the framework of adapted language rules for Balıkesir vernacular, numerous novel design alternatives were generated. This study claims to sustain the existing socio-cultural spatial configuration by adapting newly built contemporary houses to actual vernacular architecture in the planning context.

The purpose of this study is to compare vernacular and new houses in terms of indoor occupant satisfaction and thermal and visual comfort in a region with cold climatic conditions. In line with the data obtained, the contribution of passive design techniques to comfort in housing indoor will be revealed.

In this study, the comfort conditions to be provided in a residence were determined and evaluated in Bingol with the help of questionnaires applied on vernacular and new houses. The information gathered from the occupants and the survey study was mainly designed for three purposes: (i) acquiring general information about houses; (ii) acquiring general information about occupants; and (iii) inquiring about the physical comfort satisfaction of the occupants (thermal comfort and visual comfort).

Although the average occupant satisfaction in terms of thermal performance in vernacular houses in summer and winter is 3.91, this average is 2.01 for new houses. The average of the general visual comfort of occupants in vernacular houses is 3.59, whereas this rate is 2.63 in new houses. According to the data obtained, occupant satisfaction was higher in vernacular houses than in new houses. In general, the new settlement area is designed and positioned independently of climate and environmental conditions. This situation increases the need to use mechanical systems to provide indoor thermal comfort conditions. The increase in the need for mechanical systems leads to a significant increase in energy expenditures, as well as deterioration of health conditions in places.

To ensure occupant satisfaction, indoor thermal comfort conditions and healthy environments, vernacular houses should be an example for the design and building of new houses in terms of orientation, environment relations, space dimensions and space usage in accordance with the character of the region and material selection.

There has not been a serious research on bioclimatic, socioeconomic and cultural sustainability of the vernacular architecture of Bingol. Therefore, this region has been preferred as the study area.

Given the broad scale and fundamental transformations occurring to both the natural environment and human condition in the present era, what does the future hold for vernacular architecture studies? In a world where Capital A (sometimes referred to as ‘polite’) architectural icons dominate our skylines and set the agenda for our educational institutions, is the study of vernacular architecture still relevant? What role could it possibly have in understanding and subsequently impacting on architectural education, theory and practice, and in turn, professional built environment design? Imagine for a minute, a world where there is no divide between the vernacular and the ‘polite’, where all built environments, past and present are open to formal research agendas whereby the inherent knowledge in their built histories inform the professional design paradigm of the day – in all built settings, be they formal or informal, Western or non-Western. In this paper, the author is concerned with keeping the flames of intellectual discontent burning in proposing a transformation and reversal of the fortunes of VAS within mainstream architectural history and theory.

In a world where a social networking website can ignite a revolution, one can already see the depth of global transformations on the doorstep. No longer is there any excuse to continue intellectualizing global futures solely within a Western (Euro-American) framework. In looking at the history of VAS, the purpose of this paper is to illustrate that the answers for its future pathways lie in an understanding of the intellectual history underpinning its origins. As such, the paper contends that the epistemological divide established in the 1920s by art historians, whereby the exclusion of so-called non-architect architectures from the mainstream canon of architectural history has resulted in an entire architectural corpus being ignored in formal educational institutions and architectural societies today. Due to this exclusion, the majority of mainstream architectural thinkers have resisted theorizing on the vernacular. In the post-colonial era of globalization the world has changed, and along with it, so have many of the original paradigms underpinning the epistemologies setting vernacular environments apart. In exploring this subject, the paper firstly positions this dichotomy within the spectrum of Euro-American architectural history and theory discourse; secondly, draws together the work of scholars who have at some point in the past called for the obsolescence of the term ‘vernacular’ and the erasure of categorical distinctions that impact on the formal study of what are perceived as non-architectural environments; and finally, sets out the form by which curricula for studies of world architecture could take.

In recent decades, Iranian vernacular architecture has defined the local architectural identity by demonstrating distinctive characteristics. Defining such a critical role for vernacular studies has led to different approaches in the design of the contemporary architecture of Iran. The first approach of integrating vernacular and contemporary designs has focused on local people, their needs, local construction, and building materials. The revival of vernacular architectural design and building elements has been at the forefront of this approach in Iran. However, recent use in Iran has concentrated on the symbolic/abstract reuse of vernacular building forms. Vernacular architecture is known to merely provide for the functional requirements of buildings, and not for aesthetic purposes. Conversely, in the second approach, vernacular building elements are considered to be symbols of local identity. This paper will argue that although the symbolic reuse of vernacular features may not uphold the functional expectations of the vernacular form, this reuse is useful in reviving architectural identity. In addition, underscoring such a different role for vernacular building features in contemporary architecture might help to expand the realm of vernacular studies. Thus, the purpose of this paper is to provide an overview of the conversion of vernacular architecture in Iran by focusing on the instance of wind-catchers. Wind-catchers typically were used in residential buildings and are considered potent symbols of climate adaptation. In contemporary architecture, however, a form of wind-catcher has been used as a symbol for local architectural identity. Through this transformation, the essential nature of the wind-catcher has found new life in the contemporary architecture of Iran.

This study explores the characteristics of female space evolution in Korean vernacular houses in the Yanbian region of China. In addition, it discusses the influence of social logic on the evolution of female spaces.

This study utilises space syntax methodology to examine the evolution of female spaces in Korean vernacular houses in terms of connectivity value, step depth and integration value. Furthermore, it conducts an analytical exploration of social logic based on the evolutionary characteristics of female space.

The findings elucidate the evolutionary characteristics of the spatial configuration of female spaces in Korean vernacular houses, with differential changes in connectivity, a gradual tendency towards openness and simplicity and increased accessibility and centrality. This reflects the changing spatial needs of Korean women brought about by changes in lifestyle, consciousness, social status and family structure.

This study provides perspectives and insights into the vernacular architecture and architectural sociology of ethnic minorities in regions of China and Asia. Furthermore, it can provide relevant construction organisations with a more intuitive understanding of Korean vernacular houses and a reference for future house renewal and construction in the Yanbian region.

Although many studies have investigated various aspects of Korean vernacular houses and female spaces, none have examined the influence of social logical changes on the evolution of female spaces in Korean vernacular houses. Thus, this study is valuable and novel.

The main objective of this paper is to critically assess sustainable development in the context of Behramkale, a vernacular village in Türkiye.

Vernacular Heritage Sustainable Architecture analysis framework has been adopted to understand and assess vernacular architecture and sustainable development in Behramkale.

The vernacular design of the old Behramkale settlement has shown more sustainable characteristics as compared to the new development area. Key findings show that trade-offs were made with respect to environmental and sociocultural aspects of sustainable development to achieve economic sustainability.

Future research with more in-depth interviews would be helpful to find out the inhabitants’ response to the conservation practices.

Based on the research conducted, life cycle analysis and sustainable strategies of vernacular settlements can be useful tools to design, develop and improve old settlements, as well as newly established settlements.

Key lessons learned from conservation practices can help to identify well-adapted solutions to respond to the needs of local communities in Türkiye and similar vernacular settlements in the Mediterranean region.

This paper critically assesses sustainable development in the context of vernacular architecture, heritage conservation and rural sustainability. Conservation practices in Türkiye are evaluated deeply as there is limited research in this field within the Mediterranean heritage conversation and sustainable development context.