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The purpose of this paper is to examine the relation with the future of young-adults Not in Education, Employment or Training (NEET) in Italy. The study of temporal experiences allows to understand how subjects represent their own condition and construct their biographies in an age of uncertainty.

The study follows a qualitative approach to allow participants to express their own experiences and representations through narratives. The 12 cases considered are illustrative of the different orientations detected in the group of 36 young people involved in the research.

Young-adults NEET have problems in acquiring a recognized social status and in designing future orientations. The difficulties to project themselves in time hinder the attainment of a sense of biographical continuity as well as the process of identity construction, which tends to be increasingly detached from the planning sphere.

The study adds to the literature on the issue of young people NEET, contributing to differentiate the social conditions of this group by referring to their experiences, social belongings and resources. The analysis sheds new light on the agency of young people, that conceive biographical strategies in relation to the scenarios they envisage.

Purpose – This chapter shows how professional women from diverse geographic locations claim belonging in the public sphere by using motherhood as an important strategy for negotiating gendered and classed spaces of belonging while constructing moral agency and proper citizenship as women.

Methodology/Approach – During anthropological research in Sudan and Mexico, the biographic narratives of two women, both key informants in larger, long-term ethnographic projects, were obtained by each researcher by engaging in a process of intersubjective knowledge production. These were analysed using the method of context analysis for dialogically constructed ‘narrations of the nation’.

Findings – The trope of moral motherhood works in widely differing national contexts as a means for women to claim a position in a public space and at the same time to negotiate the boundaries between private and public domains. Invoking this trope enables professional women to forge public belonging and to participate in politics, while still safeguarding their femininity and their decency.

Originality – This chapter demonstrates that national discourses about motherhood can be instrumental in creating a sense of civic belonging for professional women in two nation-states with widely diverse (post)colonial histories. Comparing narratives of belonging from such different national contexts can provide insight into belonging as an intrinsic part of identity constructions in paternalistic states. Both narratives show similarities in the way that motherhood constitutes a trope for active female citizenship whereby women actively claim public spaces and contest dominant discourses, which in the process de-essentializes motherhood.

This paper has two purposes. First, I offer a reading of interpretive biography (Denzin, 1989a) as an alternative method for understanding how individual lives are rendered meaningful in postmodern communication processes. Second, given the importance of many rock performers as cultural heroes, I present an interpretive biography of Pete Townshend, chief songwriter and most visible member of the classic rock band the Who. This method of inquiry is grounded in the more general tradition of interpretive interactionism (Denzin, 1989b, 1990a) and has its roots in C. Wright Mills's (1959) concept of the sociological imagination. Its guiding question is this: How is the postmodern self (or stated more accurately, selves) created within and sustained by the mass media? I argue that as postmodern cultural symbols, Townshend and the band (however ambiguously) mirror a collective search for identity on the part of audiences and society-at-large.

This paper aims to analyse the question of whether women freely choose to pursue a non‐linear career or whether they are forced by their circumstances to take this path.

Semi‐structured interviews with older female employees, who had non‐linear careers, were conducted. The qualitative analysis of women's biographical narratives was achieved through adopting a socio‐biographical approach. The subjective view of success in the non‐linear careers was addressed.

All respondents would have preferred a linear career. However a non‐linear career is accepted as a possibility to follow one's own professional interests and to cope with professional insecurity. Moreover women discover strategies to cope with insecurity, organizational injustice or life course stereotypes, such as networking, additional qualifications, and making the change over to a self‐employed position.

As all interviews were conducted with German professionals and a small qualitative sample, the results need an adaptation for other countries, younger generations and different social strata.

The need for social political concepts for non‐linear careers became evident. The risk of the non‐linear careers should be pooled between individuals and organizations.

The study found that some decisions, which aim to avoid professional insecurity (e.g. additional qualification), produce non‐linearity and hence increase the insecurity. The importance of social constraints for individual career decisions has been emphasized in the paper.

It is no news that Chinese construction companies are highly motivated to invest in Africa in terms of infrastructure and construction. This influx from the beginning of the millennium marked a game-changer for infrastructural development in most African countries. This study, therefore, explores how the partnership between China and Africa has impacted the construction industry in Africa with a focus on Nigeria.

