Abjection

, 23, 26, 59, 174–175

Achtung! Cthulhu: Assault on the Mountains of Madness

, 87

Adversarial Machine Learning

, 49–50

Afterlife

, 1–2

Akira

, 26

‘Alchemist, The’

, 85

Alexa (Amazon device)

, 189–190

Alice Isn’t Dead

, 180

Alien

, 3–4, 43–46, 49, 50, 51, 52–53

Alien franchise, fans of

, 135

Fandom, stereotypes and definition of

, 136–138

perfect organism

, 142–144

purpose of research

, 139–141

Weyland-Yutani

, 141–142

Alien: Isolation

, 43–49, 51, 52, 53

‘Alien Phenomenology’

, 50

Aliens: Colonial Marines

, 45–46

Alone in the Dark

, 32, 58, 88

Alphona, Adrian

, 16–17

Animal imagery

, 173

Aoyama, Shigeharu

as representative of classic home drama

, 110–113

Arabian Nights

, 84–85

Ardel, Thomas

, 184

Argosy, The

, 85

Aristotle

, 158–159

Arkham Horror

, 87–88

Arts Council of San Sebastian

, 151

Asami

as ideal demure young woman

, 113–115

as mad woman, presentation of

, 115–118

As Good as it Gets

, 61

‘ASMR Horror Story’

, 197–198

‘ASMR Medical RP – Male Physical Exam’

, 197–198

‘ASMR Medical RP – Your Annual Gynaecologist Appointment’

, 197–198

Atlanta Radio Theatre Company

, 90

Attack of the Leading Ladies

, 11–12

At the Mountains of Madness

, 84–85, 89–90, 91–92

Audition (film)

, 3, 109

Aoyama, as representative of classic home drama

, 110–113

Asami, as ideal demure young woman

, 113–115

Asami as mad woman, presentation of

, 115–118

Audition (novel)

, 119

Autonomous Sensory Meridian Response (ASMR)

, 195–198

Avant-garde

, 24

AX-2: Uchuu Yusousen Nostromo

, 32

Bainbridge, Alison

, 4

Baker, Charlotte

, 3–4

Baker, Troy

, 31–32

BBC

, 195

Beltrán, José Miguel

, 153

‘Beast in the Cave, The’

, 85

‘Beasts of Prey’

, 171–172, 173, 174

‘Beyond the Wall of Sleep’

, 85

Big Comic Spirits

, 19

Big Lebowski, The

, 160

Bisexuality

, 179

Black Hole (Charles Burns)

, 2–3, 19, 26, 27–28

mutating teens and forbidden desires in

, 21–24

Black Mirror

, 194–195

Blair Witch Project, The

, 61–62

Blue Velvet (David Lynch)

, 20–21, 23–24

Bodies

, 20–21

Bodily deformity

, 23

Bodily disintegration

, 23, 26

Bodily mutation

, 26

body genre, masculinities in crisis and horror as

, 60–62

Bonding

, 11

Bowie, David

, 22

Boy

, 25

Branney, Sean

, 90–91

Braveheart

, 61

Bride of Frankenstein, The

, 95–96, 106–107

Brokeback Mountain

, 61

Brook, Max

, 121

Brown, William

, 90

‘Bubble Wrap Play’

, 196–197

‘Burial Service’

, 191–193

Burt-Wintonick, Mira

, 195

Bush, George W.

, 61

Byrne, John

, 14

Call of Cthulhu, The

, 86–87, 90–91

Call of Cthulhu: The Card Game

, 87, 88

‘Can You Help Me Find My Mom?’

, 194

Captivity narrative

, 74

Cards of Cthulhu, The

, 87

Carmilla

, 184

Carnivale

, 1–2

Carr, Diane

, 39–40

Carrie

, 2–3, 10–12, 16, 21

Carrie White (character)

, 13–14, 16

monstrousness of

, 10–12

‘Case of Charles Dexter Ward, The’

, 90, 91–92

Casino Royale

, 61

CBS

, 89–90

Child, fetishising

, 73–75

‘Christabel’

, 184

Christine (David Cronenberg)

