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The chapter summarizes existing conceptualizations of emotional regulation and extends existing organizational behavior literature that focuses on emotional labor by the introduction of two processes new to the literature: emotional contagion exchange (ECX) and emotional restorying of labor. More specifically, emotional restorying may allow employees to cope with emotional contagion by converting surface-level acting to deep-level acting, in ways which benefit both employees and organizations. In explaining this process, this chapter constructs a model of multiple interplaying processes.

This paper aims to present three girls’ visual annotations and digital responses that restory a scene in the picturebook I’m New Here. The authors focus on how children use multimodal tools to reflect their critical knowledge of the world by illuminating how this group of girls responded to and incorporated broader social issues.

This study takes place in a third-grade classroom. Using qualitative methods that build on critical multimodal literacy, the authors documented and analyzed children’s visual and digital interpretations. Data were generated from classroom sessions that incorporated interactive readalouds, as well as students’ annotated visual images, sketches, video and digital responses. The collaborative analytic process involved multiple passes to interpret visual, textual and multimodal elements.

The analyses revealed how Aliyah, Tiana and Carissa used multimodal tools to engage in the process of restorying. Through their multimodal composition, they designed images that illuminated their solidarity with the young female character wearing the hijab; their desire to disrupt xenophobic bullying; and their hope for a respectful and inclusive climate in their own classroom.

In this paper, the authors examine how three girls in a third-grade classroom restory using critical multimodal literacy methods. These girls’ multimodal responses reflected how they disrupted dominant storylines of exclusionary practices. Their authentic acts of visual advocacy give us hope for the future.

This chapter features our innovative endeavors to inquire into an African-American student's potentially sensitive stories in a methodologically fluid and ethically delicate manner through two generative methods: digital narrative inquiry and musical narrative inquiry. Through a meta-level “inquiry into inquiry” approach, this work explores how we engaged in the digital and musical restorying of the participant's “Wounded Healer” narrative and uncovered its dynamism, cultural richness, and nuances. We subsequently represented the findings in humanizing ways using multimedia and music. Drawing on the insights from exploring these novel methods of digital and musical inquiry, our work illuminates noteworthy elements of narrative research: generativity, transformativity, interpersonal ethics, aesthetic ethics, and communal ethics. Additionally, the potential issue of trustworthiness in fluid narrative inquiries is addressed.

As Jennifer, Lucy, Jerri-Lynn, Lulu, Brenda Mary, and Khea storied and restoried their lives in the ways earlier noted, we were in the midst of, as earlier noted, gradually growing in our wakefulness of attending to new possible intergenerational narrative reverberations made visible in their storied lives, in their stories to live by. As they storied their lives Jennifer, Lucy, Jerri-Lynn, Lulu, Brenda Mary, and Khea not only taught us of ways in which the intergenerational narrative reverberation of colonizing Aboriginal people continues to reverberate in their lives, in their stories to live by, but they also showed us the new possible intergenerational narrative reverberations they are composing. These new possible intergenerational narrative reverberations are poised to counter and to restory the colonization and oppression of Aboriginal people. In this way, by tracing the counter stories to live by they are composing so as to shape new possible intergenerational narrative reverberations we see that their counterstories to live by carry much potential for shaping a future in which the spirits of Aboriginal teachers, children, youth, families, and communities in Canada are strong.

Purpose – The purpose of this chapter is to demonstrate “walking alongside” in the three-dimensional space of narrative inquiry, as explored through the field texts of two teacher educators, one mentoring the other through layered stories of “place.”

Approach – The authors use several interpretive tools to explore the question, “What sustains us as teacher educators?” The dialogue deepens as the authors make their professional knowledge landscapes more visible, bringing sacred stories, stories of gender, stories of hierarchy, stories of power, and stories of race forward, exploring how these stories are held in tension with one another. The authors ponder the questions: what happens when the small stories’ educators living in “place” become so far removed from authorized meta-narratives also underway in “place”? And, how can we remain wakeful to the numerous story constellations of others that revolve around us?

Findings – The analytical spaces described by the researchers helped them to realize and share with others that researchers may more fully respect the vulnerability our research participants feel that comes along with their own restorying. Vulnerability brought forward a common bond found in the experiences of “place” in the field texts. Narrative inquirers who write field texts, then restory their own narratives of place, add to the empirical dimensions of narrative inquiry and its attentiveness to lived experience.

Research implications – This demonstration, through its examples of the three-dimensional space of narrative inquiry, shows how interpretation emanates from the various cracks, corners, and even the air within this important analytical space. Narrative researchers may continue to unpack this space in their work. Narrative inquirers are also reminded that place is storied and that human beings are narratively anchored in place, an important consideration for relational research ethics.

Value – Readers can interact with the tools used by narrative inquirers, in this case, “tracing” and “burrowing and broadening.” Narrative inquirers may also recognize vulnerability as an effect of interpreting within the three-dimensional inquiry space, and understand the necessity of vulnerability as a part of thinking narratively.

The aim of this study is to explore the characteristics of what is experienced in mental health recovery-oriented places and how these characteristics can facilitate social connections and participation.

This qualitative study has an explorative, interpretive and collaborative design. Dyadic interviews and participatory fieldwork observations were used as methods for data generation. Data were analyzed using a collaborative hermeneutic approach.

Characteristics of recovery-nurturing places involved how concrete and tangible features of place may nurture and enable actions and ways of being with oneself and others. Three broad themes explore the characteristics and how they can enable recovery: nurturing senses, nurturing practical skills and nurturing communication.

This study demonstrates how materiality and recovery are interconnected and expands the understanding of recovery as “in-the-mind processes.” It explores how places and material objects have a recovery-nurturing potential through enabling actions and participation and thereby supporting people in living, storying and restorying their lives.

Within this chapter, I use my early experiences as a special education teacher to story and restory how Othering shapes the lives of special education teachers and their students. The disability-as-deficit model labels those students who receive special education services as less than, as outside the norm, as Other. The stories of my early teaching career offer insight into this Othering and link special education subject matter knowledge with my identity as a sibling of an individual with Down syndrome that fuels my teacher knowledge. Clandinin and Connelly’s three-dimensional narrative inquiry space provides a framework to examine the back-and-forth intersections of sibling and special educator knowledge. An autoethnographic exploration results in a critically reflexive narrative that exposes overlapping pieces of Othered identities, and explains how my teacher knowledge situates me differently than my special educator colleagues. The three-dimensional narrative inquiry space also provides the necessary tension between subject matter knowledge and teacher knowledge to create a dialogue of Othering between special education teacher and student. This dialogue pushes the idea of Least Restrictive Environments within social-personal space, and can lead to multiple Othered voices speaking as powerful bridges to span the divide between general and special education, the norm and the Other.

This narrative inquiry examines teachers' influences on undergraduate/graduate students who enrolled in STEM programs and intended to enter STEM careers. Three National Science Foundation (NSF) scholarship grants sat in the backdrop. Narrative exemplars were crafted using the interpretative tools of broadening, burrowing, storying and restorying, fictionalization, and serial interpretation. Three diverse students' narratives constituted the science education cases: one from teacher education, another about cybertechnology, and a third involving cybersecurity. The influence of the university students' former teachers cohered around five themes: (1) same program-different narratives, (2) in loco parentis, (3) counterstories, (4) learning in small moments, and (5) the importance of the liberal arts in STEM education. The students' narratives form instructive models for their siblings and other students pursuing STEM degrees/careers. Most importantly, the multiperspectival stories of experiences capture the far-reaching impact of “unsung teachers” whose long-term influence is greatly underestimated by the public.