Index
Elisa Serafinelli
(University of Sheffield, UK)
ISBN: 978-1-78756-498-5, eISBN: 978-1-78756-495-4
Publication date: 31 August 2018
This content is currently only available as a PDF
Citation
Serafinelli, E. (2018), "Index", Digital Life on Instagram (Digital Activism and Society: Politics, Economy And Culture In Network Communication), Emerald Publishing Limited, Leeds, pp. 207-216. https://doi.org/10.1108/978-1-78756-495-420181008
Publisher
:Emerald Publishing Limited
Copyright © 2018 Elisa Serafinelli
INDEX
#aboutme
, 171
Abu Ghraib event, photographs of
, 10
Adaptation
, 32
Adobe Photoshop
, 56
The Age of the World Picture (Heidegger)
, 1
Albrechtslund, A.
, 136
Alpha mode
, 18, 19
Amaro Montenegro
, 117, 119, 120
Amateur photographs
, 10, 12
Analogue photography
, 179
Anderson, B.
, 82
on ‘imagined communities’
, 82
Andrejevic, M.
, 128, 136
Anonymity
, 13, 28, 32, 42
Apple iPhone4 smartphone
, 56
Bagnara, S.
, 177
Bakardjieva, M.
, 81
Barthes, R.
, 16, 17, 19, 157, 160
Baudrillard, J.
, 15, 27
Bauman, Z.
, 8, 14, 137
Baym, N. K.
, 77
Bazin, A.
, 21
Belgian rock band
, 143
Belting, H.
, 23, 25, 26, 45
Benjamin, W.
, 1, 21
on reproducibility
, 1
Bentham, J.
, 131
Beta mode
, 18, 19
Big Brother
, 127, 135
Big Brother spirit
, 6, 149
Black and white film development
, 179
Black and white photographs
, 64, 68
Boaden, Helen
, 11
Boehm, G.
, 23–26
Bolter, J. D.
, 27, 41
Branding and users’ engagement
, 110–113
Branding identities
, 173–178
Buckingham, D.
, 159
Calhoun, C.
, 74, 75
Calvert, C.
, 136
Camera phones
, 10, 13, 50, 51, 52
Capa, Robert
, 58
Capital accumulation
, 127, 128
Casual photography
, 13, 15
Chalfen, R.
, 50
Chinese door street
, 64, 65
Chomsky, C.
, 102
Christmas decorations
, 117
Chronology of Instagram
, 83
Communication agencies, private advertising and
, 121–124
Computer-mediated interviewing methods
, 36–38
asynchronous method
, 37
qualitative interviewing
, 42
synchronous method
, 37
Connections and interactions
, 136
Consumer behaviour
, 106
Consumer surveillance
, 128, 136
Content-related organization
, 64, 65
Contextual integrity
, 129
Contextual privacy
, 129, 130
Convergence, defined
, 48
Convergence culture
, 9, 48
Convergent culture, Jenkins’ theorization of
, 49
Critical response analysis
, 39, 40
Cross-photosharing
, 100
Cubism
, 48
The Culture of Connectivity (Van Dijck)
, 51
D’Amico, E.
, 11
Debatin, B.
, 130
Debord, G.
, 159
Denzin, N. K.
, 135
Digital enclosure
, 128
Digitality
, 1, 19, 20, 26, 31, 45, 51, 154, 180
Digital materialism
, 30
Digital Militarism: Israel’s Occupation in the Social Media Age (Kuntsman and Stein)
, 14
Digital photography
, 14, 51, 153, 154, 160, 161
Digital sociality
panopticon and surveillance theories in
, 131–134
Digital storytelling
, 108, 109, 163, 168
Digitographies
, 11
Discipline and Punish (Foucault)
, 132
Doing Visual Ethnography (Pink)
, 35, 41
Domestic photography
, 85
Dominick, J. R.
, 28
Dubois, P.
, 19, 20
Eastman, George
, 49
Eco, U.
, 16, 18
Edwards, W. K
, 51
Egocentrism
, 172
Ellison, N. B.
, 130, 131
Email asynchronous interviewing method
, 37
Email interview
, 38, 42
(Embedded) multiple-case design
, 33–36
Engagement, activity of
, 107
Episodic identities
, 173, 177
Ethical considerations
, 41–42
Ethnography
, 101
Evans, D.
, 107, 111, 138
Extrinsic motivation
, 59
Facebook
, 32–33, 78, 100, 104, 108, 130, 139, 161, 164
Face-to-face photosharing
, 48, 83
Family photography
, 50
Faraj, S.
