Search results

Physical education, like most areas of education, is changing and taking on a new look for the 1980s. Physical educators, school administrators, and others making decisions about programs for children and young people are examining both current practices and forecasts for the future in this field. What they decide will profoundly affect the resources that should be a part of library collections for children and youth. Too often librarians and school media specialists have found it difficult to think about the kinds of materials appropriate for such collections because they do not have the knowledge necessary for sound selection. A major reason for this difficulty is that the area of physical education is usually separated from other subject areas in schools. Along with the industrial arts, domestic science, and the fine arts, physical education is categorized as a performative subject area. Classified as such, it is usually not thought of as something you ask young people to think about, talk about, or even read about; but rather, something you ask them to “do.” Yet, upon closer examination, there exists a small wealth of library materials for children.

This paper aims to discuss the spatial interactions of street music in public spaces. It proposes to clarify why relationship between street music and people in public spaces is important and how street music evokes an external stimulus on people.

The conceptual framework of this paper is based on the triangulation process of Whyte and the qualities of public spaces, forming a relationship between space and people produced from the seminal literature of the paper. Accordingly, a case study based on the qualitative research method was conducted in Istiklal Avenue, where street music performances can be observed for long term. During the field work which spans a period of 12 months, 10 spots of street music performances have been observed and photo–video documentation was collected.

This paper provides empirical insights on how the triangulation process reflects social interactions in public spaces. This also suggests the triangulated position of street music as an external stimulus relating with the people as actors of daily urban flux.

Regarding to the chosen research approach which is based on deeper understanding, this paper interrelates the interactions of street music and people in public space.

This paper includes qualitative research steps of data collection and disaggregates findings with a “Cross Matrix Table” proposed at the end of the study.

The proposed disaggregating “Cross Matrix Table” and case study fulfil an architectural need to research how everyday street art activity can reflect the qualities of public space.

THOSE who were present at the induction of the President of the Library Association on January 26th must have left that pleasant, but very limited, assembly with two thoughts ; that the speeches were adequate and deserved a much wider audience than the relatively small Council Chamber at Chaucer House can accommodate, and that our affairs are in good hands for 1949. Mr. McColvin made the speech of thanks to Mr. Nowell, as a man straightforward, sane, loyal, simple, broadminded and fundamentally sound. We echo these and could add other praises but, fortunately, Mr. Nowell has many years of active service ahead, and we hope for many opportunities yet to acknowledge it. Sir Ronald Adams showed that modesty and charm which we were assured from his record he possesses. Our readers have found these speeches in the L.A. Record for February, and our only purpose in alluding to them is to say our own word of thanks for past service and our good wishes to both outgoing and incoming Presidents. And again to repeat our view that the Association loses a great ceremonial opportunity by holding the inauguration in a small room in London in the winter, rather than at the great annual assembly of the Conference as was at one time the practice. It was the central occasion of the year.

The Cecil Sharp Library of the English Folk Dance and Song Society is a collection of books, periodicals, pamphlets, manuscripts, pictorial material, and sound‐recordings enlarging the small but valuable collections of books and photographs bequeathed by Cecil Sharp to the English Folk Dance Society which he had founded in 1911, and of manuscripts, sound‐recordings, and books acquired from the Folk Song Society, founded in 1898, on the amalgamation of both bodies twenty years ago, together with a small museum of traditional costumes, regalia, and musical instruments.

THERE is no argument more futile in the field of librarianship than that of whether it is preferable that librarians should be bookmen or administrators. Nonetheless, the President thought fit to make it one of the main points of his address to the Conference, painting in words two pictures—one of the “business executive” type librarian with his clear desk, telephone and secretary, and the other of a “scholar” type surrounded by books and dust, oblivious to the outside world. If it were possible to define the terms “bookman” and “administrator” in relation to library work there might be some point in a discussion on the subject. What is meant when a librarian is called a bookman? Is a bookman someone who comes to work like everyone else, but once arrived sits in an office and spends the rest of the day reading? If this is what a bookman does, does he read old books or new books? If old books, does he read them literally or bibliographically? Does he read purposefully in order to create some new work of his own, or without purpose? The question is an endless one, but then no librarian could possibly spend the whole of his working life so engaged.

The current paper outlines a unique marketing perspective that prevails in some informal education institutions in Israel parallel with “traditional modes of marketing”, such as promotion, public relations and the like. Based on a case study research in five community centres, a service development based on active participation of the potential customers is discussed as a major marketing method in this organisation, and contrasted with “classic” models of the marketing process which have long been dominant in the non‐education sectors. Practical implications for marketing informal education institutions are provided.

Performance programs, games, rituals and story telling are looked at as part of the performance of organization. Some leaders in these methods are gifted performers, and they are able to pass on the plots of these themes to succeeding generations of employees.

This paper discusses some aspects of the performing arts of the Tibetans and attempts to analyze how they have fared within the context of an extremely large and modernizing state, where since the late 1970s modernization has been accompanied by a contrary revival of traditions. It argues that performing arts traditions remain powerful among the Tibetans and takes issue with the frequently heard notion that Tibetan culture is being destroyed. It contends, however, that the acceleration of modernization in the coming decades could weaken the tradition in Tibetan culture by affecting its link with the society which feeds it. But what is likely to develop is a changed Tibetan culture, with more place given to those features we know as modernity. On the other hand, the traditions are most unlikely to die out in the foreseeable future. The topical focus of the article is on the performing arts, especially the related forms of drama, balladry and dance. The period of focus is that since the early 1980s, and especially the 1990s.

Systematic organization of domain knowledge has many advantages in archiving, sharing and retrieval of information. Ontologies provide a cushion for such practices in the semantic Web environment. This study aims to develop an ontology that can preserve the knowledge base of traditional dance practices.

It is hypothesized that an ontology-based approach for the chosen domain might boost collaborative research prospects in the domain. A systematic methodology was developed for modeling the ontology based on the analytico-synthetic rule of library classification. Protégé 5.2 was used as an editor for the ontology using the Web ontology language combined with description logic axioms. Ontology was later implemented in a local GraphDB repository to run queries over it.

The developed ontology on traditional dances (OTD) was tested using the dances of the Rabha tribes of North East India. Rabha tribes are from an indigenous mongoloid community and have a robust presence in Southeast Asian countries, such as Myanmar, Thailand, Bangladesh, Bhutan and Nepal. The result from HermiT reasoner found the presence of no logical inconsistency in the ontology, while the OOPS! pitfall checker tool reported no major internal inconsistency. The induced knowledge base of traditional dances of the Rabha’s in the developed OTD was further validated based on some competency questions.

In the growing trend of globalization, preservation of the cultural knowledge base of human societies is an important issue. Traditional dances reflect a strong base of the cultural heritage of human societies as they are closely related to the lifestyle, habitat, religious practices and festivals of a specific community.

The current study is exclusively designed, keeping in mind the variables of traditional dance domain based on a survey of the user- and domain-specific needs. The ontology finds probable uses in traditional knowledge information systems, lifestyle-based e-commerce sites and e-learning platforms.