, 21

Claremont, Chris

, 14

Climax Studio

, 57

Colour out of Space, The

, 90, 91

Companion cube

, 50

Complicity

, 72–73

Comprehensiveness

, 59

Consumption

, 83

Contemporary horror audio, disembodied voices and sonic immersion in

, 189

Autonomous Sensory Meridian Response

, 195–198

drama

, 192–195

games

, 195–198

golden age horror radio

, 190–192

Convergence Culture (Henry Jenkins)

, 2

Costner, Kevin

, 61

Craig, Daniel

, 61

Creepy

, 91

CrinkleLuvin ASMR

, 197–198

Crisis of masculinity

, 61

Cronenberg, David

, 2–3, 27

Cronos

, 86–87

Crystal Dynamics

, 31–32, 33, 34

Cthulhu Mythos

, 85, 87

Cult films

, 83–84

games

, 87–89

graphic novels

, 91–92

Lovecraft, as cult author

, 84–87

radio adaptations

, 89–91

Cultural Status

, 83

Curtis, Jamie Lee

, 22–23

‘Dagon’

, 91

Daikon no hana III

, 110–111

Dances with Wolves

, 61

Dancy, Hugh

, 170

Dandridge, Merle

, 36

Dark Adventure Radio Theatre

, 90

‘Dark End of the Mall’

, 194–195

‘Dark Phoenix Saga, The’

, 12–14

Redux

, 14–15

Dark Water

, 20–21

Dead Rising 2

, 69

Dead Space

, 34, 45–46

Dehumanised minorities

, 123–126

‘Dentist, The’

, 197–198

Die, Monster, Die!

, 86–87

Digital boyhood

, 69–70

Docile bodies

, 71–72

Doctor Strange (character)

, 13–14

Doctor Who

, 139

Doom

, 45–46

‘Doom that Came to Sarnath, The’

, 85

Double Helix Studio

, 57

Doyle, Kelly

, 3

Dracula (Bram Stoker)

, 184–185

Drake, Nathan

, 33

Drama

contemporary horror audio in

, 192–195

see also individual dramas

‘Dream Quest of Unknown Kadath, The’

, 91–92

‘Drive Straight Ahead’

, 195

Druckmann, Neil

, 37

Dunbar, John

, 61

Dunwich Horror, The

, 86–87, 89–90

EC Comics

, 2, 91

‘Eden’s Gate Induction’

, 197–198

Ellie (character)

, 31–32, 36–38

Emotional attachment

, 169

Excess

, 59

Exorcist, The

, 190

Eyes of My Mother, The

, 161

Facebook Alien Franchise Fandom PhD Study Group

, 139–141

Fairy Tales

, 84–85

Faith, Percy

, 194–195

Fandom

, 135–136, 139

borders of female fandom in Hannibal, negotiating

, 167

intensity levels

, 139–140

stereotypes and definitions of

, 136–138

Fandom Checklist

, 140, 141

Fan hierarchies

, 137–139

Fan Phenomena: Supernatural (Zubernis and Larsen)

, 135

Fan pleasure

, 169

Fan-specific checklist, creation of

, 135

Fantagraphics

, 19

Far Cry 5

, 197–198

Fatherhood, in post-apocalyptic survival horror games

, 69

The Last of Us

, 73–75

Walking Dead: Season One, The

, 75–77

Father Knows Best

, 110–111

Female monster

, 10, 17–18

Feminist New Materialism

, 47

Femme fatale

, 109–110, 117, 155, 159

‘Festival, The’

, 91

Fight Club

, 160

Film events, ethnography of

, 152–154

Final girl

, 32–33, 35–36, 37, 39–40, 75, 201–202

Fission

, 14–15

Five Nights at Freddy’s

, 197–198

Fly, The

, 22–23, 26

Fog, The (John Carpenter)

, 24–25

Forbidden desires

, 21–24

Foster, Jodie

, 170

Foster, Marc

, 121

Fragile masculinity

, 61

Fragility

, 61

Frankenstein Chronicles, The

, 96–97, 107–108

Mary Shelley as Gothic heroine in

, 106–107

Frankenstein Unbound

, 96–97, 98–99, 107–108

Mary Shelley as Gothic heroine in

, 97–98

‘From Beyond’

