Index

Citation

(2021), "Index", Draganova, A., Blackman, S. and Bennett, A. (Ed.) The Canterbury Sound in Popular Music: Scene, Identity and Myth (Emerald Studies in Popular Music and Place), Emerald Publishing Limited, Leeds, pp. 289-296. https://doi.org/10.1108/978-1-78769-489-720201022

Publisher

:

Emerald Publishing Limited

Copyright © 2021 by Emerald Publishing Limited

---

INDEX

Note: Page numbers followed by “n” indicate notes.

Abraxas

, 101

Affective pilgrimage

, 18

‘All This Crazy Gift of Time’ (1969)

, 150

Allen, Daevid

, 5, 24, 27, 31, 35, 63, 68, 87, 93–94, 96–98, 102, 106, 108, 118–119, 137, 145, 148, 182, 192, 195, 198–199, 201, 233, 260, 262–264, 266, 268–273, 283

Divided Alien Playbax 80 (album)

, 96

gnome meets goddess in outer space

, 269–273

services

, 95

You (1974)

, 269

Alternativity

, 3

Angel’s Egg (1973)

, 269–272

‘Anti-commercialism’

, 116

Archbishop of Canterbury

, 62

Art worlds

, 32–33

Ayres, Kevin

, 1, 6, 182, 260, 266–268, 283

Bananamour (album)

, 102, 143, 152, 268

biographical outline

, 144–145

‘Clarietta Rag’ (1969)

, 147–148

‘Decadence’ (1973)

, 152–153

‘Girl on a Swing’ (1969)

, 148

Joy of a Toy (1969)

, 134, 143–145, 147–148, 150, 268

‘Lady Rachel’ (1969)

, 149

‘Lullaby’ (1972)

, 143

‘Margaret’ (1972)

, 151

‘Oyster and the Flying Fish’ (1970)

, 150

‘Red Green and You Blue’ (1970)

, 150–151

Shooting at the Moon (1970)

, 42, 143

‘Singing a Song in the Morning’ (1970)

, 42

‘Song for Insane Times’ (1969)

, 148

‘Song from the Bottom of a Well’ (1972)

, 151–152

song texts, MS. examples and brief commentaries

, 146–153

‘Stop This Train (Again Doing It)’ (1969)

, 148–149

‘Town Feeling’ (1969)

, 143, 146–147

Whatevershebringswesing (1972)

, 134, 143, 148n11, 152

Bad Plus

, 82–83

These are the Vistas (The Bad Plus)

, 82

Bailey, Sam (founder of Free Range)

, 8

Banks, Tony

, 84

Beatles, the

, 25, 41, 80, 83, 116, 134, 147, 151, 153, 188, 261, 264

‘Beehive’, The in Canterbury

, 26, 65–66, 174, 204–205, 207, 209

Bennett, Andy

, 1, 4, 13–19, 27, 32–35, 113–117, 154, 203, 208, 218, 236, 239, 260–261, 283

Biographical encounters with Canterbury Sound

, 101–108

‘Biwa-Ko Rowing Song’

, 138

Blonde on Blonde (album)

, 81

Bracknell-Bress release (Hugh Hopper and Alan Gowen)

, 97

Britpop

, 31

Brodigan, Adam

, 8, 171, 179, 251

Brown, Henry

, 50

Brown, Pete

, 127

Brownes (organ builders)

, 50

Cafes, Cabarets, Clubs and Cathedrals (Four Cs)

, 97

Calyx website

, 7, 13, 14, 18–19, 115, 186, 198, 283

Camel

, 5, 126

Canterburied Sounds

, 17, 115–116, 205

Canterbury bands

, 8

Canterbury Listening

, 240–241

Canterbury music scenes

, 215–216, 218–220

Canterbury Nachrichten

, 19, 198

Canterbury Records

, 80

Canterbury Sans Frontiers(2013)

