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This paper examines the transformations that have been taking place in culture and built form in Sri Lanka and their spatial geography mooted by the open economic policies introduced in the 1970 s and the subsequent developments. It analyses the major facets of the dominant Sinhalese culture having located them within the sacred and profane realms, nature and its social make up. Major characteristics of the traditional culture and built-form are identified and through a longitudinal study of six case studies around the southern region, the study elucidates the major transformations and the social and societal forces behind them. The paper proposes three models for understanding such cultural transformations; Conventional-Sri Lankan, Transitional-Sri Lankan, and Euro-Sri Lankan, the forms of which could also be used in other similar situations.

Externalization that became prominent in 1980s with the globalization brought along dramatic changes in social and spatial areas. The social, cultural and economic events that took place on an international level thanks to globalization made the impact of change felt which was reflected on the urban space and, therefore, on the house, resulting in an increase in the importance of the residential sector. Externalization and developed economic structure enabled more investments into houses which introduced a concept of housing populated in urban fringes starting from the city centers. The housing concept which was shaped by the impacts of the urban transformation after 1980 turned into a new emerging lifestyle in Istanbul in 2000s. Accordingly, the study aims to establish the position of housing in Istanbul and new meanings formed by the socio-cultural changes. In this sense, housing before and after 1980, globalization, gentrification, urban transformation, spatial segregation, socio-economic and cultural aspects were discussed based on the structural benchmarks, and 4 different housing forms, namely the “Loft”, “Residence”, “Terraced House”, and “Gated Communities”, with individual structural examples. This study, thus, aims to question the form of tenancy of these houses created through varying concepts and concerns today. The results obtained showed that the housing as an indicator of cultural life in Istanbul has turned into a lifestyle that is shaped by similar aspects and commercial concern, despite different approaches or production forms, eliminating the traces of the cultural life of the society.

This paper examines the transformation of the housing typology in informal neighbourhoods located on the periphery of Dakar, Senegal. More specifically, it documents the spatial logics and factors guiding the construction of new multi-storey houses called “villas”, which are significantly transforming the landscape of the city. Studies have thus far examined villas through the lenses of migrants’ investments and lifestyles, associating these houses with new functions and decorative elements and materials inspired by time spent abroad, with innovative ways of building and dwelling that disrupt more popular housing practices. Based upon an architectural survey of seventeen houses and the detailed stories of their construction, this paper argues that while the Senegalese villa is influenced by global networks and symbols of success, it is also deeply rooted in popular housing forms and building practices. Moreover, because house-building processes are predominantly incremental, the construction of this new house type is not limited to migrants and other privileged dwellers. Although at different speeds, most residents are building and transforming their houses according to spatial and constructive logics characteristic of villas. These results have implications for housing policies and programmes because they contribute to challenging assumptions about residential production, new housing typologies and the pivotal actors of these urban transformations.

To establish a method of transforming the 3D cutting patterns constructed and modelled into 2D patterns, excluding the fabric parameters.

Three methods have been developed for transforming 3D cutting part segments into 2D segments. They are based on the computer‐based application of the mathematical models developed. The mathematical models differ in their concepts and the application in a particular manner of transforming the 3D segments. Complex spatial matrix transformations have also been developed and used to further transform the 2D segments into the plane of chained 2D cutting pattern segments.

Two‐dimensional cutting patterns have been defined for the 3D garment model, initially constructed on a computer‐generated body model.

The method has been developed on an example of a 3D garment basic cut construction of a single article of clothing. However, the same principles can be applied and developed for any garment basic cut.

The mathematical models developed can be used in a new computer‐based application for the 3D garment construction and the development of the 2D cutting patterns, matched to individual physical characteristics.

The most outstanding property of the method developed is the possibility of gradual transformation of 3D cuts into 2D ones, with no need to define physical‐mechanical properties of the fabric used and no need to introduce fabric drape. The newly created 2D cutting patterns are of outstanding quality and preciseness.

This paper analyses changes in the activity pattern of Damascus city from late modern era (late Ottoman rule) to the contemporary era. The research objective is to explore the impact of the socio-historical process on the evolving morphological structure of the urban core and to draw implications for post-war reconstruction.

Space Syntax methodology was employed to trace the historical and morphological changes in the urban core of Damascus. The timeframe was divided into five periods covering the city's socio-political transformation and five maps depicting these periods. Local and global integration measures were used to analyse the changes in the urban core across each period. Normalised angular choice (NACH) measure was used to identify the changes in the city planning system.

