Search results

In his discussion of early lexical development in children Barrett (1995) notes that utterances can be of the following types: an expression of an internal state, a response to a specific context, a social-pragmatic utterance and a referential utterance. A referential utterance can be thought of in the following way: the thing referred to, a mental representation, a word representation and a word sound. An utterance may refer to an object, an action, an attribute or an event. Some utterances are used as the names of classes of objects while other utterances are used as the proper names of individual objects. Looking at this in abstract we might say that, in the early years of childhood, language is used to refer to elements, sets, functions and relations – in other words to the mathematical structures which were discussed in Chapter 2. Of course although early language is used to refer to mathematical objects, the character of the language itself takes the form of ordinary language.

While the term “humanities” is not in itself a particularly contentious one among academics, the addition of the term “digital” creates all sorts of problems, even the superficially illogical contention that digital humanities are not humanities at all. The fundamental rupture between digital and print humanities lies in the turning of a materialist, object-oriented analysis upon the practices of humanistic scholarship. That is, in their newness, the digital humanities are unsurprisingly self-reflective about the materiality of their scholarly practices. This self-reflection has been largely absent from traditional humanities where we had all but naturalized the material composition of dissertations, journal articles, monographs, and so on. As a result, even as we continue to pursue traditional scholarly methods, it becomes increasingly difficult to do so without a self-reflective awareness of the historical-material contingency of these practices. In short, they are no longer the same. To explore this issue, this chapter takes up assemblage theory, and actor-network theory to investigate the intersection of mobile technologies and social media in the digital humanities including conference backchannels and networked research communities mediated through Twitter, Google Buzz, and similar applications. The chapter considers how, even for those who continue to publish in traditional genres on traditional subjects, the development of these digital assemblages are transforming compositional practices.

As costs around the world continue to rise for education, institutions must become innovative in the ways they teach and grow students. To do this effectively, professors and administrative staff should push toward the utilization of Open Source Software (OSS) and virtual tools to enhance or supplement currently available tools. In developing countries, OSS applications would allow students the ability to learn critical technological skills for success at small fraction of the cost. OSS also provides faculty members the ability to dissect source code and prepare students for low-level software development. It is critical that all institutions look at alternatives in providing training and delivering educational material regardless of limitations going forward as the world continues to be more global due to the increased use of technologies everywhere. Doing this could provide a means of shortening the education gap in many countries. Through reviewing the available technology, possible implementations of these technologies, and the application of these items in graduate coursework could provide a starting point in integrating these tools into academia. When administrators or faculty debate the possibilities of OSS, gaming, and simulation tools, this applied research provides a guide for changing the ability to develop students that will be competitive on a global level.

There is significant amount of literature tackling different issues related to the port industry. The present chapter focuses on a single business unit of seaports aiming at the documentation of works related to container terminals.

An effort to review, collect and present the majority of the works present in the last 30 years, between 1980 and 2010, has been made in order to picture the problems dealt and methods used by the authors in the specific research field. To facilitate the reader, studies have been grouped under five categories of addressed problems (productivity and competitiveness, yard and equipment utilization, equipment scheduling, berth planning, loading/unloading) and four modelling methodologies (mathematics and operations research, management and economics, simulation, stochastic modelling).

The analysis shows that most works focus on productivity and competitiveness issues followed by yard and equipment utilisation and equipment scheduling. In reference to the methodologies used managerial and economic approaches lead, followed by mathematics and operations research.

In reference to future research, two fields have been identified where there is scope of significant contribution by the academic community: container terminal security and container terminal supply chain integration.

The present chapter provides the framework for researchers in the field of port container terminals to picture the so far works in this research area and enables the identification of gaps at both research question and methodology level for further research.

Universities are populated with a wide range of disciplines. The science disciplines and their instructors are stereotyped as tech-savvy while in the past humanities faculty have sometimes been seen as technophobic and traditional. As we advance through the second decade of the 21st century, we find instructors in all areas are embracing new technologies in their teaching. Our students have been born digital (Tapscott, 2009) and have not only experienced online games and social networking technologies such as Facebook but thrive in them. It should not be surprising that many of our colleagues are trying out the use of social media in their courses. This volume embodies a sharing of such experiences with the aim of moving you up the learning curve so that your thinking about how these new technologies might spark excitement, interaction, sharing, and enhanced work and learning by your students.

The aim of this paper is to give empirical evidence of the fundamental mechanisms underlying the resource systemics: time compression diseconomies, asset mass efficiency, and interconnectedness of assets. It assumes that time, resource properties and interactions are the critical elements leading to accumulation of idiosyncratic resources, firm performance and survival. Results from a Cox regression on a simulated dataset confirm the protective effects of time compression diseconomies, asset mass efficiency, and interconnectedness of assets against firm's death.

The aim of this paper is to review the structure of road accident data, the database framework within which it is stored, and the potential for exploiting a hierarchical structure using multilevel statistical models. Most national accident databases regard accidents as the primary units of observation, with other characteristics stored as attributes. But it is more natural to picture the network, accidents, and other variables as a collection of related objects within a hierarchical system, which can be achieved using object-oriented database technology within a Geographical Information System (GIS) framework. This would permit more efficient data capture and storage, facilitate analysis of accident frequencies as a function of road layout, and facilitate the development of multilevel statistical models.

In this chapter, we focus on the three examples of ‘destructive’ art by contemporary artists Ai Weiwei, Michael Landy and Banksy to unpack issues of dematerialisation. By adopting the lens of object-oriented ontology, we reveal the hidden agency of artworks as objects. We find that artworks are charismatic objects that are alive to infinite possibilities and interpretations. As this meaning changes over time, we argue that any attempt at measuring or pinpointing cultural value is bound to fail. Instead, we suggest a need for further consideration of how art can operate as a hypo-object, presenting us with new perspectives on the world.