, 85, 91

Frustration

, 23

Fuchs, Michael

, 3

Fuller, Bryan

, 171–172

Fuseli

, 101, 102–103

Galvanism

, 106–107

Games

contemporary horror audio in

, 195–198

trailers

, 88–89

see also individual games

Gay Rights

, 22

Gender

, 20

fluidity

, 45

normativity, comics and

, 15–16

and video games

, 71–73

Gendered hierarchy, in World War Z

, 122–123

Gendered voice

, 190

Genre

, 1, 3–4, 27, 180, 181–182, 184–185, 187–188, 201, 202

body genre, masculinities in crisis and horror as

, 60–62

Geography of Victorian Gothic Fiction, A (Robert Mighall)

, 184

Ghost in the Shell

, 26

Girl Walks Home Alone at Night, A

, 17–18, 155

Gladiator

, 61

Godwin, William

, 102–103

Godzilla

, 26

Golden age horror radio

, 190–192

Goldstein, Jonathan

, 195

Gothic

, 96–97, 107–108

Mary Shelley as Gothic heroine in

, 102–106

Gothic fiction

, 1

Gothic sexuality, queer obsession in

, 184–187

Gothic Writing 1750 – 1820: A Genealogy

, 181

Graphic Classics: H.P. Lovecraft Vol. 4

, 91

Graphic novels

, 91–92

Greek Tragedy

, 158–159

Guest, The

, 161

Hadashi no Gen/Barefoot Gen

, 26

Half-Real

, 52

Halloween

, 20–21, 22–23, 51, 58

Hallucination

, 173

Hand, Richard

, 4

Hannibal

, 1–2, 3–4

negotiating the borders of female fandom in

, 167

Hantke, Steffen

, 111

Harris, Thomas

, 170

Haunted House

, 32

Haunted Palace, The

, 86–87

Haunted Summer

, 96–97, 99, 107–108

Mary Shelley as Gothic heroine in

, 100–102

Haunter of the Dark, The

, 91

Hayes, Hana

, 36

HBO

, 1

‘He’

, 91

Hellblade: Senua’s Sacrifice

, 195–196

Hellboy

, 86–87

Hemmann, Kathryn

, 3

‘Herbert West: Reanimator’

, 90

Heteronormativity

, 73–74

High-level fandom (‘enthusiasts’)

, 139–140

Hoga, Takashi

, 110–111

Homosexuality

, 179, 186

Honogurai mizu no soko kara/Dark Water

, 117–118

Horrific body, politicising

, 24–27

Horrific imagery

, 59–60

Horror cinema

, 1, 20–21

Horror genre

, 11, 14

definition of

, 9–10

Horror Reader, The (Ken Gelder)

, 21

Horror Week, San Sebastian Horror and Fantasy Film Festival

as cult event

, 156–159

female participation at

, 154–156

Hostel

, 61

‘Hound, The’

, 89–90

Hoverson, Julie

, 192–193

H.P. Lovecraft

, 86–87

H.P. Lovecraft Historical Society

, 90–91

Hypermasculinity

, 152

I Am Legend

, 75

Identification

, 60

I Love Lucy

, 110–111

Institutional misogyny

, 190

Interfaces

, 51–53

Intimacy

, 197–198

Invisible Woman (character)

, 17–18

Ishibashi, Ryō

, 110

‘It Happened’

, 190

Ito, Junji

, 27

Jean Grey (character), monstrousness of

, 12–15, 16–18

Jenkins, Henry

, 4

Joel (character)

, 31–32, 36–38

Johnson, Ashley

, 31–32, 33

Jones, Rebecca

, 3

Ju-On: The Grudge

, 20–21, 109

Jurassic Park

, 51

Kamala Khan (character), monstrousness of

, 16–17

Kelly, Caspar

, 194–195

Kennedy, H. W.

, 39–40

Kertesz, Daniella

, 128–129

Kinect for Xbox

, 62

King, Stephen

, 10, 21

Kirby, Jack

, 17–18

Kitchen Sink Press

, 19

Kornfeld, Louis

, 195

KPFA/KPFK

, 89–90

Lanchester, Elsa

, 95–96

Lara Croft (character)

, 31–32, 33–36

‘Lara Phenomenon, The’

, 34

Last Man on Earth, The

, 75

Lee, Stan

, 17–18

Legend of Zelda, The

, 34

Lehman, Andrew

, 90

Les Affamés/Ravenous

, 189–190

Lesbianism

, 37

Lewis, Matthew

, 184–185

LGBT

, 45–46

LGBTQA

, 180–181, 187

Lights Out

, 190, 191–192

Limiarity

, 59

Lindsey, Shelley Stamp

, 10–11

Linton, Matt

, 2–3

Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, The (David Punter)

, 1, 107–108

Lore

, 1–2

Love + Radio

, 193–194

Lovecraft

, 91

Lovecraft, H. P.

