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This chapter aims to discuss the issues associated with social indexing as a solution to the challenges of current information organization systems by investigating the quality and efficacy of social indexing.

The chapter focuses on the study which compared indexing similarity between two professional groups and also compared social tagging and professional indexing. The study employed the method of the modified vector-based Indexing Consistency Density (ICD) with three different similarity measures: cosine similarity, dot product similarity, and Euclidean distance metric.

The investigation of social indexing in comparison of professional indexing demonstrates that social tags are more accurate descriptions of resources and reflection of more current terminology than controlled vocabulary. Through the characteristics of social tagging discussed in this chapter, we have a clearer understanding of the extent to which social indexing can be used to replace and improve upon professional indexing.

As investment in professionally developed web directories diminishes, it becomes even more critical to understand the characteristics of social tagging and to obtain benefit from it. In future research, the examination of subjective tags needs to be conducted. A survey or user study on tagging behavior also would help to extend understanding of social indexing practices.

This is an attempt to introduce proactive changes when creating and providing intellectual access in order to convince catalogers to become more social catalogers then they have ever been in the past.

Through a brief review and analysis of relevant literature a definition of social cataloging and social cataloger is given.

User contributed content to library catalogs affords informational professionals the opportunity to see directly the users’ perceptions of the usefulness and about-ness of information resources. This is a form of social cataloging especially from the perspective of the information professional seeking to organize information to support knowledge discovery and access.

The user and the cataloger exercise their voice as to what the information resources are about, which in essence is interpreting the intentions of the creator of the resources, how the resource is related to other resources, and perhaps even how the resources can be, or have been, used. Depending on the type of library and information environment, the weight of the work may or may not fall equally on both user and cataloger.

New definitions of social cataloging and social cataloguing are offered and are linked back to Jesse Shera’s idea of social epistemology.

This chapter aims to help librarians understand the underlying rationale for Resource Description and Access (RDA) and recognize the great potential of the Semantic Web for libraries.

It explains the linked data model and Semantic Web technologies in basic, informative terms, and describes how the Semantic Web is constructed. Semantic Web standards and technologies are discussed in detail, including URI, RDF, and ontologies. The study also traces the development of RDA and some of the major library Semantic Web projects. The authors explore how RDA shapes bibliographical data and prepares it for linked data in the Semantic Web. In addition, this study examines what libraries in the United States and the rest of the world have achieved in implementing RDA since its release.

RDA is the correct approach libraries should take.

This is the first and only chapter that covers the development of RDA in other countries as well as in the United States. It is highly informative for anyone who wishes to understand the RDA and Semantic Web and their relevance to libraries in a short period of time.

This essay demonstrates how information systems — collections of documents, data, or other information-bearing objects — function internally as sites for creative manipulation of genre resources. In the information systems context, these textual activities are not clearly traced to the purposeful actions of specific writers.

Genre development for information systems can result from actions that may appear individually to be rote, repetitive, passive, and uninteresting. But as these actions are aggregated at increasing scales, genre components interact and shift, even if change is limited to one element of the larger assemblage. Although these changes may not be initiated by writers in accordance with targeted work activities and associated rhetorical goals, the composite texts thus produced are nonetheless powerful documents that come to partially constitute the broader activities they appear to merely support.

In demonstrating “writerless” phenomena of genre change in distributed, regulated systems, this essay complements and extends the strong body of existing work in genre studies that emphasizes the writer’s perspective and agency in its accounts of genre development. By showing how continually evolving compound documents such as digital libraries constitute such sites of unacknowledged genre change, this essay demonstrates how the social actions that these composite documents facilitate for their users also change.