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Performance, pottery and pliers: rupturing play with bodies and things

Casey Pennington (Department of Literacy, Culture and Language Education, School of Education, Indiana University Bloomington, Bloomington, Indiana, USA)
Karen Wohlwend (Department of Literacy, Culture and Language Education, School of Education, Indiana University Bloomington, Bloomington, Indiana, USA)
Summer J. Davis (Western Michigan University, Grand Rapids, Michigan, USA)
Jill Allison Scott (Department of Literacy, Culture and Language Education, School of Education, Indiana University Bloomington, Bloomington, Indiana, USA)

English Teaching: Practice & Critique

ISSN: 1175-8708

Article publication date: 7 August 2020

Issue publication date: 1 December 2020

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Abstract

Purpose

This paper aims to examine tensions around play, performance and artmaking as becoming in the mix of expected and taken-for-granted discourses implicit in an after-school ceramics makerspace (Perry and Medina, 2011). The authors look closely at one adolescent girl’s embodied performance to see how it ruptures the scripts for compliant bodies in the after-school program. While these performances take place out-of-school and in an arts studio, the tensions and explorations also resonate with broader issues around student embodied, performative and becomings that run counter to normalized school expectations.

Design/methodology/approach

A contemporary approach to nexus analysis (Medina and Wohlwend, 2014; Wohlwend, 2021) unpacked two critical performative encounters (Medina and Perry, 2011) using concepts of historical bodies (Scollon and Scollon, 2004) informed by sociomaterial thing-power (Bennett, 2010).

Findings

Playing while painting pottery collides and converges with the tacitly desired and expected ways of embodying student in this after-school artspace. Emily’s outer-space alien persona ruptured expected discourses when her historical body and embodied performances threatened other children. While her embodied performances facilitated her becoming a fully present participant in the studio, she fractured the line between play and reality in violent ways.

Originality/value

As literacy researchers, the authors are in a moment of reckoning where student embodied performances and historical bodies can collide with all-too-real violent threats in daily lives and community locations. Situating these performances in the nexus of embodied literacies, unsanctioned play and thing-power can help educators respond to these moments as ruptures of tacit expectations for girlhoods in school-like spaces.

Keywords

Citation

Pennington, C., Wohlwend, K., Davis, S.J. and Scott, J.A. (2020), "Performance, pottery and pliers: rupturing play with bodies and things", English Teaching: Practice & Critique, Vol. 19 No. 4, pp. 433-445. https://doi.org/10.1108/ETPC-11-2019-0142

Publisher

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Emerald Publishing Limited

Copyright © 2020, Emerald Publishing Limited

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