, 2, 3

as cult author

, 84–87

Lovecraft, Sarah Susan Phillips

, 84

Lovecraft, Winfield Scott

, 84

Lovecraft Anthology I

, 91

Lovecraft Anthology II

, 91

Love Witch, The

, 155

Low-level fandom (‘fans’)

, 139–140

Luddington, Camilla

, 31–32, 34

Lynch, David

, 2–3

Madeline Pryor (character)

, 14–15

Male gaze

, 23–24, 32–33, 35–36, 60

Male hero weakness

, 57

Man in Black, The

, 195

Marginalisation of the female fan

, 168–169

Marvel Comics

, 10

Mary Shelley (character), as Gothic heroine, c91010

in The Frankenstein Chronicles

, 106–107

in Frankenstein Unbound

, 97–98

in Gothic

, 102–106

in Haunted Summer

, 100–102

in Rowing with the Wind

, 98–100

Masculine militarised mobility

, 123–126

Masquerade theory

, 32–33

Massively-Multiplayer Online Role-Playing Games (MMORPGs)

, 89

Max Payne

, 34

McCarthy, Linda

, 3

McCorry, Diana

, 194, 195

McDowall, Roddy

, 89–90

‘Medical Kidnapping’

, 197–198

Metallica

, 86–87

Miai

, 114

Mid-level fandom (‘cultists’)

, 139–140

Mighall, Robert

, 184

Miike, Takashi

, 3, 109

Mikkelsen, Mads

, 170

Mimic

, 86–87

Mokoena, Fana

, 123–124

Monk, The (Matthew Lewis)

, 184–185

Monsters in the Closet

, 179, 186

Monstrosity

, 9–10, 11–14, 17–18, 70

Monstrous heroes

, 62–65

Monstrous women

, 9–10

Carrie

, 10–12

‘Dark Phoenix Saga, The’

, 12–14

Monteiro, Tiago

, 3

Moore, Alan

, 91

Morris, G.

, 111

Motor skills

, 60

‘Mouth Noises’

, 196–197

Movie 43

, 61

Mr Fantastic (character)

, 13–14

Ms. Marvel

, 10, 16–17

Murakami, Ryū

, 119

Myth, definition of

, 52

Nakazawa, Kenji

, 26

‘Nameless City, The’

, 85, 91

Narrative extension

, 170–171

Near Dark Joint Venture, The

, 155

Necronomicon

, 91

Negishi, Toshie

, 111–112

Neo-Confucianism

, 113

Netflix

, 1

New Materialism

, 47, 48, 52, 53

Nightmare, The

, 101, 102–103

19 Nocturne Boulevard

, 192–194

No Future (Lee Edelman)

, 73–74

Non-normative sexuality

, 179

Normative femininity

, 11–12

North, Nolan

, 36

No-Sleep Podcast, The

, 180

Nostromo

, 140–141

deck of the

, 43–45

Nuanced masculinity, in World War Z

, 128

Objectification

, 60

Oboler, Arch

, 191–192

Onibaba

, 117–118

Onna daigaku

, 113

Origins

, 57

Oshima, Nagisa

, 25

Otomo, Katsuhiro

, 26

‘Outsider, The’

, 89–90

Oyakōkō (filial piety)

, 110–111

Ozu, Yasujirō

, 112–113

Pan’s Labyrinth

, 86–87

Parasaito

, 118–119

PARC PlayOn Group

, 89

Paternalism

, 73–75

Paternal protectionism

, 70

Patriarchy, World War Z

, 126–128

Pesce, Nicolas

, 161

Pet Sematary

, 155

Phallic imagery

, 23

Phantasmagoria

, 104–105

Philadelphia

, 61

Phillips, Whipple Van Buren

, 84

Physical abilities

, 60

‘Picture in the House, The’

, 91

Pitt, Brad

, 121

‘Plastic Gloves in the Dark’