, 235

Canterbury Scene

, 31, 33–34, 37, 79, 125, 132, 230–231, 260, 262–263

Canterbury Scenius

art worlds

, 32–33

family trees and family resemblances

, 42–44

Genius and Scenius

, 38

‘Memory Lain, Hugh’

, 40–42

‘Moon in June’

, 39

music

, 31–32

ontologies of music scene

, 33–36

Scene and the Sound

, 36–37

Canterbury Sound

, 1–4, 13, 79–80, 113–114, 161, 167, 182, 259, 283

and ‘quintessential englishness’

, 115–118

bands

, 262

Blonde on Blonde

, 81

calyx-Canterbury

, 86–87

digital reawakening

, 18–20

documenting music practices

, 7

emergence, sound, and scene

, 4–5

essential ingredients

, 83–85

ethnographic conversations within

, 155

feeling vibes

, 15–17

formative years

, 23–25

genre of music

, 85–86

imaginary museum

, 281

jazz

, 80, 82

journeys and returns

, 5

later developments and future legacy

, 27–30

music scenes

, 14–15

myths and realities

, 7–8

new age pilgrimages

, 17–18

people

, 5–7

and quintessential Englishness

, 260

reimagining Land of Grey and Pink

, 20

stickiness of virtual scene and imagined community

, 118–122

Canterbury Tales, The

, 17, 224

Canterburyism

, 17, 19, 20, 30, 283

Caravan & The New Symphonia

, 274

Caravan

, 1, 4–6, 8, 13, 17, 27–28, 30, 34, 40–43, 56, 65–68, 70–71, 80, 90, 92–93, 97–99, 103, 114–115, 118, 125–126, 131, 134–135, 138–140, 144, 155–156, 158168, 174, 182, 186, 192, 195–196, 199, 201, 203, 208–210, 217, 235, 254, 260–261, 263–266, 274–276, 282

As I Feel I Die and Can’t Be Long Now

, 30

Battle of Hastings, The

, 97

Can’t Be Long Now

, 30

caravan’s wordplay and naughty subversive postcards

, 273–276

Cunning Stunts (album)

, 68, 139, 274–275

Dabsong Conshirtoe, The

, 68

For Girls Who Grow Plump in the Night (album)

, 42, 68, 275

Golf Girl

, 162, 164–165, 276

If I Could do It All Again, I’d Do It Over You

, 103, 275

If I Could Do It All Over Again, I’d Do It All Over You (album)

, 66

In the Land of Grey and Pink (album)

, 34, 56, 66, 103, 265, 281, 283

Land of Grey and Pink, The (1971)

, 90

liminal laughter

, 262–264

‘Magic Man’

, 42

‘Memory Lain, Hugh’ (1973)

, 40–42, 44

pataphysics

, 8, 103, 120, 259, 266–269

progressive and psychedelic music as serious fun

, 264–266

Waterloo Lily

, 40, 42, 274, 276

Caravan of Dreams

, 126–129, 130

Casual sexism

, 273–274

Cathedral

, 85

‘Cecil Rons’

, 165

Celestial Railroad

, 149

‘Classic albums’

, 17

Classical music

, 81

ClassicAlbumSundays event

, 40n8

‘Coach House’, The

, 63

Counter-cultural music scene

, 18

Crash of Moons Club, The

, 8, 235, 251, 254, 256

Creativity

, 6, 166

Cultural heritage

, 16

Cultural intermediaries

, 15

Davis, Miles

, 24, 81, 107, 265, 286

Debut (Bjork)

, 81

Delivery (band)

, 28

Digital reawakening

, 18–20

Digital technology

, 18

Disc jockeys (DJ)

, 92

Diversification

, 218–221

Divided Alien Playbax 80 (album)

, 96

Do-it-yourself (D. I. Y.)

