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In this chapter, we reflect on the possibilities of craftivism — yarn bombing, specifically — in a fourth-year undergraduate seminar on feminist praxis. We suggest that knitting in the classroom, as an ‘everyday [act] of defiance’ (Baumgardner & Richards, 2000, p. 283), opens a productive space for complex and challenging conversations, in the process enabling not only different ways of listening, but also different ways of learning. Knitting, as a meditative and embodied practice, encourages and supports critical attentiveness. We also argue that craftivism can operate to make change in a way that emphasizes collaboration, non-violence and critical self-reflection. Social change, in a craftivist framework, happens in the everyday, and perhaps more radically, within the domestic spaces of the normatively feminine. Finally, our project demonstrated that knitting as feminist praxis serves a bridging function: we contend that systems of power may be challenged through knitting-as-protest, and that students may be able to practice engaged citizenship as they navigate the slippery borders between public and private, and academic and community-based feminisms.

The contemporary practice of ‘craftivism’ – which uses crafts such as knitting, sewing, and embroidery to draw attention to ‘issues of social, political and environmental justice’ (Fitzpatrick, 2018, p. 3) – has its origins in centuries of radical craft work, where women and marginalised peoples in particular, employed crafts to protest, take a stand, or raise awareness on issues that concern them. This chapter explores how crafts are being used to highlight key social and criminal justice issues that are of concern to criminologists, including the missing and murdered, state and institutional violence, and sexual abuse and violence. In canvassing the ways in which craft is being used to draw attention to, document, memorialise, demand change, and heal, this chapter considers why criminologists would benefit from being attentive to the strategies craftivists are using to challenge the status quo and make visible the invisible.