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This paper aims to investigate the visitor experience at a “lightest” dark tourism attraction, focusing on issues of thanatopsis and mortality mediation.

Data were collected through semi-structured interviews with 24 visitors to a “Dungeon”-style attraction in the UK (a site of “lightest” dark tourism). The interviews were analysed using thematic analysis; four themes were identified.

Reflection on, and contemplation of, issues of life and death was a common (but not universal) component of the visitor experience. Four forms of such reflection were apparent: considering absent/present death; thanatopsis (reflection on the self’s inevitable mortality); reflecting on the nature of death and dying in the past; and enjoyment of the opportunity to engage with death without fear in the safe setting of a visitor attraction. Some visitors also reflected on issues of individual and collective morality, in both past and present.

“Lightest” dark tourism is not necessarily about shallow experiences. Instead, many visitors are active agents, engaged in acts of making meaning about issues of death and life. This calls for a more sophisticated conceptualisation of such visitors.

The mortality mediation model is widely accepted as a way of explaining the experience of visiting places of death but has rarely been subject to empirical scrutiny. This is one of few studies to explore in detail issues of mortality mediation and thanatopsis in the context of “lightest” dark tourism.

数据是通过对 24 名英国“地牢”式景点（“最轻微”黑色旅游景点）游客的半结构化访谈收集的。访谈采用主题分析法进行分析并确定了 4 个主题。

本文是对“最轻微”黑暗旅游景点的游客体验的实证调查，重点关注死亡冥想和死亡临界问题。

对生死问题的反思和思考是游客体验的一个常见（但不普遍适用）组成部分。这种反思的四种形式是显而易见的：缺席/现有的死亡认知； 死亡冥想（对自我不可避免的死亡的反思）；反思死亡的本质和过去的死亡；并享受在安全的旅游景点环境中毫无畏惧地与死亡打交道的机会。一些参观者还反思了过去和现在的个人和集体道德问题。

“最轻微”的黑暗旅游不一定是肤浅的体验。相反，许多访客是积极的中间人，从事为生死问题赋予意义的行为。这需要对此类访问者进行更复杂的概念化理解。

死亡临界/调节模型作为一种解释访问死亡地的体验的方式被广泛接受，但很少通过经验研究来验证。这是在“最轻微”黑暗旅游背景下详细探讨死亡临界和死亡问题的少数研究之一。

Los datos se recopilaron a través de entrevistas semiestructuradas con 24 visitantes a un calabozo, un estilo de atracción turística en el Reino Unido (se diseña como un lugar de turismo oscuro "más ligero"). Las entrevistas se analizaron mediante análisis temático; Se identificaron 4 temas.

Este artículo es una investigación empírica de la experiencia del visitante en una atracción turística oscura "más ligera", que se centra en cuestiones de tanatopsis y mediación de la mortalidad.

La reflexión y la contemplación de cuestiones de la vida, así como la muerte, plantean un componente común (pero no universal) en la experiencia del visitante. Se identificaron, aparentemente, cuatro formas de reflexión: considerar la muerte presente/ausente; tanatopsis (reflexión sobre la inevitable mortalidad del yo); reflexionar sobre la naturaleza de la muerte y morir en el pasado y disfrute de la oportunidad de relacionarse con la muerte sin miedo a un entorno seguro, dentro de una atracción turística. Algunos visitantes también reflexionaron sobre cuestiones de moralidad individual y colectiva, tanto del pasado como del presente.

El turismo oscuro "más ligero", no se trata necesariamente de experiencias superficiales. En cambio, muchos visitantes son agentes activos, involucrados en actos de dar sentido a los problemas de la muerte y la vida. Esto requiere una conceptualización más sofisticada de dichos visitantes.

El modelo de mediación de la mortalidad es ampliamente aceptado, como una forma de explicar la experiencia de visitar lugares de muerte, pero rara vez ha sido objeto de un análisis empírico. Este es uno de los pocos estudios que explora en detalle cuestiones de mediación de la mortalidad y tanatopsis en el contexto del turismo oscuro "más ligero".

The present book chapter deals with the problem of dark tourism as well as the resilience forms of consumption in post-disaster context.

The turn of the century characterised a radical change in the forms of tourism consumption. New forms of tourism as dark or thana tourism have captivated the attention of scholars and journalists. This book chapter centres efforts in dillucidating what are the key factors that determine the formation of a dark site. The text is inspired in my own ethnographies in Cromañon, Argentina and the Ground Zero, US.

