Three Perspectives on the Political and Aesthetic Potentials of the Basketball Court

Abstract

The recent wave of protests on courts and fields all over the world has brought increased attention to the potential of sport to address social justice. Basketball in particular has been the subject of both celebration and outrage. Building off the theorizing of sport as a contested space, we examine the work of three artists/artist collectives; Abigail Smithson, Maria Molteni and New Craft Artists in Action, and Noah Cohan and John Early of Whereas Hoops, who have all directly engaged with the basketball court as a site filled with cultural meaning and struggle. All three of the respective bodies of work were developed in the past 10 years and emerge from the heightened social and racial tension of the time, as well as the increasingly apparent link between sports, politics, and race within our larger society. Examining the work reveals the importance of the basketball court as a site simultaneously of celebration, play, surveillance, policing, community, history, cultural exchange, and racialization. We explore the potential for artists to engage with and transform sport spaces through an edited group interview, giving the artists the chance to reflect on their practices as well as the limitations of working as an activist and artist in the realm of sports in their own words. Through conversation, the chapter focuses not just on finished pieces of art but also on the process of making the work in the ever familiar and culturally rich environment of the basketball court.

Citation

Green, K., Smithson, A., Molteni, M., Early, J. and Cohan, N. (2023), "Three Perspectives on the Political and Aesthetic Potentials of the Basketball Court", Montez de Oca, J. and Thangaraj, S. (Ed.) Athletic Activism (Research in the Sociology of Sport, Vol. 17), Emerald Publishing Limited, Leeds, pp. 189-208. https://doi.org/10.1108/S1476-285420230000017011