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The purpose of this paper is to review and discuss Luciano Floridi’s 2019 book The Logic of Information: A Theory of Philosophy as Conceptual Design, the latest instalment in his philosophy of information (PI) tetralogy, particularly with respect to its implications for library and information studies (LIS).

Nine scholars with research interests in philosophy and LIS read and responded to the book, raising critical and heuristic questions in the spirit of scholarly dialogue. Floridi responded to these questions.

Floridi’s PI, including this latest publication, is of interest to LIS scholars, and much insight can be gained by exploring this connection. It seems also that LIS has the potential to contribute to PI’s further development in some respects.

Floridi’s PI work is technical philosophy for which many LIS scholars do not have the training or patience to engage with, yet doing so is rewarding. This suggests a role for translational work between philosophy and LIS.

The book symposium format, not yet seen in LIS, provides forum for sustained, multifaceted and generative dialogue around ideas.

The purpose of this paper is to first articulate and then illustrate a descriptive theoretical model of documentation (i.e. document creation) suitable for analysis of the experiential, first-person perspective.

Three models of documentation in the literature are presented and synthesized into a new model. This model is then used to understand the findings from a phenomenology-of-practice study of the work of seven visual artists as they each created a self-portrait, understood here as a form of documentation.

A number of themes are found to express the first-person experience of art-making in these examples, including communicating, memories, reference materials, taking breaks and stepping back. The themes are discussed with an eye toward articulating what is shared and unique in these experiences. Finally, the themes are mapped successfully to the theoretical model.

The study involved artists creating self-portraits, and further research will be required to determine if the thematic findings are unique to self-portraiture or apply as well to art-making, to documentation generally, etc. Still, the theoretical model developed here seems useful for analyzing documentation experiences.

As many activities and tasks in contemporary life can be conceptualized as documentation, this model provides a valuable analytical tool for better understanding those experiences. This can ground education and management decisions for those involved.

This paper makes conceptual and empirical contributions to document theory and the study of the information behavior of artists, particularly furthering discussions of information and document experience.

The authors discuss the lifeworld as a research concept for the field of information behaviour, which serves to problematise the concept of unit of analysis. In so doing, the authors demonstrate how the lifeworld can be adopted as a unit of analysis in information behaviour research, that is, how research can be based in the lifeworld rather than merely looking at the lifeworld. The paper aims to discuss these issues.

The authors first situate our discussion in the current of information behaviour scholarship. The authors then introduce the concepts of lifeworld and unit of analysis and consider how they intersect. Next, to show the importance of the lifeworld, the authors present two recent studies in which the lifeworld emerged. Finally, the authors discuss how lifeworld-based research can be conducted more conscientiously.

Though many research approaches deal with lived experience in one way or another, they tend not to fully grasp these experiences. As opposed to units of analysis such as individual, social group, person-in-situation, etc., using lifeworld as a unit of analysis allows phenomena to be researched holistically and without reductionism.

The authors limit the discussion to the concept of the lifeworld as developed by Husserl, the concept’s originator. The lifeworld has been discussed and extended by other authors since, but this work is not considered here. The viewpoint is offered as a supplementary perspective, meant to be enriching to our field of study, rather than divisive.

This is the first time the concept of the lifeworld has been fully explicated in information science. As the authors discuss, two recent information behaviour studies that “discovered” the lifeworld through their analysis. Future studies that attend to the lifeworld from the start have the capacity to build on this work and extend the horizons of information science.

Trends in information technology and contemplative practices compel us to consider the intersections of information and contemplation. The purpose of this paper is to consider these intersections at the level of institutions.

First, the notion of institution is defined and discussed, along with information institutions and contemplative institutions. Next, sanctuary is proposed and explored as a vision for institutions in the digital age.

Sanctuary is a primordial human institution that has especial urgency in the digital age. This paper develops an info-contemplative framework for sanctuaries, including the elements: stability, silence, refuge, privacy and reform.

This is a conceptual paper that, though guided by prior empirical and theoretical work, would benefit from application, validation and critique. This paper is meant as a starting point for discussions of institutions for the digital age.

As much as this paper is meant to prompt further research, it also provides guidance and inspiration for professionals to infuse their work with aspects of sanctuary and be attentive to the tensions inherent in sanctuary.

This paper builds on discourse at the intersection of information studies and contemplative studies, also connecting this with recent work on information institutions.

Self-documentation is an increasingly common phenomenon, but it is not yet well understood. The purpose of this paper is to provide a philosophical framework for analyzing examples of self-documentation on the dimensions of ontology, epistemology and ethics.

