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My analysis is structured as a comparative study between two countries – New Zealand and Italy – and focuses on the relationship between national audiences and the trans-media structure of the popular television series Game of Thrones (HBO, 2011– present). Game of Thrones’ narrative is characterized by elements that emphasize its fictitious world, since these elements belong to the fantasy genre, which, by definition, deals with the supernatural. From this standpoint, the fantastic universe of the series functions as an escape route from everyday life. However, instead of following the genre rules, “Game of Thrones articulates a striking refusal of the hopeful mythologies of high epic fantasy” (Tasker & Steenberg, 2016, p. 189) by focusing on the brutal, the extreme, and the overall injustice and chaos that permeate a society in which war and death appear to be inescapable. In this chapter, the textual schematic of Game of Thrones is examined through the emotional reactions, during focus group sessions, of national fan groups to themes and events of the show. In particular, the analysis of Italian and New Zealand followers’ comments on Game of Thrones will be instrumental to illustrating the reasons for their passion for the series as well as the main concerns that arise during the viewing. This ambivalent attitude in fans’ responses and engagement will emerge as significantly dependent on the media text’s capacity to transcend the boundaries of a simple categorization, to stand as a notable example of a program that manages to appeal to diverse audiences beyond the country of origin.

This chapter focuses on diversity issues in France. It shows how these issues came historically in the French context and how the main tensions generated, notably the equality-diversity and universality-diversity tensions, are not understandable without a knowledge of the French Republicanism which gives to the foundations of the French social fabric its peculiarities.

The purpose of this qualitative study was to determine international students’ satisfaction on the quality of a private university in Turkey and the factors which influence their satisfaction. The study also investigated international students’ suggestions to improve their studies and life in Turkey. For these purposes, focus group interviews were conducted with 27 international students. Deductive coding was used to analyse collected data. The findings show that international students’ satisfaction is shaped by a number of different factors including, perceived quality of teaching, living and support service experiences and scholarships. Results also showed that participants considered extracurricular activities as an important part of their experiences when it comes to improving their campus life and learning experience.

As part of the Baltimore Ecosystem Study (BES), a long-term ecological research project that conducts research in metropolitan Baltimore as an ecological system, scientists have measured the effect of urbanization on entire watersheds, such as Gwynns Falls, from headwaters to the Chesapeake Bay. In general, urbanization has buried many seasonal headwater streams and has contributed to the erosion of extant streams due to flashy urban storm runoff in what was a slow moving, beaver-dominated landscape (Elmore & Kaushal, 2008; Brush, 2009). This chapter fuses scientific ecological research in Baltimore with ethnographic evidence of human ecological technologies practiced in Northern Thailand. Anthropologist Shigeharu Tanabe studied one such ecological technology practiced for centuries in Chiang Mai called muang fai. More recently, a royally inspired community project of forest regeneration was successfully completed through small headwater dam building in nearby Lampang. The authors report on a recently conducted survey of the sites Tanabe documented in the 1970s and the results of the community reforestation project in relation to design proposals for three neighborhoods in Baltimore. The ecological research in Baltimore and the ethnographic research in Chiang Mai are integrated in this chapter to argue for new sustainable design practices in urban headwaters that combine ethnography, scientific monitoring, and design.