A quantitative approach was adapted for the study, which is descriptive in nature, and the primary participants of the study were core construction professionals within the Nigerian construction industry. Data was collected via a structured questionnaire, and multivariate statistics was used to analyse the data.

The study results revealed that the benefits accrued from Chinese participation in the African construction industry can be classified into three distinct categories: socio-economic development through construction, land transportation system development and construction industry development. The study further revealed that Chinese involvement has been most beneficial to the development of the land transportation system in Nigeria with more investment in the construction and maintenance of roads and railways.

The study will serve as a basis for making informed future decisions on Chinese participation in the Nigerian construction industry as it exposes the impacts of the relationship within the current system. The outcome of this study can be used to refocus the partnership to ensure the optimum development of the local construction industry. The government and other relevant agencies can use the findings from this study to ensure that there is sustainable growth in the local construction industry through Chinese participation.

The purpose of this paper is to explore the concept of “risk” in relation to old age. Ideas are explored linked with what has been termed as the “risk society” and the extent to which it has become part of the organizing ground of how we define and organise the “personal” and “social spaces” in which to grow old in western modernity.

A theoretical paper in three parts, including: an introduction to the relevance and breakdown in trust relations; a mapping out of the key assumptions of risk society; and examples drawn from social welfarism to consolidate an understanding of the contructedness of old age in late modernity.

Part of this reflexive response to understanding risk and old age is the importance of recognising self‐subjective dimensions of emotions, trust, biographical knowledge and resources.

This discussion provides a critical narrative to the importance and interrelatedness of the sociology of risk to the study of old age.

Online ratings and reviews have recently emerged as mechanisms to facilitate accountability and transparency in the provision of goods and services. The purpose of this paper is to examine the nature and outcome of the accountability that online ratings and reviews create in the sharing economy.

The study draws on 30 face-to-face and Skype interviews with Airbnb guests and hosts as well as on secondary materials, including content from Airbnb data analytic reports.

The authors demonstrate that face-saving practices widely condition user ratings and comments. Face saving occurs when individuals attempt to preserve their own identity and the identity of others during a social interaction. At Airbnb, the authors find that reviewers adopt three distinct face-saving strategies: the use of private reviewing channels, the creation of tactful reviews and refraining from reviewing entirely. The authors also find that users are sceptical of rating metrics and public comments and draw upon a wide range of alternative sources, such as private messaging and other publicly available resources, in their decision making.

This paper highlights the overwhelmingly positive character of Airbnb ratings and reviews. It proposes the concept of crowdbased accountability as a limited, partial form of assurance for sharing economy users. Guests and hosts alike prioritise face-saving practices over reviewer responsibilities to provide authentic, reliable accounts to the public. Consequently, reviewers effectively remove the risk of sanctions for those in the network who underperform.

Purpose – I extend the discourse regarding The Days of Wine and Roses (TDoWaR) as an Alcoholics Anonymous (A.A.) film in particular and analyses of A.A. films in general and provide a symbolic interactionist reading of TDoWaR as involving compliance dramas.

Design/methodology/approach – Borrowing from Norman Denzin's notion of a subversive reading of films, in which the author attends to the literal content of a text from a predefined perspective, I deal with the characters as if they create and maintain aligned and congruent actions that authors can analyze as conversational and interactional content. My main interest, drawing upon symbolic interactionist conceptualization and previous reviews of TDoWaR, involves the decisions made by characters to imbibe against their better judgment.

Findings – I detected four dramas (foreshadowed, evocative, profane, and complementary) that differed in interactional intensity and consequences. Each involves mutual decision making associated with self-definition and definition of the relationships. I also locate the dramas in the context of moral themes of an A. A. Film, specifically an epiphany, a categorical commitment to sobriety, an ongoing life cycle of recovery, and synchronicity.

Originality/value – Compliance dramas involve decisions to engage in ordinary activity (in this case, drinking) that becomes nonordinary, owing to semiotic, situational, historical, and interactional dynamics. The chapter can encourage thinking about alcoholism and alcoholic films as involving a moral career of a recovering alcoholic that sometimes must involve sacrifice of other prestigious moral careers (e.g., of a romantic relationship) in order to maintain the authenticity of the identity.