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Heritage yet contemporary: an aesthetic cultural precept explaining diasporic consumer aesthetic appreciation for package design

Mark Buschgens (School of Management and Marketing, The University of Waikato, Hamilton, New Zealand and Research School of Management, Australian National University, Canberra, Australia)
Bernardo Figueiredo (School of Economics, Finance and Marketing, RMIT University, Melbourne, Australia)
Janneke Blijlevens (School of Economics, Finance and Marketing, RMIT University, Melbourne, Australia)

Journal of Product & Brand Management

ISSN: 1061-0421

Article publication date: 30 July 2024

151

Abstract

Purpose

This paper aims to examine how visual elements used in packaging design relate to diasporic consumer identity and influence aesthetic appreciation.

Design/methodology/approach

Drawing on social identity theory, research on aesthetic principles and using a mixed methods approach, two studies are conducted. Study 1 involves a qualitative exploration of the nature of diasporic consumer identity and its relation with visual design in packaging. Study 2 involves quantitative testing and calibration of this relationship and its subsequent influence on aesthetic appreciation.

Findings

Diasporic consumers from the Middle East appreciate hybrid visual designs and prefer packaging that strikes an optimum balance of visual elements (colour, shapes, patterns) from the heritage aspects of their ancestral homeland and more contemporary aspects from their culture of living. Preference for balance elicits an overall positive diasporic identity feeling that mediates the relationship with aesthetic appreciation of visual design in packaging.

Research limitations/implications

These findings offer new knowledge about the role of visual design in packaging in delivering symbolic value to diasporic consumers, evidencing how diasporic consumers’ dual identities shape aesthetic appreciation and preferences for hybrid visual designs.

Practical implications

Provides marketing practitioners and packaging designers with a concise and contextual directive for creating visual designs that appeal to a growing segment of diasporic consumers.

Originality/value

This research draws on social identity theory to uncover an aesthetic cultural precept – heritage, yet contemporary – that can inform the development of packaging designs targeting diasporic consumers.

Keywords

Acknowledgements

The authors would like to thank Bronwyn Bruce and participants at several conferences for their insights, friendly reviews and assistance with methods. The authors are also thankful to the many participants of this research for their valued insights and time, as well as the Editor in Chief, Guest Editor and two anonymous reviewers for their encouraging comments and feedback.

Declaration of interest: The authors declare no conflicts of interest.

Citation

Buschgens, M., Figueiredo, B. and Blijlevens, J. (2024), "Heritage yet contemporary: an aesthetic cultural precept explaining diasporic consumer aesthetic appreciation for package design", Journal of Product & Brand Management, Vol. ahead-of-print No. ahead-of-print. https://doi.org/10.1108/JPBM-08-2023-4682

Publisher

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Emerald Publishing Limited

Copyright © 2024, Emerald Publishing Limited

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