As Phillip Stone puts it, not all dark shrines or sites welcome tourists. While some sites are reluctant to mass tourism, others are mainly organised around the figure of the tourist. La Republica de Cromañón is a night club where in a fire died 194 young. The site is today refurbished as a sanctuary to remind the victims. At a closer look, there is a tension between stakeholders at the time of promoting dark tourism in Cromañón. In the opposite the ground zero is fully designed to be visited by thousands tourists.

The originality of this research consists in the contraposition of two study cases which answer the question to what extent dark tourism is desired by locals. The findings lay the foundations towards the specialised literature in dark tourism studies. We discuss critically the nature of thanatopsis.

The present chapter reviews part of the literature that focuses on dark tourism and dark consumption. The main theories were placed under the critical lens of scrutiny. With strongholds and weaknesses, dark tourism seems to be enframed in an ‘economic-based paradigm’, which prioritises the managerial perspective over other methods. Like Dark Tourist, the Netflix documentary assessed in this chapter, this academic perspective accepts that the tourist's experience is the only valid source of information to understand the phenomenon. Rather, we hold the thesis that far from being a local trend, dark tourism evinces a morbid drive which not only emerges recently but involves other facets and spheres of society. We coin the term Thana-capitalism to denote a passage from risk society to a new stage, where the Other's death is situated as the main commodity to exchange. The risk society as it was imagined by Beck, set finally the pace to thana-capitalism. Dark Tourist proffers an interesting platform to gain further understanding of this slippery matter. In sharp contrast to Seaton, Sharpley or Stone, we argue that dark tourists are unable to create empathy with the victims. Instead, they visit these types of marginal destinations in order to re-elaborate a political attachment with their institutions. They consume the Other's pain not only to feel unique and special (a word that sounds all the time in the documentary) but also to affirm their privileged role as part of the selected peoples.

The Euro-centric nature of dark tourism research is limiting the perspective and restricting the scope of contemporary theory. Hence, this paper aims to explore how dark tourism consumption differs in a society apart from the Anglo/Eurosphere. This is done by testing Stone and Sharpley’s (2008) thanatological framework in Mexico, a country whose residents are renown for having a unique perspective on death, to assess whether Mexican dark tourism consumers undergo a similar, or different, thanatological experience to that proposed in the framework.

The study adopts a qualitative approach in the form of a case study. The opinions of Mexican dark tourism consumers were gained by using the technique of semi-structured interviewing in four separate dark tourism sites within Mexico City, with coding serving as the form of analysis.

The findings show that due to the non-existence of an absent/present death paradox in Mexican society, the research participants experienced a thanatological process that contrasts with those from Western societies, which indicates that the thanatological framework is unsuitable in the context of Mexican dark tourism. At the same time, the study contests the common perception that Mexicans have a jovial familiarity with death, and demonstrates that in this case the thanatological process confirmed an acceptance of death, rather than any kind of intimacy.

The research is valuable in that it is a response to recent calls for research in geographical locations not previously considered in a dark tourism/thanatology context.

In 1867, the author Samuel Langhorne Clemens, better known as Mark Twain, undertook a great pleasure excursion across Europe. Visiting a range of sites, from those associated with the Christian Cult of Death to the notable cultural heritage attractions of the time, Twain published his experiences in what would later become one of the world's best‐selling travelogues; The Innocents Abroad, or the New Pilgrim's Progress. This essay offers a rereading of Twain's encounters, proposing examination of Twain's encounters as timely and useful in addressing what Seaton identifies as a gap in data on thanatourism consumption.

The essay draws on contemporary thanatourism theoretical frameworks, including Seaton's “Continuum of intensity” and “Thanatourism developmental sketch”; Sharpley's “Matrix of dark tourism supply and demand” and Stone and Sharpley's “Dark tourism consumption framework”, among others, to explore Twain's encounters.

Supplemented by a review of recent theoretical thanatourism research, the essay proposes three findings. Finding one illustrates that Twain's encounters, although not always pre‐motivated or purposefully supplied, were emotionally charged and deeply affective experiences, which had the potential to provoke ontological insecurity. Finding two highlights the potential of the geography of death to stimulate emotional reactions and configure individual and societal interactions with death. Finding three argues a need for new methodological approaches to understanding the thanatourism experience; approaches that are empathetically sensitive to the potentially powerful impact of the thanatourism experience.

