“The Wall is the City”: A Narrative Analysis of Vancouver’s Post-Riot “Apology Wall”

Abstract

We conducted a narrative analysis of a collective narrative comprising inscriptions left on the locally famed “Apology Wall,” written by thousands of community members in the immediate aftermath of the 2011 Vancouver Stanley Cup Riot. In considering the Apology Wall as an “evocative object,” this study emphasized the significance of material objects as meaning-making devices. Interpretation of themes was conducted through a constructivist lens, specifically guided by literature concerning meaning-making following negative life events. Results bolstered the significance of the Wall as a sense-making device that provided a forum for the community to collectively share positive emotional expression, construct solidarity and collective identity, and express desires for restoration. By studying this collective narrative, the study not only illuminated how those affected constructed meaning after the Vancouver sports riot, but it also contributes to the literature on how communities, in general, make early sense of and respond to destructive events.

Citation

Lavoie, J.A.A., Eaton, J., Sanders, C.B. and Smith, M. (2014), "“The Wall is the City”: A Narrative Analysis of Vancouver’s Post-Riot “Apology Wall”", Symbolic Interaction and New Social Media (Studies in Symbolic Interaction, Vol. 43), Emerald Group Publishing Limited, Leeds, pp. 203-222. https://doi.org/10.1108/S0163-239620140000043019