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This paper aims to review developments in dark tourism research over a 20-year period from its inception in 1996. This paper also considers the reasons why people visit dark tourism sites and the different perspectives of site operators, tourists and academics.

This paper uses a round table discussion with three participants – all researchers who played a significant role in developing the early concept of dark tourism. The paper also explores a number of questions about past, current and future research interests and developments.

It was observed that dark tourism site operators and visitors tend to view the act of remembrance as a significant reason for visiting a site associated with past atrocities. This perspective is rather different from the original concept of dark tourism – viewed by many as a form of pilgrimage tourism.

The review reveals a gap between aspects of the literature on dark tourism and the reasons why these sites remain popular with tourists. Site operators and visitors say that motives for visiting are more commonly associated with an act of remembrance and a sense of pilgrimage than a desire to view a site associated with pain and death.

This viewpoint provides a 20-year perspective on research in dark tourism based on a conversation between three of the most eminent researchers in the field.

The purpose of this paper is to consider the history and dark tourism attractions associated with a case study of the Thai-Burma Railway in the city of Kanchanaburi, Thailand. The paper considers how history has been abridged and distorted at a number of attraction sites in order to exploit the dark tourism commercial potential. The role of film media is considered as a critical element of the site narrative and the reality of the tragic past of this place is discussed within the context of Thailand’s role in the Second World War. Kanchanaburi, through the urban attractions that constitute the primary motivations for visitation, distorts and exploits its dark history for commercial and ideological purposes. Where accurate the Second World War interpretation was identified, it was maintained by balancing the requirements of national governments and institutions with acceptable levels of ambiguity and non-controversial perspectives on this urban location’s dark past.

The paper draws on literature, historical documents and tourism publications related to the Second World War and the incarceration and forced labour associated with the Thai-Burma Railway and the city of Kanchanaburi. Fieldwork incorporating tourist attraction and commemorative site visitation was undertaken in Northern Thailand in January 2017. Curators, managers, operators and tourist authorities were contacted in advance of the fieldwork by e-mail to request interviews. The sites identified were the primary sites visited by tourists, and no related Second World War site in the area was excluded. For those interviewed in relation to the subject area, a standard questionnaire based on a rolling database, relevant to particular sites was utilised. Interviews were taped and transcribed.

The city of Kanchanaburi is defined by a heritage that has changed over time. Many factors imbue the meanings and content of place. This is a function of a plethora of competing Influences and agendas; political, economic, cultural, demographic and historical. Yet, this destination is defined by the dark history of the Second World War which is associated with this place. The visitor attraction sites considered in Kanchanaburi provide multiple narratives around the Second World War events. They offer a range of content driven by influences as diverse as simple commercial gain to the complex interaction of political, economic and ideological agendas (cf. Gegner, 2012). In each case, the interpretation is used to articulate heritage through objects, artefacts, audio recording, place or imagery. These elements exist in environment(s) of their creation; the Second World War heritage of Kanchanaburi is developed in a nation that has only a partial and selective acceptance of its role in this conflict. The visitor attractions examined in this research and their content have all re-constructed and re-represented the past. Historical memorialization remains embedded in interests that are global, commercial, ideological but rarely neutral. The interpretation of the Thai-Burma Railway and the narrative of the many victims is associated with the construction merit respect, commemoration and consideration that is value free and not distorted by ideology or commercial imperatives.

This paper provides a foundation for further consideration of how such contested dark heritage is viewed not least by visitors and users. Development of research in this area would provide a valuable source of data on: consumer profiles, motivations and orientation. Relating this data to nationality and origin would provide useful comparative data to that offered by operators and managers of key attractions. Furthermore, the prevalence of social and digital media as primary tourist information source could be measured against the continued (and possibly declining) importance of the filmic narrative. Furthermore, deeper evaluation of nature and content of interpretation is merited, given the range of approaches and content observed. At a political and policy level, the treatment of this part of Thai history and the degree of sensitivity around interpretation is linked to how a nation confronts its difficult past. More thorough evaluation of treatment in national media and education curriculum also merits review. Urban heritage is an important element of urban destination marketing and evaluation based around core themes of transparency, openness, respect for the past, and sensitive treatment of tragic events offer direction for application and evaluation in other urban contexts.