, 196–197

Player-character divide

, 73–75

Podcasts, queer representation in

, 179

Poe, Edgar Allan

, 2, 84–85

Political Economy

, 83

Portal

, 50

Poststructuralism

, 47

Primordial creature

, 142–143

Providence

, 91

Psychoville

, 1–2

Pulp

, 19

Quake III Arena

, 49–50

Queer Art of Failure, The

, 50

Queer embodiment

, 45

Queer Horror Film and Television: Sexuality and Masculinity at the Margins (Darren Elliot-Smith)

, 179

Queer materiality

, 43

interfaces

, 51–53

Nostromo, deck of the

, 43–45

subject–object relationships

, 48–51

thing theory

, 46–48

visor’s view

, 45–46

Queer Others in Victorian Gothic: Transgressing Monstrosity (Thomas Ardel)

, 184

Queer Theory

, 47

Racial hierarchy, in World War Z

, 122–123

Radcliffe, Ann

, 59

Radio adaptations

, 89–91

Rage: Carrie 2, The

, 16

‘Rats in the Wall, The’

, 89–90, 91

RAW: A Hannibal/Will Fanthology

, 19, 167, 171–173, 174–175

Reagan, Ronald

, 61

Reanimator

, 86–87

‘Remember the Baby’

, 193–194

Resident Evil (RE)

, 2, 32, 45–46, 59, 88

Rhode Island Journal of Astronomy, The

, 84–85

Rieser, Klaus

, 3

Ring, The

, 197–198

Ringu/Ring

, 21, 109

Rise of Cthulhu

, 87

‘Road to Recovery: A Last of Us Roleplay’

, 197–198

Roddy McDowall Reads the Horror Stories of H. P. Lovecraft

, 89–90

Role reversal

, 62–65

Rosenberg, Ron

, 38

Rowing with the Wind

, 96–97, 107–108

Mary Shelley as Gothic heroine in

, 98–100

Salk, Shane

, 192

San Sebastian Horror and Fantasy Film Festival (Zinemaldia)

, 3–4, 151

female participation

, 159–162

female participation at Horror Week

, 154–156

film events, ethnography of

, 152–154

Horror Week, as cult event

, 156–159

witticism

, 159–162

Saw

, 61

Sawaki, Tetsu

, 111

Say It Again, Sam: Movie Quotation, Performance, and Masculinity

, 160

Sazae-san

, 113–114

Schleiner, Anne-Marie

, 39–40

Schwarzenegger, Arnold

, 61

Scientific Gazette, The

, 84–85

Scott, Ridley

, 43, 45

Scream

, 61–62

Seduction of the Innocent, The

, 91

Seldom

, 110–111

Self-denial

, 61

Self-sacrifice

, 61

Seller, Merlin

, 3

Serial

, 192

Sevastopol

, 44, 47, 48, 49, 50, 52

Sexual assault

, 34–35

Sexual awakening

, 11

Sexual desire

, 11

Sexual imagery

, 23

Sexuality

, 20, 21, 26, 168–169

bisexuality

, 179

Gothic sexuality, queer obsession in

, 184–187

homosexuality

, 179, 186

non-normative

, 179

Sexual jealousy

, 23

Shadow Out of Time, The

, 84–85, 90, 91–92

Shadow over Innsmouth, The

, 89–90, 91

Shape of Water, The

, 86–87

Shelley, Mary

, 3

Sheppard, Richard

, 3

Sherlock Holmes

, 171

Shiina, Eihi

, 109–110

Shogakukan

, 19

Shoujo

, 26–27

Silence of the Lambs, The

, 170

Silent Hill (SH)

, 2, 45–46, 197–198

game franchise, male hero weakness

, 57

masculinities in crisis and horror, as body genre

, 60–62

and survival horror contradictions

, 58–60

Silent Hill: Downpour

, 58, 59–60, 62, 65, 66

monstrous heroes and role reversal in

, 62–65

Silent Hill: Homecoming

, 64, 65

Silent Hill: Origins

, 57

Silver Surfer (character)

, 13–14

Sink, Kitchen

, 19

Slash fiction

, 169–170

Slumber Party Massacre, The

, 155

Social Darwinism

, 124–125

Society (Brian Yuzna)

, 20–21

‘Sorry, Wrong Number’

, 190–191, 192–193

Speculations

, 47

Spider-Man (character)

, 9–10, 13–14

‘Split Brain’