The essay draws on a classic travelogue to help address the imbalance in knowledge of the thanatourism experience. The essay argues that thanatourism is a layered and complex phenomenon, highly personal and often a potentially powerful and emotionally affective experience.

The purpose of this paper is to propose voyeurism as one possible lens to analyse the experiential nature of dark tourism in places of socio‐political danger, thus expanding psychoanalytic understandings of those who travel to a “dark” place.

Freud's and Lacan's theories on voyeurism are used to examine the desire to travel to and gaze upon something that is (socially constructed as) forbidden, such as a place that is portrayed as being hostile to international tourists. A qualitative and critical analysis approach is employed to examine one tourist's experience of travelling to Iran and being imprisoned as a result of taking a photograph of what he thought was a sunrise but also pictured pylons near an electrical plant.

The authors' analysis of the experiences of this tourist in Iran reveals that tourism, in its widest sense, can be experienced as “dark” through the consumption and performance of danger. This finding moves beyond the examination of dark tourism merely as “tourist products”, or that frame a particular moment in time, or are merely founded on one's connection to or perception of the site.

Whilst the authors recognise the limitations of the case study approach taken here, and as such, generalisations cannot be inferred from the findings, it is argued that there is merit in exploring critically the motivational and experiential nature of travel to places that may be considered forbidden, dangerous or hostile in an attempt to further understand the concept of dark tourism from a tourist's lived perspective.

As the authors bring voyeurism into the debate on dark tourism, the study analyses the voyeuristic experiences of a dark tourist. In short, the authors argue that the lived and “deviant” experiential nature of tourism itself can be included in the discussion of “dark tourism”.

Commonly referred to as dark tourism or thanatourism, the act of touristic travel to sites of or sites associated with death and disaster has gained significant attention with media imaginations and academic scholarship. However, despite a growing body of literature on the representation and tourist experience of deathscapes within the visitor economy, dark tourism as a field of study is still very much in its infancy. Moreover, questions remain of the academic origins of the dark tourism concept, as well as its contribution to the broader social scientific study of tourism and death education. Thus, the purpose of this invited review for this Special Issue on dark tourism, is to offer some critical insights into thanatourism scholarship.

This review paper critiques the emergence and current direction of dark tourism scholarship.

The author suggests that dark tourism as an academic field of study is where death education and tourism studies collide and, as such, can offer potentially fruitful research avenues within the broad realms of thanatology. Secondly, the author outlines how dark tourism as a conceptual typology has been subject to a sustained marketization process within academia over the past decade or so. Consequently, dark tourism is now a research brand in which scholars can locate a diverse range of death‐related and tourist experience studies. Finally, the author argues that the study of dark tourism is not simply a fascination with death or the macabre, but a multi‐disciplinary academic lens through which to scrutinise fundamental interrelationships of the contemporary commodification of death with the cultural condition of society.

This review paper scrutinises dark tourism scholarship and, subsequently, offers original insights into the potential role dark tourism may play in the public representation of death, as well as highlighting broader interrelationships dark tourism has with research into the social reality of death and the significant Other dead.

The purpose of this paper is to understand and examine whether the Sarikamish battlefield site can be considered as a dark tourist attraction by exploring the extent to which the site meets the five stages of MacCannell’s sacralisation process.

In the present research, the case study approach was adopted within the context of the battlefield site to examine the sight sacralisation concept, which is credited to MacCannell (1976), by considering its five stages, which include naming, framing and elevation, enshrinement, mechanical reproduction and social reproduction.

The findings of the present study reveal that the Sarikamish battlefield site has the potential for dark tourism consumption. However, there is lack of interest in the Sarikamish site, and little attention has been paid to this issue. The results also show that there is a significant difference between the Gallipoli and Sarikamish battlefields in terms of tourist flows regarding dark tourism.

Because of time limits and the long distance to the Sarikamish province, this research benefited from gathering data both from printed documents and websites related to the province, in addition to interviews that were conducted using semi-structured questions, which were e-mailed to the respondents.

The present study is unique in regards to its objective, which is to increase public awareness about the site. Moreover, it seeks to make people more cognisant in terms of motivation to visit the Sarikamish battlefield, and these issues have been given little attention by scholars.