, 3, 8, 215

methodological approaches for data collection

, 216–217

music and place

, 221–225

‘pockets of music scenes’ in Canterbury

, 218–221

rethinking Canterbury Sound and

, 217–218

Student Bands

, 215

Dove, Richard

, 5

Down Beat magazine

, 104

Draganova, Asya

, 3

Easter Island Records

, 8

Eclecticism

, 119

Egg (band)

, 114

Eire Apparent

, 93

Electric Light Orchestra (ELO)

, 92

Emerson Lake and Palmer (band)

, 16, 264

Emotional geographies

, 4, 15

Eno, Brian

, 32, 105, 156, 182, 241

Ethnography

, 1, 8, 155, 215–216, 219, 221–222, 226

Experimental Music Society (EMS)

, 223

Facelift

, 7, 19, 115, 185–186, 191, 193–194, 196–201, 209, 260, 262–263, 266–267, 273

‘Family resemblance’ concept

, 4, 42–44

Family ties

, 56

Family trees

, 42–44

Female Goddess

, 259

Fluidity

, 218–221

Free improvisation

, 231

Free Range

, 8, 32, 229–230

audience

, 237–238

Canterbury Listening

, 240–241

connections and shared values

, 233–234

conservative city

, 236–237

events

, 231–233, 243–250

free improvisation

, 231

interdisciplinary approach

, 231

limited choice and cross fertilising audiences

, 239

overlapping scenes

, 235–236

professional ears

, 238

Freud, Sigmund

, 268, 275–275

Frith, Simon

, 225, 264–265

Gender

, 3–4, 6, 8, 180–182, 259, 263, 266, 273

Genesis (band)

, 16

Genius

, 32, 38–42

Gilgamesh (band)

, 28, 114

Gilli Smyth

, 4, 93, 98, 104, 201, 269, 271–273

‘Gliss’ guitar method

, 36

Gong (band)

, 4–5, 8, 13, 17, 27–28, 35, 42–43, 90–94, 96–99, 101–102, 104, 106, 108, 114, 119, 137, 139, 145, 174, 179, 182, 185–186, 192, 194–196, 198–201, 220, 259–260, 264–267, 269–273, 286

Camembert Electrique (1971)

, 106, 266–267, 269–270, 272

Downwind (1979)

, 92, 269

Flying Teapot (1973)

, 106, 269, 272

Gazeuse album

, 106

GONG’s Un-Convention in Amsterdam

, 98

Mother Gong

, 272–273

Pierre Moerlen’s Gong

, 92

Pot Head Pixies (PHPs)

, 270–271

Radio Gnome Invisible

, 270–271

Radio Gnome trilogy

, 106

Robot albums

, 273

Robot Woman (album)

, 273

You (1974)

, 269

Gong Live (1980)

, 269

Goon Show, The

, 259, 275

Graves, Robert

, 25, 35, 68, 87, 144, 152, 259, 264, 269, 271–272

Guardian’s, The (2013)

, 108, 271

Hammond Organ

, 63, 83–84

Happy Accidents, The

, 28

Harmonic vocabulary

, 138–139

Hastings, Pye

, 155, 165–168

Canterbury

, 167

Canterbury Sound/Scene

, 167

caravan humour

, 168

contemporary Canterbury musicians

, 168

creativity

, 166

international and local

, 167–168

music origins

, 165–166

musical aesthetic

, 168

place

, 166–167

Hatfield and The North

, 28, 68, 80, 84–85, 90, 92, 96, 99, 102–103, 105, 106, 114, 127–128, 137–138, 161, 163–164, 174, 185, 195, 217, 260, 264–266

‘Big Jobs (Poo Poo extract)’?

, 102

Henry Cow (band)

, 102

Her Majesty’s Voice (radio show)

, 5

Hillage, Steve

, 33, 35–36, 91–93, 104, 159, 163, 192, 195, 201, 260, 269, 273

Holistic Medicine, The (2016)

, 217

Homogeneity

, 116

Hopper, Brian

, 4, 23, 26, 35, 115, 119, 121, 137, 166, 204–205, 224, 262, 265, 274, 286

Hopper, Hugh

, 19, 31, 38–39, 41, 44, 58, 64, 97, 103, 106, 119, 127, 129, 134, 148, 185–186, 188, 194–195, 198–199, 201, 203, 234, 236, 239, 266, 283