, 77
#fashionoftheday
, 170
Flickr
, 51, 81, 87, 102, 162, 164
#FordDSFL
, 122
Ford Italia Instagram account
, 121
Fotki
, 51
Foucault, M.
, 131, 132, 157
Fragmentised subjectivity
, 7, 151
Freund, G.
, 22
Frohlich, D. M.
, 49, 85
Fuchs, C.
, 6, 103, 127, 128
#fucknormality
, 63
Gaby, D.
, 10
Garnham, N.
, 103
Gefter, A.
, 13
Geo-tags
, 144
German landscape
, 115
Giddens, A.
, 5, 151, 159, 159
Gilliom, J.
, 138
Giulia, M.
, 75
Goffman, E.
, 157
Gold, R. L.
, 39
Gonzalez, Philippe
, 113
Good photographs
, 56
Google
, 51, 102, 127
Goran Bregovic’s concert
, 69, 70
Granieri, G.
, 13
Grusin, R.
, 27, 41
#guidasicura
, 122
Hagar, C.
, 80
Happy Family
, 95, 96, 115, 116
Hashtags
, 112, 121, 123
Haythornthwaite, C.
, 80
Heidegger, M.
, 1
Herman, E.
, 102
Hesmondhalgh, D.
, 74
Horst, H. A.
, 101
Iconic turn
, 24
Identity
, 151–178
branding identities
, 173–178
fragmented online identities
, 160–162
representations of the self
, 155–160
selfies and the other self
, 169–173
visual representation of the self
, 163–169
Identity disclosure through objects
, 166
Igers Berlin community
, 68, 91, 95, 115, 116
Igers Bologna
, 117, 118
Igers community
, 88, 91, 92, 93, 95, 96, 97, 114, 116, 119, 120
in Germany
, 115
in Italy
, 116–117
in Spain
, 113, 114
Igers Helsinki community
, 68, 92
Igers Italia
, 116, 117, 119
Igers Piceni community
, 91
Imagined communities
, 82
In-depth interview
, 37–38, 39, 42
Instagram Celebrity
, 175, 176
Instagram-Facebook partnership
, 83
Instagrammism
, 57
Instagram popular page
, 120
InstaMeet
, 87, 92, 93–96, 115, 116, 119
InstaWalk
, 87, 93–96, 115, 116, 119
Intent of sharing photos on Instagram
, 59
Interconnections
, 100
Internet
, 1, 2, 32, 47, 50, 138
Internet connectivity
in mobile communications
, 9
and visibility
, 99
Internet research, new research methods in
, 29
computer-mediated interviewing technique
, 36–38
(embedded) multiple-case study
, 33–36
ethical considerations
, 41–42
netnographic approach for qualitative research
, 31–33
qualitative content analysis
, 39–41
visual data collection
, 38–39
Internet surveillance
, 125
Interpersonal social surveillance
, 138
Intrinsic motivation
, 59
Jenkins, H.
, 9, 48–49
on convergent culture
, 49
Kember, S.
, 10, 27
Kodak
, 49
Kozinets, R. V.
, 31, 32
Kress, G.
, 41
Kuntsman, A.
, 14, 15
Lacan, J.
, 156, 157
La Chambre Claire (Barthes)
, 16
L’Acte Photographique (Dubois)
, 20
Laptops
, 9, 56
Lateral surveillance
, 136
Lessig, L.
, 127
LG Nordic Instagram account
, 110
Life after New Media (Kember and Zylinska)
, 10, 27
Life On The Screen (Turkle)
, 152, 158
LinkedIn
, 130, 161
Liquid Life (Bauman)
, 14
Liquid Modernity (Bauman)
, 14
Liquid Surveillance
, 129
Little brother
, 127
London bombing
, 11
photographs of
, 11
Lugano, G.
, 79
Lyon, D.
, 133
Manovich, L.
, 15, 16, 57
Marwick, A.
, 137
Mass self-surveillance
, 127
McCahill, M.
, 134
McKee, J.
, 107, 111, 138
McLuhan, Marshal
, 48, 74
Media and online marketing strategies
political economy of
, 102–109
The Media and Social Theory (Hesmondhalgh, & Toynbee)
, 74
Mediated memories, defined
, 153
Mediated Memories in the Digital Age (Van Dijck)
, 153
Mediated relationships
, 75, 82, 138
Mediated social relationships
, 83
Mediated voyeurism
, 136
Media theories towards new visual practices
, 9–16
Mediation-mobility-visuality, triangulation of
, 8, 26
Melancholia
, 153
Metz, C.
