Prelims

Sue Beeton (Independent Researcher, Australia)

Unravelling Travelling: Uncovering Tourist Emotions through Autoethnography

ISBN: 978-1-80117-180-9, eISBN: 978-1-80117-179-3

Publication date: 20 January 2022

Citation

Beeton, S. (2022), "Prelims", Unravelling Travelling: Uncovering Tourist Emotions through Autoethnography (The Tourist Experience), Emerald Publishing Limited, Leeds, pp. i-xiii. https://doi.org/10.1108/978-1-80117-179-320211013

Publisher

:

Emerald Publishing Limited

Copyright © 2022 Sue Beeton


Half Title Page

Unravelling Travelling

Series Page

THE TOURIST EXPERIENCE

Series editor: Richard Sharpley

The Tourist Experience series addresses a notable gap in the literature on Tourism Studies by foregrounding the tourist experience in a cohesive and thematically structured manner.

Taking a novel approach by presenting both short-form publications and long-form monographs exploring issues in the tourist experience, the series will seek to build a comprehensive set of texts that collectively contribute to critical discourse and understanding of the contemporary tourist experience. Short-form publications will review specific types of tourist by focusing primarily on the influences and nature and significance of their experiences within a sociocultural framework while longer titles will embrace contemporary empirical and conceptual perspectives and debates as a means of understanding experiences.

Recent volumes:

  • The Adventure Tourist: Being, Knowing, Becoming

    Dr Jelena Farkić and Dr Maria Gebbels

Forthcoming Volumes:

  • The Responsible Tourist: Conceptualizations, Expectations and Dilemmas

    Dirk Reiser and Volker Rundshagen

  • The Sport Tourist

    Sean James Gammon

  • The Mindful Tourist: The Power of Presence in Tourism

    Uglješa Stankov, Ulrike Gretzel and Viachaslau Filimonau

Title Page

Unravelling Travelling: Uncovering Tourist Emotions through Autoethnography

BY

SUE BEETON

Independent Researcher, Australia

United Kingdom – North America – Japan – India – Malaysia – China

Copyright Page

Emerald Publishing Limited

Howard House, Wagon Lane, Bingley BD16 1WA, UK

First edition 2022

Copyright © 2022 Sue Beeton. Published under exclusive license by Emerald Publishing Limited.

Reprints and permissions service

Contact:

No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a licence permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. Any opinions expressed in the chapters are those of the authors. Whilst Emerald makes every effort to ensure the quality and accuracy of its content, Emerald makes no representation implied or otherwise, as to the chapters’ suitability and application and disclaims any warranties, express or implied, to their use.

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

ISBN: 978-1-80117-180-9 (Print)

ISBN: 978-1-80117-179-3 (Online)

ISBN: 978-1-80117-181-6 (Epub)