This is the first time the heritage of this city has been considered in the context of dark tourism and the role of Thailand in the Second World War. It incorporates an analysis of all of the relevant attractions in the city and provides through the fieldwork conducted an original contribution to the tourism literature in this field. It draws on historical record, original documentation, interview analysis and tourism data. It provides further evidence of the dark tourism phenomena in a South East Asian context linked to a conflicted and selective appraisal of the past.

The paper aims to profile the Worldwide Hospitality and Tourism Themes (WHATT) theme issue “Dark tourism – visitation, understanding and education; a reconciliation of theory and practice?” by drawing on reflections from the theme editor and theme issue outcomes.

The paper uses structured questions to enable the theme editor to reflect on the rationale for the theme issue question and the outcomes.

It was observed that visitors to dark tourism sites are often motivated by respect and remembrance and that this motivation is frequently reported by the practitioners who manage these sites.

The paper presents dark tourism site educational guidelines for practitioners.

This paper provides a rich array of insights from practitioners involved in managing museums and related educational programmes, conceptual development and applied academic research.

This paper aims to consider dark tourism sites and their pivotal role as evidence of atrocity and evil. How they are interpreted and the role of visual imagery, most particularly photography, are considered from the perspective of the locations as heritage and learning sites. The complex arguments in relation to conservation and maintenance are juxtaposed with the behaviour of visitors in recording and uploading imagery of such material. This phenomenon allows us to consider the enormity of witnessing such events and viewing such sites as part of contemporary tourist behaviour.

The approach utilizes contemporary literature from tourism, sociology and film studies and uses secondary sources to highlight key sites that illustrate discursive elements of the paper.

This appeal and appetite for photographic and filmic record by visitors to such dark sites illustrates not only an inherent fascination but also a series of dark and recurring themes. However, it is also notable that in some locations, ideological selectivity in development is present and evidence, record and history are challenged. The cases of Cambodia and Russia and elements of their tragic pasts are used to illustrate why key heritage sites are developed as attractions or are ignored as evidential sites. For these reasons, this area still merits evaluation and discussion in tourism.

The area of dark tourism has been the focus of researchers for over a decade. However, the areas of selectivity in development, ideological impact on content and the issues related to visualization have not as yet been fully explored. This paper begins to explore issues related to visualization and evidence and how it related to these dark tourism sites.

This paper aims to review the dark tourism concept as it applies to visitation, understanding and education to determine whether a gap exists between academic research and literature, the operation of dark tourism sites and the motivations of visitors.

The paper development of the dark tourism concept over a 20-year period and draws on the papers and debate among contributors to this theme issue to determine the role played by dark tourism in contemporary society.

It was concluded that the concept of dark tourism remains relevant and that what is interpreted, merits educational focus and what is ignored is a function of the complex interaction of commercial potential, political will and social acceptability.

This paper incorporates the reflections of senior practitioners and academics in a comprehensive review of the dark tourism concept.

The paper provides a blend of academic and practitioner insight on a facet of tourism that is often misunderstood and even misinterpreted. It was observed that dark tourism is an important way of remembering the past and that for many visitors, it offers a form of pilgrimage.

Creativity has become a hot topic in academic circles, although it has only recently gained credibility as a legitimate subject for research. This paper highlights findings from a variety of research approaches (including psychometrics, cognitive psychology, historiometrics, biology, and contextual studies) with relevance to teaching and learning. Special emphasis is placed on ways to frame research as a creative endeavor.

This paper aims to explore how accounting is entwined in the cultural practice of popular music. Particular attention is paid to how the accountant is constricted by artists in art and the role(s) the accountant plays in the artistic narrative. In effect this explores the notion that there is a tension between the notion of the bourgeois world of “the accountant” and the world of “art for art's sake”.

This paper draws on the cultural theory of Pierre Bourdieu to understand how the character of the accountant is constructed and used by the artist. Particular attention is paid in this respect to the biography and lyrics of the Beatles.

Accounting and accountants play both the hero and the villain. By rejecting the “accountant villain”, the artist identifies with and reinforces artistic purity and credibility. However, in order to achieve the economic benefits and maintain the balance between the “art” and the “money”, the economic prudence of the bourgeois accountant is required (although it might be resented).

The analysis focuses on a relatively small range of musicians and is dominated by the biography of the Beatles. A further range of musicians and artists would extend this work. Further research could also be constructed to more fully consider the consumption, rather than just the production, of art and cultural products and performances.

This paper is a novel consideration of how accounting stereotypes are constructed and used in the field of artistic creation