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Malign by Design: Imaginatively Visualising Lovecraft and the Aesthetics of Monstrosity

Gerard Gibson (Ulster University, UK)

Interdisciplinary Essays on Monsters and the Monstrous

ISBN: 978-1-80117-028-4, eISBN: 978-1-80117-027-7

Publication date: 20 October 2022

Abstract

Since the rise of rationalism (Bond, 1935) the imagination has often been considered too subjective, and at times regarded with scholarly skepticism (Burke, 2008). Yet, imagination seems to provide basic psychological functions for the human intellect and our understanding particularly of large problems (Hillman, 1975), (Winnicott, 1971). More than the mere ‘fancy’ criticized by Dr Johnson (Havens, 1943), the imagination serves both speculative and interpretive functions, displaying distinct use of cerebral imagery to solve complex environmental and interpersonal challenges. Yorke (2013) argues that humans experience the world dialectically, interpreting everything as cause and effect. Imagination plays a vital role in these universal narratives, shaping our cultural heritage, expression and experience (Zittoun & Gläveanu, 2018). Our oldest tales feature monsters, creatures who are often more interesting and memorable than the heroes who fight them. Halberstam (1995) theorises that monsters are meaning machines. Monsters serve an admonitionary role, and their transgressive nature defines them while displaying a distinct visuality. Like imagination, monsters enable us to analyse and approach difficult topics in innovative ways.

H. P. Lovecraft is one of the most influential horror writers of the twentieth century (King, 1985). Imagination, the visual and the monstrous find a unique balance in his works. Using Lovecraft's copious correspondence, his drawings and his 1927 short story The Call of Cthulhu as a lens, the relationships between imagination, the visual and the monstrous are examined. These postulate an underlying mutual interdependence between the normative and the monstrous and suggest Lovecraft's imaginative use of the visual and monstrous to transgress the bounds of conventional epistemologies and experiences, thereby displacing the anthropocentric focus of conventional narratives.

Keywords

Citation

Gibson, G. (2022), "Malign by Design: Imaginatively Visualising Lovecraft and the Aesthetics of Monstrosity", Schotanus, M.S. (Ed.) Interdisciplinary Essays on Monsters and the Monstrous (Emerald Interdisciplinary Connexions), Emerald Publishing Limited, Leeds, pp. 11-30. https://doi.org/10.1108/978-1-80117-027-720221002

Publisher

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Emerald Publishing Limited

Copyright © 2022 Gerard Gibson. Published under exclusive licence by Emerald Publishing Limited