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In the face of urbanisation, there has been prior and current discourse on the gradual thinning out of street identities. Particularly, the diasporic identity of streets such as Petaling Street (Chinatown) has received increasing attention due to diverse development and gentrification plans for the purpose of tourism and urban development. Current and future urban development plans of Kuala Lumpur have led to the need to analyse Petaling Street's identity. Taking this as a point for departure, this paper aims to analyse the contemporary diasporic identity of Petaling street in the face of rapid urbanisation. While there have been studies that addressed Petaling Street's identity, the focus has been from social, cultural and perceptual perspectives which relates to the intangible aspect of place. Taking an alternative stance, this paper studies the contemporary meaning of Petaling Street through the visual communication of facades.

Adapting from Odgen–Richard and Parsaee, semiotics, or the study of signs and symbols, is applied as both theoretical and methodological concept to draw meanings. It examines the visual communication of the cultural products that have evolved from the social processes in shaping the street character. Particularly, this paper examines the street identities by studying the contestation of urban sign and symbols of selected street facades.

The findings reinforced the contestation of identities in Petaling street, with key signifiers of signages, ornament and colour being physical aspects that contest a sense of Chinese-ness. The functional meaning portrayed by the facades due to social, political and economic factors led to the contestations of meaning formed by society that has left the street in a state of irrelevant and unfamiliarity.

It calls to action for retention of significant urban elements of street facades to prevent further diminution of diasporic meanings which characterise Petaling Street as a whole in the process of urbanisation.

It provides basis to understand the contemporary identity and values of Petaling Street and the shift in meanings that has left the street in a state of irrelevant and unfamiliarity. This can prevent further diminution of diasporic meanings which characterise Petaling Street as a whole in the process of urbanisation.

In the last few decades, the increasing urban population and heterogeneous quality, the expansion of urban areas, the intensification of developments within existing cities, the continued proliferation of the high rise and other intensive building types, the deterioration of both natural and cultural resources, and the results of the recent struggles for international capital as secure and favorite places has been threatening the image and identity of cities more than ever. In this context, the concepts of transformation and identity, which in turn reflect on urban sustainability, need to be rein-tegrated into the agenda of planners and designers. As cities are always changing and evolving in response to social, economic and political forces, the urban environment has to be considered in a time-based perspective identifying the changes in the local context. In line with these, this paper searches for urban identity in the case of samsun, a symbolic city which has played an important role on the development of modern Turkey, where transformations are dramatic. As the general understanding and the majority of the literature have been restricted to the perspective of form and other physical issues, and neglected to consider the social dimension of environment, which in turn brings about standardized ‘urban design guide' or ‘make-up' type solutions, this will enable the paper to have a holistic framework dealing with all aspects of transformation and provide the reader with a broad-based and innovative perspective towards the vision of cities with place identity.

Despite increased academic research interest on how media sources represent and impact social realities, there is little emphasis on homelessness representations in street newspapers. The Greek economic crisis echoed socioeconomic changes and inequalities in both mainstream and lesser-known media with various framing representations of homelessness. One Greek journalistic effort born midcrisis was the street paper ‘Schedia’, which merits examining for its popularity and success as a component of the social reintegration program that launched it. Through the lens of our case study on Schedia and drawing mostly on contemporary interdisciplinary approaches from Cultural Studies and Media Communication, we provide a brief literature review on ‘homelessness street journalism’ research and explore theoretical interpretations thereof. We then discuss media discourse and framing of homelessness and whether it reveals utilisation of street journals mainly as tools for raising awareness or for creating income to maintain or augment social reintegration efforts and programs. We content analysed one year of Schedia's issues and examined instances of both perceived and experienced homelessness representations and causes therein, offering a snapshot of the ways and extent to which Schedia represents homeless voices. Lastly, through the example of Schedia, we discuss whether street media lends itself best as a voice for democratic empowerment of the homeless or as an identity-building intermediary tool for capacitating transformative social reintegration.

While the past few decades have witnessed a substantial number of studies on public attitudes toward the police, a relatively thin line of inquiry has focused exclusively on low income urban Black-Americans, and especially street-identified Black populations. The purpose of this paper, however, is to examine trust in police amongst street-identified Black men and women.

Relying on a street participatory action research methodological approach, the authors collected survey data (N = 520) from two low-income unban Black neighborhoods, to examine the effects of an instrumental model versus an expressive model on procedural- and outcome-based trust in police.

The findings suggested a community sample of street-identified Black men and women were able to differentiate between procedural- and outcome-based trust. The instrumental model was better in predicting procedural-based trust in police, while the expressive model accounted better for outcome-based trust in police.

Implications for street participatory action research methodology, future research and policy are also discussed.

This paper is an original manuscript.

This article examines a range of issues associated with gangs in incarcerated settings. We begin by examining the similarities and differences between street and prison gangs, and differentiating them from other types of criminal groups. Next, we focus on the emergence and growth of gangs in prison, including patterns and theoretical explanations. Importantly, we draw theoretical linkages between differing perspectives on gang emergence and gang violence. We also present administrative and official responses to gangs in prison. Finally, we discuss the movement from prison to the street, examining the difficulties that former prisoners face when re‐entering communities.

