‘Wathint Abafazi’Wathint’ – You Strike the Woman, You Strike the Rock

Abstract

The play text, You Strike the Woman, You Strike the Rock, (Klotz, 1994) takes its title from a protest slogan ‘Wathint Abafazi’Wathint’. This slogan is associated with the Women’s Protest March in 1956, the largest mass gathering of women in South African herstory where women gathered to demonstrate peacefully against the imposition of pass laws on black South African women. The play recalls the story of the Women’s March and their courage as they fought against the imposition of the pass laws and is based on the lives of three women, Sdudla, Mampompo and Mambhele who sell chickens, vetkoek and oranges near a taxi rank in the squatter camp of Crossroads in Cape Town. Sdudla is the political activist who tries throughout the play to politicise both Mampompo and Mamphlele by making frequent references to the Women’s March and recalling the defiance and strength of the women who went on that March. What You Strike the Woman You Strike the Rock does is firstly to emphasise and explore the personal experiences, and perspectives of three women and, importantly, to represent a break from tradition, secondly to use consciousness-raising as a way for the women to talk about their experiences; to offer their testimony and, thirdly, to use the process as a bonding experience.

Citation

Orton, B. (2018), "‘Wathint Abafazi’Wathint’ – You Strike the Woman, You Strike the Rock", Women, Activism and Apartheid South Africa: Using Play Texts to Document the Herstory of South Africa, Emerald Publishing Limited, Leeds, pp. 47-67. https://doi.org/10.1108/978-1-78754-525-020181003