Howitt, Phil

, 7, 19, 185, 191, 194, 199, 201

I, Claudius (novel)

, 68

Imagined community

, 117–122

In Praise of Learning

, 105

Insider researcher

, 216–217

Interactive collaboration

, 41

International Times

, 147, 148

Internet

, 7, 14, 18–19, 58, 96, 134–135, 174, 186, 252, 267, 283

Intolerance (film)

, 157

Jarry, Alfred

, 269

Pataphyics

, 8, 103, 120, 259, 266–269

science of imaginary solutions

, 267

Ubu Roi

, 103

Jazz music

, 14, 28, 31, 35, 37, 80, 82, 84, 162

Jethro Tull (band)

, 16

John, Richard

, 50

Junior Choice radio programme

, 149

Kent Experimental Music Society

, 8

Kent Herald newspaper

, 60

Kent music

, 3

Kentish Gazette of 6/1/67, The

, 7, 204, 206

Kind of Blue (Davis)

, 81

Kitt, Lucy

, 83

Koloto

, 177

Krautrock

, 31

Lady Luck pub

, 222

Lapis Lazuli band

, 8, 116, 253–255

Wrong Meeting (album)

, 255

Largo

, 82

Le Surmâle (novel)

, 269

Legend (Cow album)

, 102, 134

Leroy, Aymeric

, 7, 13, 18, 39, 138, 185, 198, 200, 204–205, 208–209, 260

L’école de Canterbury (2016)

, 7, 143, 260

Liminal laughter

, 262–264

Little Theatre Club

, 231

Live 1991 (album)

, 97

Local Hero Records

, 83

Lounge on The Farm (festival)

, 252, 254

Love song

, 38

‘Mahavishnu chord’

, 40

Mahavishnu Orchestra

, 40, 265

Inner Mounting Flame, The (album)

, 40

Marxism

, 122

Matching Mole

, 28, 33, 38, 42, 44, 67, 90, 102, 114, 118–119, 137–138, 186, 192, 264, 267

Little Red Record (1972)

, 119

steps

, 137

Melody Maker (Dawbarn)

, 42, 92, 260

Merseybeat

, 31

Mingus, Charles

, 24, 82, 262

Mirage Live

, 130–132

Mise-en-scène

, 152

Mojos, The

, 210

Monk, Thelonius

, 24, 82, 260

‘Mr Head’

, 63

Multi-method ethnographic approaches

, 216

Music

, 31, 35, 37, 115, 118, 215–216, 282

in contemporary Canterbury

, 7–8

culture

, 43

influences

, 6

for musicians

, 181

origins

, 165–166

styles

, 14

Music scenes

, 4, 14–15

ontologies of

, 33–36

struggles in contemporary Canterbury

, 175–177

Tripartite model of scenes

, 14

Virtual scene

, 14, 113, 118–122

Naked Giants (band)

, 41

Napoleon (film)

, 157

National Health (band)

, 5, 28, 44, 91, 94, 105, 114, 164, 187, 192, 200, 217

National Health (1978)

, 91

Nationalism

, 117

New age pilgrimages

, 17–18

New Canterbury Sound, The (2019)

, 236

New Statesman (NS)

, 108

NME (New Musical Express)

, 42, 103, 162, 187, 193, 265

Nothing Can Stop Us (album)

, 134

O’Dair, Marcus

, 6, 32, 34, 107, 114, 117–122, 203, 206, 208, 260, 267, 272

Old Grey Whistle Test, The

, 35

Oldfield, Mike

, 92, 152, 185, 269

Tubular Bells

, 269

Orange Street Music Club

, 8

Partie de champagne (film)

, 148

Payne, Alan Stumpenhuson

, 7

Pet Sounds (1966)

, 41

Peterson, Richard A.