, 193–194

Stallone, Sylvester

, 61

Stansbury, Patrick

, 90

Star Trek

, 138, 168, 169–170

Star Trek: The Motion Picture

, 143

‘Statement of Randolph Carter, The’

, 91

Stereotypes

, 136–138

Stoker, Bram

, 184–185

Subject–object relationships

, 43–44, 46–51

Superhero comics

, 9–10, 15–17

Supernatural

, 168

Superwomen: Gender, Power, and Representation (Carolyn Cocca)

, 12–13, 15–16

Survival horror

, 57, 62

contradictions, Silent Hill and

, 58–60

and women

, 32–33

Suspense

, 190–191

Tales from the Crypt

, 2

Talk to Me: HP Lovcraft

, 89–90

Teenagers

, 20–21

Teens, mutating

, 21–24

‘Temple, The’

, 91

Texas Chain Saw Massacre, The

, 192–193

The Last of Us (TLOU)

, 3, 31–32, 33, 36, 37, 38, 39, 70–73, 75–76, 78, 197–198

child, fetishising

, 73–75

paternalism

, 73–75

player-character divide

, 73–75

The Last of Us Part II

, 31–32

‘Theme from a Summer Place’

, 194–195

There is Something about Mary

, 61

Thing, the (character)

, 13–14

Thingness

, 47, 52

Thing theory

, 46–48

Tōkyō monogatari/Tokyo Story

, 112–113

‘Tomb, The’

, 85, 89–90

Tomb Rider (TR)

, 3, 31–32, 33, 34, 35–36, 38–39

Top Gun

, 160

Toyama, Keiichiro

, 57

Transnational culture, similarity and difference in

, 27–28

Transnationalism effect, on culture

, 20

Truth, The

, 193–195

Twilight Zone, The

, 194–195

Twin Peaks

, 57

Ugarte, Mirari

, 155–156

Ugestu monogatari/Tales After the Rain

, 117–118

Uncanny

, 20–21

Uncanny X-Men series

, 10, 12–13, 14–15

Uncharted

, 33

Uzumaki (Junji Ito)

, 2–3, 19, 27–28

horrific body, politicising

, 24–27

Vampire Chronicles, The

, 184

Vampirism

, 184

Van Damme, Jean-Claude

, 61

Vatra Studio

, 57

Vault of Horror

, 2

Vermaak, Janelle

, 3–4

Vibrant Matter (Bill Brown)

, 47

Violence

, 20

in Walking Dead: Season One, The

, 75–77

‘Visible and Drive Straight Ahead’

, 195

Visor’s view of queer materiality

, 45–46

Vivar, Rosanna

, 3–4

Vulnerability

, 174

Walking Dead, The

, 197–198

Walking Dead: Season One, The

, 70–73, 78

violence and sacrificial fatherhood in

, 75–77

Wayland, Kc

, 192

We’re Alive: A Story of Survival

, 192

Weird Tales

, 85

Welcome to Night Vale

, 4, 179, 192

and horror

, 181–184

queer obsession in Gothic sexuality

, 184–187

Wellcome Trust

, 195–196

Wertham, Frederick

, 91

‘Westworld ASMR: The Imperfect Host’

, 197–198

Weyland-Yutani

, 141–142

Whale, James

, 95–96

‘Where Are You Now?’

, 192–194

Whisperer in Darkness, The

, 86–87

Willis, Bruce

, 61

Wilson, G. Willow

, 16–17

Witticism

, 159–162

Wollstonecraft, Mary

, 102–103, 107–108

Women

enduring

, 38–40

role in World War Z

, 126–128

survival horror and

, 32–33

Women’s Movement

, 22

World War Z (WWZ)

, 3, 121

gendered and racial hierarchy in

, 122–123

masculine militarised mobility and dehumanised minorities

, 123–126

nuanced masculinity

, 128

patriarchy

, 126–128

role of women in

, 126–128

triumph (or failure) of militarisation and the human

, 128–130

World War Z

World War Z: An Oral History of the Zombie War

, 121

X-Men (character)

, 9–10, 13–14, 16

Yotsuya Kaidan

, 117–118

‘You Broke a Rule: A Walking Dead/Negan ASMR Roleplay’

, 197–198

‘Zipper’

, 196–197

Zombies, Run!

, 192