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Several lessons learnt from a Bayesian analysis of basic macroeconomic time-series models are presented for the situation where some model parameters have substantial posterior probability near the boundary of the parameter region. This feature refers to near-instability within dynamic models, to forecasting with near-random walk models and to clustering of several economic series in a small number of groups within a data panel. Two canonical models are used: a linear regression model with autocorrelation and a simple variance components model. Several well-known time-series models like unit root and error correction models and further state space and panel data models are shown to be simple generalizations of these two canonical models for the purpose of posterior inference. A Bayesian model averaging procedure is presented in order to deal with models with substantial probability both near and at the boundary of the parameter region. Analytical, graphical, and empirical results using U.S. macroeconomic data, in particular on GDP growth, are presented.

Over the past 15 years, there has been a growing interest in the potential of movement-based artistic practices for exploring aspects of the urban experience. As a visual artist and a geographer, I have become increasingly interested in how the movement-based practice of performative walking might be used as an ‘inventive method’ for examining and understanding aspects of how we live in cities.

In this chapter, I draw upon the insights gained from four recent projects to explore performative walking's potential as a mode of enquiry. These projects were conducted in and around Edinburgh, Scotland, between 2016 and 2019. Each project was designed to create an affective ‘friction’ and enhance participants' sensitivity to space and place through practices such as hyper-slow walking, repetitive walks, walking in the dark and creating spaces for imaginary games. The projects demonstrated to me that performative walking can help uncover emotional and hidden geographies by combining, and bringing to bear upon these spaces, the visual, sensory, historical, mythical, remembered, personal, projected and, importantly, the imagined.

I conclude that performative walking is a valuable form of research which should be given parity with other forms of urban inquiry, such as public consultations, in dialogues about our future cities. Furthermore, I propose that attempts should be made by those interested in developing ‘inventive’ methods in urban inquiry, including those interested in developing creative geographies, to evaluate more systematically the contribution that performative walking might make to ways in which we understand, and develop, our cities.

In this paper, we seek to highlight how adherence to a dominant logic is an effortful activity. Using rhetorical analysis, we show that the use of rhetorical history provides a key mechanism by which organizations may convince audiences of adherence to a dominant logic, while also subverting or obscuring past adherence to a (currently) subordinate logic. We illustrate such use of rhetorical history by drawing on the case study of Ontario wine industry, where wineries use rhetorical history to demonstrate adherence to the logic of fine winemaking, while obscuring the industry’s past adherence to the now-subordinate and stigmatized logic of alcohol making. Implications for future research on institutional logics are discussed.

In this paper, we seek to highlight how adherence to a dominant logic is an effortful activity. Using rhetorical analysis, we show that the use of rhetorical history provides a key mechanism by which organizations may convince audiences of adherence to a dominant logic, while also subverting or obscuring past adherence to a (currently) subordinate logic. We illustrate such use of rhetorical history by drawing on the case study of Ontario wine industry, where wineries use rhetorical history to demonstrate adherence to the logic of fine winemaking, while obscuring the industry’s past adherence to the now-subordinate and stigmatized logic of alcohol making. Implications for future research on institutional logics are discussed.

This article considers a series of ways in which hierarchy is ontologically and politically opposed to flatness, particularly in the work of the artist Takashi Murakami and the cultural critic Dick Hebdige. It explores the attractions and problems of flatness as an alternative to hierarchy, but concludes that both are equally two-dimensional representations of organizing. Instead, alternative organizers with a commitment to anti-hierarchical practices would be better learning from the three-dimensional practical examples of anarchism, feminism, socialism and environmentalism.

This chapter examines how public attitudes and judgments about tax fairness reflect distributive justice rules about proportionality/contributions, needs, and equality; fairness issues that influence voluntary tax compliance (Hofmann, Hoelzl, & Kirchler, 2008; Spicer & Lundstedt, 1976). Most public polls and some prior research indicate the general public considers progressive income tax rates as fairer than flat tax rates, a reflection of the Needs rule of distributive justice theory; our 1,138 participants respond similarly. However, two-thirds of our politically representative sample of the American public actually assign “fair shares” of income taxes consistently with fairness-as-proportionality above an exempt amount of income, consistent with the Contributions rule of Equity Theory. We argue experimental assignments of fair shares of income taxes can best be understood as a combination of the Needs rule, applied by exempting incomes below the poverty line from income taxation (via current standard deductions) and taxing incomes above this exempt amount at a single tax rate (i.e., a flat-rate tax) consistent with the Proportionality/Contributions rule. Viewed in combination, these two distributive justice rules explain the tax fairness judgments of 89% of our sample and indicate surprising general agreement about what constitutes a fair share of income taxes that should be paid by US citizens from the 5th percentile to the 95th percentile of the income distribution. The joint application of these fairness rules indicates how seemingly competing, partisan distributive justice concerns can inform our understanding of social attitudes about tax fairness across income classes.