The results revealed that the urban core corresponded to the main streets, which had socio-economic importance across history. However, introducing a new planning system influenced by Western planning ideals led to the creation of multi-morphological patterns. At the city level, the study found that the urban core was more accessible in the preplanned areas, while the organic expansion of the informal settlements was exclusive of the core area. At the local level, some informal settlements showed an intense core. Intelligibility analysis revealed that earlier periods showed considerably higher values, implying declines in the ease of navigation of the city over time.

This study did not account for the political, economic and cultural factors that could shape morphological changes in Damascus. In addition, the study adopted historical reference points to understand the morphological changes, as high-quality geospatial data was not available to monitor the recent post-war situation.

The research findings give a foundation for a more contextualised historical understanding of spatial structure and changes, which can contribute to the post-war reconstruction and redevelopment of Damascus city.

To the best of the authors’ knowledge, this paper is the first to trace historical spatial changes in Damascus from a space syntax approach, weaving together socio-historical and configurational studies. In doing so, it shows how historically informed and spatially aware urban planning and design policies can support policymakers and built environment professionals in planning and redevelopment.

Post-war Italy faced a transition from industrial reconstruction to a phase of mature capitalism characterised by massive internal migrations towards the north of the country. A rapid urbanisation process created large dysfunctional areas at the periphery of the main re-industrialising cities like Milan, Genoa and Turin. In particular Milan has been defined as the capital of the Italian economic miracle (Foot, 2001). But during the 1950s Milan's extended industrial areas were subjected to main socio-spatial transformations: from being a mix of industrial and rural communities just after the war, the peripheries of Milan turned into deprived areas lacking basic services and infrastructure during the 1970s, when social conflicts were increasingly rising. From 1968 to 1977 Milan was also one of the main stages of a cultural revolution that in Italy uniquely assumed deep political implications by undermining the fundamental institutions of the state (Balestrini & Moroni, 1988).

The aim of this chapter is a discussion of the post-modern shift towards symbolic economies as a substantial factor of transformation of urban public space. It argues that the shift towards a cinematic mode of production, in which production, distribution and consumption of images assume a dominant role in the social organisation, calls for a related cinematic urbanism analysing the prime role of cities as factories in the global system of symbolic production. The city of Florence is assumed as an exemplar case study, examining the way the symbolic productive chain develops towards the real and virtual domains. I argue that Florence represents an archetype of the cinematic city, anticipating since the renaissance the tendency towards global symbolic production as a dominant sector of its urban economy.

The purpose of this paper is to provide an insight into the relationship between students’ spatial ability and their university entrance score (Australian Tertiary Admissions Rank [ATAR]). The ATAR provides entry into university studies but does not necessary provide a good measure of students’ spatial skills. Spatial abilities are fundamental to success in many design courses. This paper aims to show whether the ATAR is a good predictor of spatial skills and considers the implications of this.

Students entering university design courses in architecture were tested three times during their first year using a three-dimensional (3D) Ability Test (3DAT), an online psychometric test of 3D spatial ability. The students’ results in 3DAT were then compared to students’ ATAR scores using a Pearson’s correlation test were also conducted to assess the relationship between ATAR and spatial performance.

There was no correlation between ATAR and spatial performance. Therefore, there was no relationship between an individual’s ATAR and their spatial performance upon entering university.

Participants were required to select their ATAR from ranges, i.e. 71-80, 81-90 and 91-100, which meant their exact ATAR was not recorded. This meant that the participants were clustered, making it difficult to establish a linear relationship that was a true reflection of the population.

Initiatives to support students entering design courses may be necessary to compensate for the range of spatial skills students possess when entering university because of their school experiences.

Individuals who have strong spatial skills are able to perform spatial problems faster and more efficiently than those with weak spatial skills. High spatial performance has been shown relate to performance in areas such as mathematics science technology and design.

This paper fulfils the need to better understand the diversity of spatial abilities students have on entering design courses.

In this paper, we will derive new understandings of some of the problems of mathematics and physics dealt with in the introduction of the concept of blown‐ups and the study of related traditional thinking logic and establishment of mathematical models. The concept of blown‐ups not only explains clearly the mystery of nonlinearity, but also suggests a change to our traditional way of thinking. Blown‐ups embody a leap from specified local confusions to a general whole evolution.