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The authors explore self-identity construction as a mechanism of institution­aliz­ation at the individual level. Building on in-depth analysis of life stories of yoga practitioners who are at different stages of practice, the authors found that as yoga practitioners are more exposed to the yogic institution, yogic meanings gradually infuse their general worldview and self-concept. The authors follow the line of research which focuses on professional identity construction as institutional work, yet, opening the “black box,” the authors argue that institutional meanings take root at the individual level beyond the institutional context and beneath the explicit level of identity.

A story that Robert told in class during this research exposes the tension of simultaneously studying literacy and identity when submission and control are also processes at work in the story. There are two pieces of this story. In the first part of the story, Robert relates the narrative. The second part consists of the details of the story he told. Both pieces can be used to illustrate different elements of the tension between studying literacy and identity as a single construct labeled literate identity. In addition to suggesting a metaphor for literacy and identity, Robert's story navigates the constructs of submission and control that Wong (2008) discusses in terms of the aesthetic of motivation. The tension between submission and control when coupled with an exploration of literacy and identity has implications for the notions of resistance to literacy in the field of boys' literacy as well as the being and doing of literacy for the boys in this study.Our class began with the students congratulating Robert on his storytelling. When I inquired further, I found out that Robert had started to tell the legend of Cupid and Psyche in a previous class, but he had run out of time. The rest of the students expressed interest in hearing the story, either for the first time, or to know the end. Initially, his telling ebbed and flowed. He apologized for his lack of fluency and explained he was trying to provide us the parts of the story we would find the most interesting. Eventually he settled into a rhythm and finished 50 minutes later. (Reconstructed field note, December 2009)

Stories to live by, a narrative conception of identity, are multiple and diverse. As such, I argue that a narrative approach to research allows for complex understanding(s) of people’s lives and provokes meaning-making for participants and researchers. In this chapter, I think with the stories of Mr CEO, a research participant, to understand better the ways that his competing stories to live by are held in tension through his life experience. Mr CEO identified as African American, male, and gay, for lack of a better term. Moreover, Mr CEO’s experience growing up in a conservative African American Christian church shaped his identity-making and added complexity to his sense-making around his multiple stories to live by. I inquire into the ways Mr CEO restoried his stories to live by as they conflicted in his life experience. Mr CEO’s process of seeking narrative coherence among his many stories to live by allowed him to make sense of these dissonant stories. Similarly, it was difficult for Mr CEO to fit in with many of the familiar communities related to his dissonant stories of identity (church, gay, African American communities). As a result of his shifting stories, it became necessary for him to find new contexts and relationships that allowed for multiple and diverse plotlines. Mr CEO engaged in the process of community making as he sought to find relationships that acknowledged and valued his racial, religious, and sexual identity.

Purpose – The purpose of this chapter is to show how Moroccan-Dutch young people discuss national belonging in a context fraught with experiences of exclusion.

Design and Methodology – Data were collected in three rounds of focus groups with the same Moroccan-Dutch participants, addressing a different aspect of their identity in each round. To analyse the data, a narrative approach was used that considers both the import of stories as well as the contextual opportunities and constraints for sharing stories.

Findings – The analyses show how participants used ‘subjunctive stories’, which highlight the possibility of alternative meanings, to address the controversial issue of national belonging without contradicting the dominant storyline of exclusion. While the Dutch national identity could not be explicitly adopted – at least not in the company of their peers – Moroccan-Dutch young people imagined what national belonging might look like in their stories.

Research Implications – An approach to narrative that considers its subjunctive properties may sensitize researchers to the ways in which people express hopes and desires in spite of macro- and microcontextual constraints.

Value/Originality – This study takes issue with the tendency in academic research on belonging to focus on exclusion; it shows how the actual narratives reveal a longing to belong, even in the face of exclusion.

This chapter disrupts the common notion that identity can be understood through the use of categories. Categorical terms like gay, straight, man, or woman often mask the complexity of curriculum making and identity-making. Curriculum making and identity-making are narrative terms used to understand the dynamic, relational, and on-going process of making meaning about people, things, contexts, and identity through experience. Identity making, understood narratively as the composition of stories to live by, allows us to image diverse communities, contexts, and experiences that uniquely shape the stories that people live and tell. Inquiring into the experiences of two research participants, I begin the chapter by thinking with Calle’s stories of experience to explore the limited and limiting categorical stories of identity. Then, I consider Jamie’s stories to live by, attending to the role of his contexts and communities in the composition of his stories to live by. In doing so, I seek to further map out the narrative geography of curriculum making and identity-making places and communities for individuals who compose diverse stories to live by. Building on previous research findings that contexts shape the composition of stories to live by as identity is negotiated through these dominant stories as an individual’s ontology, his/her story of the world and self in it, is constituted in part, by these dominant stories; here, I argue that contexts that allow for diverse stories to be told are those that attend to experience rather than clinging to familiar dominant stories.

