Visual Evidence as Social Science: The Ethics of Culture and Place

Abstract

This chapter explores the development of social science visualizations as cultural objects within art worlds. The research examines artworks as social science visualizations to show the importance of conducting analysis within distinctive social, institutional, and cultural environments. To make these arguments, the chapter outlines some of the key features of art worlds as they have been analyzed by cultural sociologists and anthropologists. We point out how cultures of reception and institutional intermediaries, such as museums, have historically shaped the construction of artworks, which are never produced or interpreted in a vacuum. The chapter closes with a call to expand both the application of social science visualizations and our understanding of such visualizations as subject to similar art world dynamics. Such visualizations, it is argued, constitute key components of social research practice increasingly oriented toward a digitally connected public hungry for visual interpretations of contemporary social developments.

Citation

Schulz, J., Robinson, L. and Moles, K. (2024), "Visual Evidence as Social Science: The Ethics of Culture and Place", Robinson, L., Moles, K., Moreira, S.V. and Schulz, J. (Ed.) Geo Spaces of Communication Research (Studies in Media and Communications, Vol. 26), Emerald Publishing Limited, Leeds, pp. 163-173. https://doi.org/10.1108/S2050-206020240000026013