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The chapters in the Nationalism and Identity in Metal Medievalism section consider a range of historical figures and practices as presented in metal music. Amaranta Saguar García’s analysis of references to El Cid in ‘The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal’ focusses on issues of nationalism and the varying representations of El Cid in a range of songs. In a similar manner, Annika Christensen’s ‘Making Heritage Metal: Faroese KvæÐi and Viking Metal’ looks at the interplay of medieval ballads and modern folk metal as part of the group Tyr’s investment in celebrating and articulating Faroese identity. While these two essays work with specific examples of national identities, Shamma Boyarin’s ‘The Prophet Himself Had Knowledge of Him: Nile’s “Iskander D’hul Kharnon” and a Different Kind of Metal Medievalism’ uses the figure of Alexander the Great to address the broader question of the ways that representations of classical and medieval figures define civilisations. Dean Swinford’s ‘Black Metal’s Medieval King: The Apotheosis of Euronymous through Album Dedications’ examines the medievalisation of Euronymous and its relation to black metal’s medievalist self-representation. Within this collaborative chapter, the authors explore the areas of greatest overlap in our explorations of metal music and medieval culture: nationalism and identities, neofascism, the whitewashed Middle Ages, and issues of historical authenticity in neomedievalism.

Since his death in 1993, Euronymous, guitarist of Mayhem and head of the underground label Deathlike Silence Productions, has emerged as a kind of ‘patron saint’ of black metal. Moreover, the iconography of invocations to Euronymous in album dedications aligns the ‘fallen warrior’ with the emergence of a new Dark Age precipitated by the music itself. This essay traces the development of the trope of Euronymous as a medievalised king in second wave black metal, a now-global genre that grew out of the early nineties scene in Oslo.

Coronavirus disease 2019 (COVID-19) has created a challenging, yet opportunistic, environment in which to conduct transformative service research (TSR) and assess research methodology. The purpose of this paper is to evaluate and gain important new insights of a group interviewing method with vulnerable people and their support group, adapted and transferred online during COVID-19.

This research examines the experiences of 35 participants (nine family groups composed of parents and young people), involved in a research project that explores a sensitive topic, youth alcohol consumption and family communication, that was moved online during lockdown. Researcher reflections on running group interviews face-to-face prior to COVID- 19 and online during lockdown are included in the data.

Thematic analysis of participant interviews and researcher reflections reveals four key benefits and three limitations of online group interviews with vulnerable people and their support group. The benefits include being comfortable, non-intrusive and safe; engaging and convenient; online communication ease and easy set-up. The limitations relate to lack of non-verbal communication, poor set-up, and privacy and access issues.

The global environment is uncertain and being able to implement effective qualitative research online is essential for TSR and service research in the future. This paper provides a step by step procedure for an innovative online group interviewing technique that can be used by TSR and qualitative service researchers.

Conducting research during a pandemic has provided unprecedented insights into qualitative research approaches and methodology. This paper contributes to literature on service and TSR methodology by providing a framework for researchers to investigate vulnerable groups online in an effective, safe and non-intrusive way. The framework also has the potential to be applied to other service contexts.