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This chapter addresses a sensitive topic in the field of education: the relationship between and among narrative inquiry, critical analysis, and critical theory. It argues that narrative inquirers are critical – but not in the same way that critical theorists are critical, although they may draw on the same literature and terms. To make our point, we unpack three of our peer-reviewed articles and highlight our theoretical frames and research moves to demonstrate criticality in narrative inquiry. We specifically discuss (1) titles and topics, (2) research frameworks, (3) historical and contemporary data, (4) use of participants' voices (words and feelings), (5) themes, and (6) new knowledge. We mostly argue that narrative inquiry exists because of experience. From experience, everything else unfolds – including criticality – depending on where the researcher in relationship with research participants, takes the inquiry. This chapter explicitly addresses a lived issue known both inside the narrative inquiry community and outside of it.

This chapter presents a description of a pilot course for 12th-grade students in research methods and writing, using Guided Inquiry Design to develop students’ critical literacy and information literacy skills.

Using a practitioner inquiry methodology, this teacher research study makes use of qualitative data to examine student perspectives and experiences, teaching artifacts and student work samples. The research seeks to identify ways students practice critical literacies when engaged with inquiry learning, as well as the characteristics of a classroom learning community designed to support students’ experiences in inquiry learning.

Teachers of research-based writing are encouraged to adopt a guided inquiry approach to their instruction in which they flip the script on the thesis statement, allow for an almost uncomfortable amount of exploratory reading, put the focus on the process instead of the product, and form a guided inquiry team with the school librarian.

This chapter serves as a resource for practicing teachers, teacher researchers, and teacher educators assisting new teachers in embedding critical inquiry skill development in student writing.

Narrative inquiry and life history are privileged methods for studying people's lives, experiences, and identity construction. In this article, I argue that critical life history inquiry is especially suitable for studies of those, who have actively involved in progressive social and cultural movements and have developed an identity as activist educators.

Purpose – In this chapter we highlight the potential of critical and poststructural paradigms and associated qualitative research approaches for future research in strategy. In addition, we aim to contribute to the proliferation of applications of qualitative methodologies as well as to facilitate the diversity of qualitative inquiry approaches in the strategy field.

Methodology/Approach – Building on insights from standpoint theory, we discuss the importance and necessity of cultivating critical and poststructural paradigms in strategy. Furthermore, we review three related qualitative inquiry approaches (i.e., discourse analysis, deconstruction, and genealogy) and develop suggestions for their utilization in future strategy research on emerging market economies.

Findings – We highlight key concepts of critical and poststructural paradigms as well as of the selected approaches and provide a variety of examples relevant to strategy research to illustrate potential applications and analytic considerations.

Originality/Value of chapter – Critical and poststructural paradigms and related research methodologies are underutilized in strategy research; however, they are important contributions to paradigmatic and methodological diversity in the field generally and necessary approaches for developing our understanding of strategy phenomena in the context of emerging market economies specifically.

In this chapter, we propose a blended methodological approach (critical) educational ethnography, to address problems of education. The chapter includes a brief overview of critical and educational ethnography, which inform the methodology, followed by a discussion of the essential elements and pedagogical objectives that undergird and operationalize the methodology. The essential elements include articulating a critical context, defining and understanding culture, establishing relationships and embeddedness, and multiple ways of knowing. Rather than articulate a curriculum and content for teaching (critical) educational ethnography, pedagogical objectives are provided to support the development of novice researchers (i.e., doctoral students, researchers-in-training).

Purpose – To examine the results of requiring a book review podcast project within an Adolescent and Young Adult Literature (YAL) course in a teacher education program. This inquiry pays special attention to the ways in which sound can be used to elicit and evoke listener emotion, and enrich and expand pre-service teachers’ (PSTs) technological repertoires as they move forward as teachers in this digital era.

Design – This inquiry into PSTs’ experiences creating and publishing a book review podcast as an explicit part of their teacher preparation program draws on critical literacy traditions and critical inquiry-based pedagogies. The research design included collection of book review podcasts, written reflections from PSTs after completing the podcasts, written peer feedback, and ethnographic field notes. The author uses qualitative methods including critical incident and descriptive review analyses to gain insight into how PSTs engaged an invitation to write, record, and publish a book review podcast. The work is grounded in a conceptual framework around socio-cultural constructions of literacy, new media ecologies, and arts-based literacies.

Findings – In order to create an engaging book review podcast, PSTs must be supported to think about the value and purpose of the sonic as part of the whole composition and provided challenging, sustained opportunities to experiment with different sonic elements as part of their composing processes. Although used in different ways, sound was a critical variable in podcast production. Sound played a vital role in engaging listeners by drawing on and manipulating elements such as pausing, voice inflection, intonation, and music that are not characteristic of the typical book reviews. Despite PSTs’ engagement with and interest in learning how to use and compose with these additional elements, many found this activity to be time consuming and difficult; having no previous exposure to this technology. The nature of this assignment and the novelty of the podcasting platform also shifted some of the typical discourse patterns in online discussion boards from that of academic dialogue, to a heightened sense of encouragement and commendation.

Practical Implications – This inquiry contributes to the literature on teacher education, especially literacy education and English education, and has implications for understanding the unique opportunities and challenges of entering the teaching profession in this digital era. For teacher educators willing to commit to supporting and extending PSTs’ digital literacies, including podcasts in particular, a number of recommendations on designing a similar project are included, with a focus on inquiry-based, student-centered pedagogies.

This chapter provides an introduction to how the inquiry-based learning (IBL) approach is being used by colleges and universities around the world to strengthen the interconnections between teaching, learning, and research within the multidisciplinary programs. This chapter provides a synthesis and analysis of all the chapters in the volume, which present a range of perspectives, case studies, and empirical research on how IBL is being used across a range of courses across a range of institutions within multidisciplinary programs. The chapter argues that the IBL approach has great potential to enhance and transform teaching and learning. Given the growing demands placed on education to meet a diverse range of complex political, economic, and social problems and personal needs, this chapter argues that education should be a place where students learn “how-to-learn” – where increasingly higher levels of self-directed learning is fostered – and where students grow in the three key areas of learning: cognitively, emotionally, and socially. To that end, this chapter argues that IBL, if designed and implemented properly, can be an important approach to enhancing and transforming teaching and learning.

Project Teacher Leadership is a PDS initiative, which has formed university–school teams to foster collaboration, inquiry, and leadership. University professors, intern teachers, and veteran K-12 teachers engaged in collaborative conversations about authentic experiences in their work to uncover troubling problems of practice and develop strategies for addressing them. In doing so, participants began to develop increased professional agency and leadership. The project drew strength from examining problems through varied perspectives and systematic inquiry, and the inquiry process motivated participants to advocate for changed practices better suited to ensure all students’ learning.

This review essay of Amy Allen's The Politics of Our Selves focuses on the book's excellent work in addressing some of the centermost philosophical and metaphilosophical problems in contemporary critical theory. I first consider the book's intricate discussions of the work of Habermas and Foucault. I then leverage these discussions to pose a question that is crucial for contemporary critical theory. The crucial question concerns the metaphilosophical status of critical theory with respect to what we ought to expect contemporary critical theory to do. What is the best way of interpreting critical theory as a philosophical project?