, 16
Miller, A. D.
, 51
Mills, J. L.
, 126
Minimalist photography
, 64
Mirror stage
, 156
Mitchell, W. J. T.
, 23, 24, 26, 43
Mobile camera phones
, 54, 84
Mobile phones
, 9, 10, 56, 80, 84, 101
Mobile photography
, 55, 68, 91, 114
Mobile social networks
, 79
Moments
, 54, 58, 172
Monahan, T.
, 138
Multiple-case study research method
, 33–36
Mulvey, L.
, 135
MySpace
, 78, 102
Narcissism
, 172
Nature and positivity
, 60, 61
Netlog
, 78
Netnographic approach for qualitative research
, 31–33
Networked individualism
, 76
New materialism
, 30
New mobile visualities
, 8, 42–45, 182
New mobilities paradigm
, 12, 29
News Corp
, 102
New visual practices, media theories towards
, 9–16
Nissenbaum, H.
, 129
Online photosharing
, 1, 47
evolution of
, 48–55
media theories towards new visual practices
, 9–16
motivations
, 55, 58–62
new mobile visualities, theorising
, 42–45
new practices
, 55, 67–72
new research methods in Internet research
, 29
computer-mediated interviewing technique
, 36–38
(embedded) multiple-case study
, 33–36
ethical considerations
, 41–42
netnographic approach for qualitative research
, 31–33
qualitative content analysis
, 39–41
visual data collection
, 38–39
organisation
, 55, 62–67
semiotics and theories of image
, 16–29
Online self-presentation
, 160, 161
Online sharing
, 1
Online surveillance
, 127, 131, 141
O’Really, T.
, 78
Orwell, George
, 128
#PanDiStelle
, 174
Panopticon and surveillance theories in digital sociality
, 131–134
Panoptic sorting
, 127
Papacharissi, Z.
, 28
Paradoxical dichotomy
, 133
Parikka, J.
, 30
Participants’ photosharing observation
, 39, 41, 42
Peirce, C. S.
, 16
Personal mass dataveillance
, 127
Personal photography
, 53
Personal traces
, 134
Personal visual diary
, 66, 168
Persuasive advertising
, 108
Photobucket
, 51
Photo editing
, 56
Photo Explosion
, 56
Photographic eyes
, 179
Photographic Image in Digital Culture (Lister)
, 18
Photographic index
, 19, 20, 21
Photography and Society (Freund)
, 22
Photo opportunities
, 43–44, 67, 68, 181
Photo Plus
, 56
Photosharing websites
, 52
Physical proximity
, 75, 96, 134
Picasa
, 51
Pink, S.
, 35, 38
Pinterest
, 87
Pirandello, L.
, 156
Political economy of media and online marketing strategies
, 102–109
Popular users and influencers
, 120–121
Porn stars
, 147
Positivity, nature and
, 60, 61
Poster, M.
, 82
The Presentation of Self in Everyday Life (Goffman)
, 157, 176
Privacy agreements
, 103
Privacy and surveillance
, 125–149
connections and interactions
, 136
interpersonal social surveillance
, 138
lateral surveillance
, 136
panopticon and surveillance theories in digital sociality
, 131–134
paradox of privacy on social media platforms
, 126–131
scopophilia
, 134, 135, 147
sharing and protecting visual content on Instagram
, 139–149
voyeurism
, 134, 135–136, 146–148
watching and being watched in social media
, 137
watching other users’ photosharing
, 138
Private advertising and communication agencies
, 121–124
Professional photography
, 15
Psychoanalysis
, 156
Psychoanalytic theories
, 135
Puglia
, 67
Qualitative content analysis
, 39–41
Qualitative interviewing techniques
, 31, 36
Remediation
, 10, 11, 27, 41
Renaissance
, 22
Reproducibility, Benjamin’s concept of
, 1
Rheingold, H.
, 75
Robin, B. R.
, 109
Robins, K.
, 132
Rubinstein, D.
, 14
Sarvas, R.
, 49, 85
Schroeder, J. E.
, 6, 101
Scopophilia
, 134, 135, 147
The Second Self (Turkle)
, 152, 158
Self
branding identities
, 173–178
representations of
, 155–160
selfies and the other self
, 169–173
visual representation of
, 163–169
Self-identity
, 151, 152, 155, 159, 161, 164, 165, 166
Selfies
, 8, 62, 161, 169–173, 176
Self-portraits
, 8, 15, 152, 165, 169, 172
Self-representation
, 8, 178
Self-visual representation
, 152
Selling experiences
, 108
Semiotic analysis
, 39
Semiotics and theories of image
, 16–29
Sharing of selfies
, 169, 170
Sheller, M.