The framework addresses these three major areas of philosophic thought by operationalizing insights from philosophy, chiefly the work of Martin Heidegger. Heidegger’s concepts of authenticity and fallenness inform the poles of each dimension of the framework.

Ontologically, self-documentation may manifest as document (authentic) or data (fallen); epistemologically, as understanding (authentic) or idle curiosity (fallen); and ethically, as self-care (authentic) or diversion (fallen). These dimensions are presented separately but are understood to be intermingled.

This unified framework offers a lens for examining and comparing cases of self-documentation and self-documents. No such framework has previously been articulated, but given the ubiquity and growing importance of self-documentation, it is needed.

The purpose of this paper is to explore the “race report” as a document genre in the serious-leisure pursuit of ultrarunning. Despite the sport’s largely non-documental nature, race reports stand as an anomaly in their importance. This exploration serves as a springboard to investigate the informativeness of story in human life generally.

A qualitative survey of the information behavior of ultrarunners was conducted. The 46 participants were runners in a 100-mile footrace in 2016. Responses were first analyzed through phenomenological theme analysis and then were subjected to a deductive audit using a framework of information activities validated for use in serious-leisure pursuits.

Race reports are bound up in information activities across the information-communication chain. Race reports help athletes choose races, prepare for races, pre-experience races, communicate their race experiences, gather new ideas, extend their training and, finally, find entertainment.

This discussion of genre is synchronic, largely limited to one moment in time, and its findings were limited in depth by the survey method. Further research should investigate race reports historically (diachronically) and infrastructurally.

This work points to symbiosis between genre theory and information behavior theory. It also legitimizes narrative reasoning as a way of knowing, which has been largely unrecognized in information behavior. Some implications of this for information science and technology are discussed.

Americans increasingly feel a sense of wonder at the universe; meditation and yoga are on the rise; and a field known as Contemplative Studies has emerged. These indicators, among others, suggest a groundswell of interest in contemplative practice and contemplative experience and raise intriguing questions for information and Information Studies. Against this backdrop, this paper asks: How might Information Studies contribute to these developments? What is the relationship between information and contemplation? What can be explored on this research frontier?

This conceptual paper is based upon a synthesis of recent writings from the field of Contemplative Studies as well as conceptual analysis of selected papers and themes in Information Studies. It draws from discussion that occurred at a Session for Interaction and Engagement at the 2018 iConference, entitled “Contemplating Information in the Pleasurable and the Profound” (Latham et al., 2018). The authors' creative thinking and personal contemplative practices also infuse and fortify the work.

Popular and academic contemplative movements are afoot, and Information Studies has an opportunity to participate or be left behind. The field of Contemplative Studies has established the foundational concepts that can serve as contextual material for information research into contemplation. Upon closer inspection, Information Studies has already broached the topic of contemplation at various points in its history, theory, institutional practices, and information behavior research. The conceptual points of departure for a research frontier are articulated.

Beyond data, information, and knowledge are deeper and more profound aims, such as wisdom, which is related to contemplation. This paper supplies a rationale, scholarly community, conceptual resources, historical precedents, and guiding questions for bridging information and contemplation.

The purpose of this paper is to further the scholarly discussion of information experience as an object of study, including how this research area fits into library and information studies more broadly.

A conceptual discussion of certain issues raised in Yu and Liu's recent paper in this journal.

While Yu and Liu seem to suggest that only a priori information experience research belong in library and information science (LIS), this paper suggests that a priori and a posteriori research have a synergistic relationship and both have a home in LIS.

This paper clarifies how the two conceptualizations of information experience as an object of study relate to each other, as well as how these relate to information experience as a research approach, and how all this fits within the metadisciplinary field of LIS.

Scholars in information science have recently become interested in “information experience,” but it remains largely unclear why this research is important and how it fits within the broader disciplinary structure of information science. The purpose of this paper is to clarify this issue.

The discussion unfolds in the form of a philosophical dialogue between the Epistemologist, who represents the traditional and majority epistemological viewpoint of information science, and the Aestheticist, representing the emerging paradigm of experiential information inquiry.

A framework emerges that recognizes dual conceptualizations of truth (veritas and aletheia) and consequently information and knowledge (gnostic and pathic). The epistemic aim of understanding is revealed as the common ground between epistemology and aesthetics.

The value of studying human experiences of information is grounded in work spanning philosophy, psychology and a number of social science methodologies, and it is contextualized within information science generally. Moreover, the dialogic format of this paper presents an opportunity for disciplinary self-reflection and offers a touch of heart to the field.