Search results

An epistemological inquiry underlies the investigation of the methodological content of modernity and post‐modernity as explained by their socio‐scientific world views. Against the continued prospect of a moral and intellectual demise of either of these epistemologies in the new millennium, is set the emergence of the final world view premised on unity of knowledge to configure substantive socio‐scientific realities. The fundamental premises of all of these paradigms are investigated and several examples pointed out in their light. An important one is the alternative organisation of the socioeconomic order by means of micro‐enterprises.

The purpose of this paper is to circumscribe the various philosophical connections between the classical and the modern notion of corruption from Enlightenment to post-modernity.

The paper analyzed to what extent the classical notion of corruption (Plato, Aristotle and Cicero) still influenced the way philosophers perceived the phenomenon of corruption during the Enlightenment (1625-1832), the transition period (1833-1900) and the post-modernity (1901 onward). Taking those historical periods as reference points, the author will see how literature about historical, social and political conditioning factors of corruption could convey the presence/absence of the classical or the modern notion of corruption.

The paper finds that the classical notion of corruption implies the degeneration of human relationships (Plato and Hegel), the degeneration of the body-and-mind unity (Aristotle, Pascal and Thomas Mann) or the degeneration of collective morality (Cicero, Locke, Rousseau, Hume and Kant). The modern notion of corruption as bribery was mainly introduced by Adam Smith. Nietzsche (and Musil) looked at corruption as degeneration of the will-to-power. The classical notion of corruption put the emphasis on the effects rather than on the cause itself (effects-based thinking). The modern notion of corruption as bribery insists on the cause rather than on the effects (cause-based thinking).

In this paper, the author has taken into account the main representatives of the three historical periods. Future research could also analyze the works of other philosophers and novelists to see to what extent their philosophical and literary works are unveiling the classical or the modern notion of corruption.

The paper presents a philosophical and historical perspective about corruption. It sheds light on the way philosophers (and sometimes novelists) deal with the issue of corruption, whether it is from an effects-based or from a cause-based perspective.

The contemporary city is a field with a myriad of problems that require deep reflection and the questioning of habitual ways of thinking and acting. This chapter examines some of these, while seeking a path – or perhaps a way out – in order to deal with the difficulties linked to the most pressing emergent phenomena: the multiplication of new citizens, the complicated mosaic of differences, the spread of voluntary communities and the requests for recognition in a socially diverse and multiple society.

The reflections brought together in this chapter leave behind mundane literary routines, imprisoned in the clichés of the discourse on post-modernity, to single out a ‘field of practices’ that is enigmatic but at the same time constitutes and generates a new idea of urbanity. DiverCity (Perrone, 2010) is the literary and evocative figuration that recounts this set of practices. The figuration uses a ‘play on words’ between diversity and city, in which the two concepts are understood as entities with a one-to-one correspondence, an ontological interconnection. DiverCity is the outcome of a process to produce and exchange multiple, plural, interactive (built up during the action), expert and experiential knowledge.

Critical accounting research has viewed corporate annual reports as the signed public records of organisations' dominant managerial groups and/or as reflective and constitutive of a wider set of societal values. To date, however, there has been little research on the social context of these reports. This paper seeks to further explore and question the role of corporate annual reports in post‐modernity. Since the end of World War II, a post‐modern, media‐dominated culture has risen in Western countries like Australia. The question of this paper is whether corporate annual reports are instrumental in reflecting and reproducing this consumerist culture. A content analysis of Australian National Industries Limited's annual reports from 1962 – 1991 demonstrates that there is a link in the content and form of these reports and the rise of a consumerist culture in Australia. This paper shows that if everything can be made to sell, so aesthetics can be commodified and be made part of a product (corporate annual reports) whose primary objective is to convince dispersed stakeholder groups that the company and its management are worth investing in.

This book examines the way in which depictions of post‐modernity, urban social theory and theories of racism interrelate in their comprehension of the cities of late‐capitalist societies, cities the world over, that is, wherever populations of black people are found. That portrayal is a quite unique approach to such burning issues as the manner in which black people assert claims to self‐ identity against racist projections of who they are, of circuits of social control, and social systems reproduction. Moreover questions as to whether the concept of ethnicity divides the oppressed or unites them; whether the categories of race and community are dangerous fictions; what relations there are between the capitalist democratic state and groups suffering racial discrimination within them; and whether critiques of post‐ modern critical social theory clarify or mystify analysis of racism, are all ably considered with unusual perspicuity.

The purpose of this paper is to explain the sense of choice in our contemporary world.

Taking cue from the research of the Institute of Neuroinformatics of Swiss Federal Institute of Technology, and University of Zürich, this paper is meant to highlight that the contemporary individual is gradually abandoning his own freedom of choice: the principle of moral responsibility, and – consequently – sign of humanity.

If today the smartphone is the most used tool, in the future we will soon benefit from a chip under skin which could delegate our choices. It is a piece of technology that is not only inspired by biology to create robots, but could also change our life.

From the massive use of the cell phone to the robots which apparently ‘‘feel’’ and show emotions like humans do. From the wearable exoskeleton to the prototype reproducing the artificial sense of touch, technological progress explodes to the extent of embodying itself in our nakedness.

In this chapter, the authors situate metal medievalism in the discourse on medievalism and neomedievalism. Detangling the ways in which historicity and authenticity are perceived and negotiated in metal cultures reveals how metal medievalism’s relationship to the past illuminates perceptions of post-modernity. The disparate pieces of the Middle Ages (both ‘real’ and ‘imagined’) form a bricolage through which post-modern meanings are expressed. Metal musicians and consumers use these fragments of the past as a means of collective resistance against the post-enlightenment, capitalist and machine-mediated present. The Middle Ages represent attempts at the re-enchantment of the present with a transcendent, organic, and carnal past. The meanings which are created this way are far from uniform or absolute however, but spiral between historical and imaginary, collective and individual, and continue to spin on in ever more complex permutations with no sign of abating.

The purpose of the present paper is to explore the political discourse present in the show Chile Ayuda a Chile [Chile helps Chile] to support the survivors and victims of the last earthquake hit Chile in 2010. Based on the belief that nationalism plays a vital role in cementing the process of recovery by making survivors believe that they, after all, have a new opportunity to be on feet again.

The visual methodology (enrooted in the analysis of content) is the chosen technique to develop five indicators which replicates the nationalist sentiment of Chileans post-disaster context. The archetype of nationalism is activated whenever the community is in danger.

As Baudrillard put it, the post-modernity is witness of a much wider nation-state’s declination. Nonetheless, current information presented in this report very well contrasts a thesis of this caliber. Far-away of being experiencing a decrease of Nationalism, we argue that in contexts of emergency and chaos, nationality plays an important role to maintain a firm bondage and prevent social fragmentation. Five indicators are found in the discourse of Chile helps Chile, beautiness, sport, coercion, stratification and materiality.

The outcome of this research, because of its qualitative nature, does not allows statistical or broader inferences. For this, further investigation is needed.

Much of disaster-related texts have been influenced by Jean Baudrillard and his thesis of nation state decline. The originality of this research shows the opposite. As a process of resiliency, the national being still plays a crucial role in revitalizing the social tenets of community in context of uncertainness.