Contents

List of Tables x
List of Figures xi
About the Author xii
Acknowledgements xiii
Introduction 1
Section One: The Theory
Chapter One: From Experiences To Emotions 5
The Tourist Experience 6
The Tourist Experience as Emotional Experience 8
Digression 1: On Seeing Uluru 9
Digression 2: On the Chorister 13
The Role of Memory and Recall in the Tourist Experience 13
The Emotional Tourist 16
Chapter Two: The Self As Data: Autoethnography 21
Digression 3: On Flâneusing 21
Development of Autoethnography as a Research Method 23
Evocative, Performance or Analytical Autoethnography? 25
Evocative Autoethnography 26
Performance Autoethnography 29
Analytical Autoethnography 33
Illustrating the Power of Autoethnography 34
Criticisms, Challenges and Concerns 37
The Ethics of Autoethnography 40
Assessing Autoethnography 41
Chapter Three: Autoethnography in Travel and Tourism 45
Autoethnography in Leisure 45
Autoethnography in Travel and Tourism 47
The Naming of Autoethnography in Travel and Tourism Research 50
Analytical Autoethnography in Travel and Tourism 53
Digression 4: On Literature Reviews 56
Evocative Travel and Tourism Autoethnographies 57
Collaborative Autoethnography 58
Digression 5: On Theory 59
My Early Travel and Tourism Autoethnographies 59
Quality of Travel and Tourism Autoethnographies 61
My Touristic Journeys Presented in This Book 61
Chapter Four: The Story So Far 65
Tourist Experiences and Emotions 65
Memory and Recall 66
Tourist Emotions 67
Autoethnography and Tourism 68
Evocative, Performance and Analytical Autoethnography 68
Autoethnography in Leisure, Travel and Tourism 69
Bringing It All Together 70
Criticisms of and Assessing Autoethnography 71
Section Two: The Stories
Chapter Five: An Unlikely Pair? 75
Inside-Out: My Place, My Culture 76
Why Go There? 78
Why Return? 82
On Solo Travelling 83
The Stories 83
Something’s Missing … 84
Chapter Six: My Stories 87
Story One: From a Crooked Angle 89
India 89
Japan 90
Looking from a Crooked Angle 92
Story Two: Beyond Tired … 93
Story Three: The Guest 94
Story four: Portals to the Past 99
The Nakasendo Way – Treading the Path of Emperors 99
The Marwari Horse – Riding the Path of the Warriors 100
Story five: Sacred Travels: A Clearing in the Wilderness 101
Story Six: Born and Reborn - The Child and the Traveller 107
Story Seven: I Was Ready to Scream 109
Story Eight: It’s All Arranged … 113
Story Nine: Taking It Slow 118
Story Ten: The Animals of Rajpur - Trauma and Healing in India 122
Story eleven: Oblique Obsessions 126
Story twelve: Frisson, Shivers and Slivers 129
Story Thirteen: “They Came From the Stars” 130
Story fourteen: Can it Really Be? Creating Impossible Places 134
Story fifteen: Little Lies … 137
Story Sixteen: Watching the Watchers Watching Me - India’s Last Lesson? 140
Story Seventeen: Aloha 143
Story Eighteen: Grounding My Emotions 146
Section Three: What Does It Mean?
Chapter Seven: Analytical Autoethnographic Process 151
Grounded Theory 152
Text Analysis 153
Content Analysis 154
Thematic and Contextual Identification 155
Reflective or Reflexive Analysis? 156
Analytical Process 157
Inferred Emotions 158
Theoretical Modelling 159
Chapter Eight: Analytical Autoethnography Outcomes 161
Keywords and Themes 162
Inferred Emotions 164
Emotional Connection 169
Connected to People 169
Connected to a Culture 170
Connected to Land 170
Connected to the Past 171
Emotional Disconnection 171
Lonely/Alone 172
Confused/Conflicted 173
Connected and Disconnected 173
Deep Awe/Numinousity 174
Theoretical Models 175
Graphic Models: The Continuum 175
Graphic Model: Connectedness 177
The Descriptive Model: The Seeker 178
From Telling to Showing: Analytical to Evocative Autoethnography 180
Chapter Nine: Evocative Autoethnography Outcomes – A Debate With Myself 181
Section Four: Conclusion
Chapter Ten: Assessing Autoethnography 193
On Becoming an Autoethnographic Researcher 193
Reflexive Analysis of the Methodological Process 197
Quality of My Research 198
Responsibility 198
Data Must Be Authentic and Trustworthy 199
Ethical Approach 199
Contribution to Knowledge 199
Demonstrating the Power of Stories 199
Valuing the Personal and Experiential 199
Sociocultural Meanings Analysed 199
The Case for Autoethnography in Tourism Research 200
A Warning 200
A Final Digression? 201
Chapter Eleven: So What? 203
The Analytical Models 203
The Graphic Models 204
The Descriptive Model 205
The Emotional Tourist 205
An Evocative Conclusion? 205
Bringing it Home: The Role of Emotions in the Tourist Experience 208
Generalisability of the Finding 208
My Contribution (to Theory and Knowledge) 209
Afterword 211
References 213
Index 223

List of Tables

Table 1. Emotional Themes and Words. 163
Table 2. Inferred Emotional Themes. 168
Table 3. Personal Research Development. 195

List of Figures

Figure 1. The Distinctive Ears of the Marwari Horse. 79
Figure 2. My Jizō Protectors. 103
Figure 3. The Ganga Aarti. 105
Figure 4. The Bejewelled Marwari Horse and Bridegroom. 114
Figure 5. My Black Sari and Dancing Horse, Chirmi. 115
Figure 6. The Slowest Food in Japan: Katsuobushi. 120
Figure 7. Puppy. 123
Figure 8. Pony. 125
Figure 9. Japanese Manhole Covers. 127
Figure 10. Giving My Goat Away. 131
Figure 11. Hogwarts Castle Japan. 136
Figure 12. Coco Palms Legend, Larry Rivera. 144
Figure 13. Travel Emotions (Stated and Inferred). 175
Figure 14. The Emotional Ecosystem. 176
Figure 15. Model of Connectedness. 177
Figure 16. Personal Research Tree Rings. 194

About the Author

Prof Beeton is a Travel and Tourism Researcher and Writer who became involved in tourism in the late 1980s through guiding horseback tours in the mountains, many of which were themed around the movie, The Man from Snowy River environments, and wrote her first book on adventure horse riding. Here she witnessed the growth of tourism and its effects on small, local communities as well as fragile alpine environments. For over a quarter of a century, she has conducted tourism-based research into community development and public land management, along with film-induced tourism and pop culture’s relationship with travel and tourism. As well as producing numerous academic papers, book chapters and reports, she has published a range of research-based books on those topics, along with developing her interest in autoethnographic research.

She is a Visiting Professor at the University of Hokkaido, and in 2019, she was awarded the TTRA Lifetime Achievement Award for her contribution to tourism research and scholarship.

Acknowledgements

I wish to acknowledge the traditional custodians of the land on which I live and have written this book, The Wathaurong and Yorta Yorta peoples of the Kulin Nation. Cover artwork is a representation of Jizō, a Japanese deity who is the guardian of ‘lost’ children and travellers. They are often found in temples and along sacred walking trails wearing red bibs and hoods, where travellers and parents leave small gifts of coin, food and toys.