This chapter discusses youth political participation through the study of a band of young Kurdish musicians performing ethnic music in the streets of Eskişehir, a university town in Turkey. These street musicians play local music from the various ethnic groups in Turkey (in Turkish, Kurdish, Armenian, Arabic and Persian); in other words, folk music, but with a musical reinterpretation and a symbolic political meaning. Based on ethnographic fieldwork, this study argues that these young musicians performing in the streets are struggling for a place in the public space, as young, Kurdish and musicians. Regarding the political aspect of their participation, their most apparent claim is to freely express oppressed ethnic identities in the public space, starting from their own. The Kurdish identity has been stigmatised for so long that any act publicly revealing a Kurdish identity may be perceived, in public, as political, if not criminal. However, in this particular case, performing ethnic music – not only any songs in Kurdish but a particular genre of music associated with a set of political values and ideas such as multiculturalism – is an artistic choice but a political one too. Besides, their performance place, the streets, as unstructured and informal settings, and how these young musicians choose to deal with the challenges of playing in the streets, also shape their style of participation. With their performance in the streets, they open space for themselves in the city, physically and discursively. In order to make sense of their participation, this study focuses on these young street musicians’ ‘tactics’ for being present in the streets, but also on historical and theoretical elements to understand the politicisation of ethnic music and the political aspects of the streets.

This paper aims to discuss the emergence of the contemporary Urban Street Gang (USG) on Merseyside. In terms of gang scholarship in the UK, Merseyside has been greatly neglected despite regular reports in national mainstream media that suggest Merseyside USGs represent some of the most criminally active and violent members in the UK.

A specific methodology has been omitted because the author while providing a viewpoint from Hesketh (2018), also wishes to encapsulate observations from the remaining two pieces of research conducted on Merseyside (Smithson et al., 2009; Robinson, 2018). For this reason, a summary of the methods used in each of the three studies is provided.

The paper will highlight observations drawn from all three research studies that were prevalent with USG members throughout the Merseyside county at the time of each study. They include aspects surrounding territoriality, belonging and identity through dress style as well as USG structures and motivation for joining. In particular, the paper will address also address the role of drugs which has transformed the structural make-up of many Merseyside USGs from relatively loosely knit-street corner groups involved in anti-social behaviour (ASB) to more structural-deviant entrepreneurial enterprises.

The paper calls for more research to be carried out on Merseyside. Limitations would include the omission of young women in each of the three studies.

The practical implications are as follows: a need to focus on the impact of bridging within excluded communities; a need to focus on emphasising that drug dealing is a crime that carries serious consequences, and not a form of work (grafting); a need to focus on young women and criminal involvement; and a need to concentrate on developing strategies that counter the allure and attraction of risk-taking behaviour.

The paper addresses the impact of social exclusion and the need for equality to counter young people becoming involved in criminality and gangs as well as adult organised crime groups.

The paper is based on what have been so far the only three in-depth studies carried out on Merseyside.

This study aims to capture a sense of place by analysing the physical attributes of the traditional shopping streets located in Indonesia and Malaysia through Instagram posts.

This study adopted a direct content analysis using visual images of 400 posts of Indonesian and Malaysian respondents. The Instagram Application Programming Interface (API) was used to extract data from Instagram posts. It is then followed by the quantitative analysis to determine the frequencies of visual and narrative representations of physical attributes defining the sense of place.

Five visual and narrative categories, namely architectural style, store design, special focal points, and the varieties of products and services that represent the physical attributes of shopping streets, were investigated. The findings would benefit the urban preservation initiatives so that the sense of place as authentic tourism destinations can be secured.

The awareness of the traditional shopping street as a place of character, especially from social media users, is able to create local values that lead to place imageability and promote national tourism.

This study captured the sense of traditional places based on the people’s identifications that were shared on social media platforms. The posts’ preferences confirmed the significance of traditional shopping streets as a place of attraction and identity. The findings addressed the functions of physical attributes in sustaining the historical and authentic values of traditional shopping streets.

This chapter asks the questions of whether traditional marketing tools and practices are sufficiently reflexive to deal in the international environment and how we might refine our understanding of cross-cultural environments. Starting from the vantage point that “international” occurs within national boundaries rather than across them, this chapter conducts a qualitative ethnographic study of Arabic and North African people who participate in a visible “street culture” on the streets of France. This ethnographic project models consumption habits in these groups. It asks why they consume certain things, what value or meaning discourses are articulated through these things within their group, and what cultural, social, or personal relevance or symbolism this kind of consumption represents. It also unravels the broader social discourses spun out of these symbolisms and “meaning-makings.” Based on the data discussed, a conceptual model is then offered to explain the process the marketing message undergoes and how meaning is transformed when taken from one cultural context to another. Some conclusions are drawn on how postcolonial analysis provides a new tool for our understanding and practice of international marketing.

This chapter develops Lefebvre’s concept of rhythmanalysis to investigate the ways super-diversity comes to life in the everyday city through the intersection of the spatial and temporal. The chapter explores the multicultural intimacies of streets in a London neighbourhood through a close ethnographic focus on rhythms and atmospheres using slow-motion video. The research contributes to an emerging field of visual ethnographic scholarship by presenting slow-motion video as a method to explore the ‘presence’ (Lefebvre, 2004) of super-diversity and conviviality on the street.

I argue that in slowing down the encounters of the street, slow-motion video shows the often overlooked sensible and affective elements of super-diverse urban space, the mundane interactions between bodies, materials and technologies that create a form of ‘convivial affect’. I argue that these everyday encounters are shaped by a situated politics of difference and yet are also mediated by wider rhythms and atmospheres, contributing to a sense of ‘social time’. I draw attention to both the human and non-human elements of the streets. These material and technological elements can uncover the wider discourses and circulatory regimes of atmospheres in urban super-diverse neighbourhoods, focussing on their relation to broader flows of capital, forms of postcolonial culture and translocality.

This research has implications for how we understand super-diversity and its manifestations in urban space. It encourages policymakers and academics to recognise the affective human and non-human encounters that are a crucial aspect of conviviality, the everyday ways we live together with difference.