, 12, 29
60 Minutes (programme)
, 10
Skype
, 29, 37, 38, 40
Sluis, K.
, 14
Smart mobile devices
, 2, 3–4, 7, 11, 14, 26, 29, 31, 47, 50, 80, 145, 154, 176–177, 180
Smart mobile technologies
, 2, 9, 13, 44
SmugMug
, 51
Smythe, D. W.
, 103
Snap, share and move on culture
, 44
Snapshot aesthetics
, 6, 101, 120
Snapshot photography
, 49
Snapshot Versions of Life (Chalfen)
, 50
Social engagement
, 86, 96, 118
Social media experts
, 99
Social media marketing
, 6, 35, 99, 105–107, 113
Social media platforms
, 2, 9, 11, 12, 26, 27, 29, 47, 49, 53, 78, 79, 80, 85, 86, 94, 102, 105, 126–131, 137, 141, 152, 153, 155, 159, 160, 163, 177, 180
Social network, Instagram as
, 90
Social networking sites
, 8, 44, 73, 74, 79, 81, 85, 86, 87, 131, 141, 152, 161
Social relationships
, 73–97
in Instagram online communities
, 86–93
Instagram communities’ offline encounters
, 93–97
mediation of photosharing in
, 82–85
online
, 74–81
Social surveillance
, 137, 138
The Society of the Spectacle (Debord)
, 158
Socio-technical transformations
, 30
Spanish Igers community
, 113, 114
Square frame
, 70–71
Stationary moments
, 145
Stein, R. L.
, 14, 15
Story sharing
, 53
Storytelling organization
, 64
Street photography
, 64, 143
Studio photography
, 179
Super-panopticon
, 133
Surroundings, visual attention towards
, 69
Surveillance
defined
, 133
privacy and. See Privacy and surveillance
Thematic photographic accounts
, 165
Thomas, N.
, 41
Three Essays on the Theory of Sexuality (Freud)
, 134
Time-based organization
, 64, 65
Toynbee, J.
, 74
Traditional branding
, 110
Tumbler
, 78, 130
Tumblr
, 109
Turkle, S.
, 80, 152
Turow, J.
, 128
Twitter
, 78, 90, 104, 109
Uno, Nessuno e Centomila (Pirandello)
, 156
Urban photography
, 64, 66, 68
Urry, J.
, 12, 29
User-generated advertising
, 121, 175
User-generated content (UGC)
, 106, 107, 108, 109, 128, 151
Van Dijck, J.
, 51, 62, 153, 178
Van House, N.
, 52, 53
Van Leeuwen, T.
, 41
Vecchi, B.
, 137
Victoria’s Secret Instagram account
, 147
Viral advertising
, 106
Virtual togetherness
, 81
Visual attention towards surroundings
, 69
Visual communication
, 1, 2, 83, 88, 97, 101
Visual content analysis
, 31, 39, 41
Visual content on Instagram
sharing and protecting
, 139–149
Visual data collection
, 38–39, 42
Visually unconventional scenes
, 66
Visual media marketing
, 99–124
branding and users’ engagement
, 110–113
photo contests and visual promotion
, 113–120
political economy of media and online marketing strategies
, 102–109
popular users and influencers
, 120–121
private advertising and communication agencies
, 121–124
Visual mobile communication
, 180
Visual representation of the self
, 163–169
Visual storytelling
, 66, 83, 120–121, 124
#vitangecontemporaneo
, 117
Voyeurism
, 134, 135–136, 146–148
Wasko, M. M.
, 77
Watching and being watched in social media
, 137
Watching other users’ photosharing
, 138
Web 2.0
, 78, 128
Web 2.5
, 78
Web 3.0
, 78
Webster, F.
, 132
Wellman, B.
, 75, 76
Wendt, B.
, 169
Wiles, R.
, 42
Yahoo!
, 102
Yin, R. K.
, 33
YouTube
, 164
Zoomr
, 51
Zylinska, J.
, 10, 27
- Prelims
- Chapter 1 New Approaches to Digital Photography and Online Photosharing
- Chapter 2 The Practice of Online Photosharing
- Chapter 3 Visual Social Relationships
- Chapter 4 Visual Media Marketing
- Chapter 5 Privacy and Surveillance
- Chapter 6 Identity: A Visual Representation
- Afterword
- References
- Index