, 14–15, 32–33, 203, 218

Pierre Moerlen’s Gong

, 92

‘Pockets of music scenes’ in Canterbury

, 218–221

Prog Rock Britannia (2009)

, 34, 261, 263, 267–268, 275

Progressive rock

, 16, 116

Psychedelic rock music

, 16

Quintessential Englishness

, 115–118, 260

Ratledge, Mike

, 23–24, 27, 29, 35, 38–40, 58, 83, 105–106, 115, 119, 135, 145, 148, 194, 203, 233, 266–267, 269

Racial politics

, 117–118

Recoil (fanzine)

, 197

‘Red Green and You Blue’ (1970)

, 150–151

Remain in Light (Talking Heads)

, 40

Retrospective cultural consecration

, 17

Revolver (1966)

, 41, 146n6

Richardson, Geoffrey

, 155, 156

‘Canterbury Sound’

, 161–163

coming to Canterbury

, 157–158

ethnographic conversations within

, 155

on getting into music

, 156–157

impressions from Canterbury/Graveney village 1972

, 158–161

‘informal’ musicianship

, 158

‘like moth to flame’

, 161

never leaving?

, 163–164

on women and Canterbury sound

, 164–165

Rock Family Trees

, 42, 262

Rocket Folk

, 106

Rolling Stone (magazine)

, 42

Romantic Warriors DVD of Canterbury Tales

, 262, 268, 273

Rotters’ Club, The (Jonathan Coe)

, 102

Rubber Soul (1965)

, 41

Scene

, 4–5, 14, 34, 36, 185–186

local

, 14, 16–17, 115, 204, 210, 256

trans-local

, 203

(virtual)

, 1, 14–15, 113, 115, 118–122

Scenius

, 32, 38–42, 241

Schmutz, Vaughn

, 17

ScitAtics

, 28

Seattle Sound

, 15

Seduction, play of

, 15–17

Self-mockery

, 276

Sergeant Pepper

, 264

Sergeant Pepper’s Lonely Hearts Club Band

, 41, 147

Seven Stars pub in Orange Street

, 67

Sexual revolution

, 269

‘Shoegazing’ label

, 31

Simon Langton Grammar School

, 23, 58, 113, 118, 266

Sinclair, Dave

, 5–6, 40–42, 49, 119, 126, 129, 131, 133, 135, 140, 160–161, 166, 199, 207, 263, 286

ancestral past

, 49–51

‘Back for Tea’ (song)

, 139

in beginning

, 49

Canterbury/Westminster reflection

, 62

Caravan

, 65–67

Caravan Again!

, 68

family ties

, 56

formative years

, 58–62

Full Circle (album)

, 70

fruits

, 139–140

going live

, 62–65

harmonic vocabulary

, 138–139

‘Island of Dreams’

, 77

‘Makino’ (song)

, 138

maternal side, blow connection

, 55–56

Moon Over Man (1993)

, 69, 97, 135, 138–139

My Music Career in Japan

, 73–74

my story

, 133–135

on my own again

, 68–75

Nine Feet Underground

, 56, 66–67

‘Orchard Close’

, 49

other pursuits

, 67–68

Out Of Sinc (album)

, 58, 72

paternal side, Sinclair

, 51–55

Sinclair spectrum and pathways of artistic influence

, 140

Stream album, The

, 135, 140

useful links for Canterbury

, 77

war and after

, 57–58

Sinclair, Richard Frederick

, 51–53

Sinclair, Richard (musician)

, 6, 17, 19, 25–26, 34–35, 40–41, 44, 49–53, 56, 61, 64–65, 68, 85, 97, 107, 125–126, 132, 135, 144, 160, 166, 185–186, 195–196, 198–199, 236, 262–264, 275

R. S. V. P. album

, 129–130

‘What’s Rattlin’? (song)

, 186, 198–199

Sinclair, Richard John

, 49–51

The Sociology of Rock

, 264

Soft Heap (band)

, 114

Soft Localism

, 15–17

Soft Machine, The

, 27, 192

Soft Machine (band)

, 1, 8, 13, 17, 27, 31, 33, 35, 37, 42, 63, 93, 114, 118, 134, 145, 182, 207–208, 233, 260, 266, 282, 284