Purpose – The purpose of this research was to make visible the process of analyzing our narratives of teacher identity.

Design/methodology/approach – These narratives of teacher identity were generated by isolating critical incidents and then drafting them as emblematic narratives. They were then shared with each other and compared against the tool of chronotopic motif developed by Bakhtin.

Findings – We found that our narratives, when filtered through the tool of chronotopic motif, reveal ambivalence about whether we desire to be known or unknown as teacher educators and as people. As we unpack our findings, we move through the tool of chronotopic motif, piece by piece, illuminating our stories by themselves, in relationship with each other, and against the professional literature on teacher educator identity and identity in general.

Practical implications – As teacher educators, we think it is important for others, particularly students, to be known. However, we are ambivalent about whether we want to be known and if so, by whom, and in what pockets of space and temporality.

Social implications – This research has implications for discussions of professional identity, role confusion in teacher education, and professional women in general. It adds to a growing body of literature suggesting that identity is a holistic process that factors heavily into what happens in the context of teacher education courses at a university.

Originality/value – Our chapter demonstrates to colleagues how to conduct a narrative analysis using a tool from literary theory.

In this chapter, we argue that through relational research experiences with colleagues and participants, researchers are in a shared process of curriculum making and identity-making. Through reflections on a key shared experience, we demonstrate that in the liminal space of our work together, we have begun to shape our community identity-making to tell a story of ourselves as researchers within that community. In our work together, we have come to understand the ways that research contexts shape the ways we engage in research and the identities we compose as researchers. We suggest that as researchers, we meet in borderlands to engage in relational inquiry with participants and our colleagues. Similarly to Anzaldua, we understand the borderlands as liminal spaces between our respective worlds of research where we come together to compose new stories about ourselves as researchers and the research in which we engage. We attend to the places of tension as they emerge as opportunities to understand more deeply ourselves as researchers and as co-participants in a relational research experience. In doing so, we attend also to our shared responsibilities to each other in an ongoing research relationship. In the borderlands, we meet to tell a new story about who we are and who we are becoming in all our complexity. In this examination of the research community, we have grown into together, we define parameters and processes that resonate with our individual identities as researchers as well as our communal identities within a supportive research community.

The purpose of this paper is to advance our understanding of identity play process by including the stories we live by in depth. Over the past decade, identity play literature has placed more emphasis on the role of self-narratives. Yet, the “stories we live by”, including the told or untold stories of past and imagined events of the future, have not been considered in depth in these self-narratives.

This conceptual paper draws on the personal construct theory, narrative identity and constructivist psychotherapy literatures and attempts to include the stories we live by in scholarly conceptualizations and explorations of identity play processes.

Drawing on the personal construct theory, narrative identity and constructivist psychotherapy literatures this paper offers a comprehensive conceptual model of how the stories we live by infuse individual identity construction processes. The model highlights the inter-connectivity among stories we live by, identity play, identity work, sensemaking and social validation. Looking through the lens of the personal construct theory and taking these inter-connectivities into account lead to the observation of temporality in identity construction and the plurivocality of self-narratives.

This paper looks at identity play through the lens of the personal construct theory. However, self-narratives are seen as a medium for manifestation of personal constructs. Thus, this paper also draws on the narrative identity literature and dialogical-self concept, which helps access the multiplicity of the self-narratives to widen our grasp of personal constructs. This paper combines discourse of deconstruction with the dialogical-self concept and provides more means for the explication of identity play.

To explore the digital landscape, narrowing to Instagram, as a cultural space to advance sociological understanding of elite athlete mother identity meanings and lives.

Relativist narrative inquiry is outlined as a theoretical and methodological approach to expand sociological research on motherhood and sport, by exploring big and small stories on social media sites. Elite athlete mother's mediated self-portrayals on Instagram are theorized as identity stories (re)created and made possible, by cultural narrative resources.

An example of big and small story research is outlined from a larger case study of elite athlete figure skating mothers' self-portrayals on Instagram as they negotiated motherhood, and a professional sport career. Thematic narrative analysis findings include a big story plot in the post-partum period: negotiating intensive mothering and career. Two small stories that fed into fluid meanings of this big story plot are also presented: holding the baby close and working mum/new mumtrepeneur. These findings show nuanced contradictions of contemporary motherhood meanings, within sportswomen's personal and public digital stories.

A big and small story approach grounded in narrative inquiry holds value to learn more about the contemporary digital landscape's shaping of the meanings of sportswomen's identities and lives. Future research is recommended using this approach on additional social media platforms (e.g. Facebook, Twitter, YouTube) to expand intertextual understanding of elite athlete mother identities in socio-cultural context, tapping into these underexplored naturalistic data resources.