Backwards

, 39

Bundles

, 106

Dedicated to You but You Weren’t Listening

, 29

Fourth (album)

, 39

Hope For Happiness (song)

, 25

‘Out-Bloody-Rageous’ (band)

, 27

Love Makes Sweet Music’ (1967)

, 42

Slightly All The Time

, 29

Soft Machine Volume Two (1969)

, 266–267, 269

Triple Echo

, 43, 285

Volume Two (1969)

, 89

Sounds, Melody Maker, NME

, 42

Sounds and Record Mirror

, 103

Space Oddity

, 104

Spirogyra

, 157–158

Straw, Will

, 14, 32, 103, 218

Steve Hillage

Fish Rising

, 104

Stereolab (band)

, 134

Stewart, Dave

, 33, 40, 91, 94, 105, 165, 194, 199

Story of Art, The (Gombrich)

, 32

Stump, Paul

, 13, 16, 37, 208

Subcultural identities

, 3

Sullivan, Maria

, 4, 155, 177

getting into music

, 177–178

music for musicians

, 181

Scene in Canterbury

, 178–179

woman in scene

, 179–181

Sullivan, Neil

, 155, 169

artistic change

, 172–173

Canterbury Band

, 174–175

growing up in Kent

, 169–170

Lapis Lazuli and scene in Canterbury

, 171–172

music roots

, 169

music scene struggles in contemporary Canterbury

, 175–177

self-taught musician/professional technician

, 170–171

Sweeney Todd, the Demon Barber

, 61

Syd Arthur (band)

, 1, 8, 18, 30, 83, 116, 162, 168, 171–172, 174–175, 178–179, 182, 201, 217, 220, 235–236, 251–254, 260

Tales of Hoffmann

, 105

Tamla Motown

, 27, 207

‘Tanglewood’

, 26, 63

Tin Foil Astronauts (2015)

, 217

Tofts’ club in Folkestone

, 26

Tour d’horizon

, 152

Trance Map (album)

, 231

UFO Club

, 233

University of Kent at Canterbury, the

, 4, 26, 43, 63, 170, 206, 216–217, 224, 231–232, 237, 252–253, 282

Uriel (band)

, 91

Voiceprint Records

, 134, 198

Walrus (publication)

, 92

Wang Chung (band)

, 5, 81

Wellington House

, 113

White Goddess, The (Book by Robert Graves)

, 272

Whiteley, Sheila

, 3, 270, 273

Wilde Flowers

, 1, 4–5, 13, 17, 25–28, 31, 34, 56, 63, 65, 90, 105, 113, 115, 119, 125, 144, 166, 174, 203–206, 224, 262, 264–266, 283

Wright, Rick

, 84

Wyatt, Robert

, 1, 4, 6, 19, 23–24, 28, 31–36, 39, 41–44, 64, 67–68, 80, 83–86, 89, 101–103, 112–115, 117–122, 134–135, 145, 148, 182, 185, 187, 195, 198–199, 203, 208, 231, 233, 260–262, 264, 266–269, 272, 275, 281–282, 286

Comicopera

, 119–120

Comicoperando (album)

, 121

Cuckooland (album)

, 114, 122

Dondestan

, 119

End of an Ear, The (1970)

, 135, 267

For The Ghosts Within (album)

, 121

Love Makes Sweet Music’ (1967)

, 42

‘Moon in June’ (1968–1970)

, 39

Quintessential Englishness

, 115–118, 260

Old Rottenhat

, 119

Rock Bottom (1974)

, 103, 114, 185

Ruth is Stranger than Richard

, 105–106

Shleep (album)

, 134

Soft Machine Volume Two (1969)

, 266–267, 269

Yes (band)

, 16

Tales from Topographic Oceans

, 102

You (1974)

, 269

Zappa, Frank

, 29, 40, 81, 85, 136, 156, 192, 265

ZigZag (magazine)

, 42

Zobe (band)

, 205

Zoo for You (band)

, 8