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This study aims to understand the impact that the experience environment has on the nightlife experience, as well as to identify the factors from the nightlifescape that most influence the tourists’ experience in Belgrade. Additionally, this study seeks to discover whether these factors changed after the outbreak of the COVID-19 pandemic.

To achieve the study’s objectives, 679 tourist reviews were collected from one of the most popular travel platforms, TripAdvisor, and analyzed using RapidMiner, the popular software for data/text mining.

The perception of the physical aspects of the experience environment, the presence of other tourists and the feeling of acceptance are identified as the key factors that influence tourists’ nightlife experience. This study also found that certain factors from the social and sensory environment, such as staff, the presence of other people, the atmosphere and music, had a positive impact on the tourist experience and their intention to recommend the nightlife experience in Belgrade. Moreover, it was discovered that the COVID-19 pandemic did not provoke changes in the main factors influencing tourists’ nightlife experience.

The perception of tourists about Belgrade during the night contributes to the growing body of tourism literature on destination image. Focusing solely on the perception of tourists about Belgrade during the night, this study adds a temporal determinant to the destination image, which can be considered as a valuable add on to the current knowledge in the field.

Deriving pleasure and meaning from one’s job is especially potent in the cultural industries, where workers routinely sacrifice monetary rewards, stability, and tidier careers for the nonmonetary benefits of self-expression, autonomy, and contribution to the greater good. Cultural labor markets are consequently characterized by the continual churning of its workforce; the lure of “cool” employment attracts an oversupply of aspirants while precariousness and routinized work lead to short careers. This article draws on qualitative data to further conceptualize the appeal and limits of nonmonetary rewards over time. Why do workers stay in precarious “cool” jobs? More specifically, how do workers stay committed to their jobs and perform the requisite deep acting for their roles? Through qualitative research on two sets of workers – music industry personnel and craft cocktail bartenders – this article examines patterns in these workers’ “experiential careers.” We identify three strategies cultural workers use to re-enchant their work lives: (1) deep engagement, (2) boundary work, and (3) changing jobs. In doing so, we show how the experiential careers of cultural workers resemble more of a cycle of enchantment than a linear path to exiting the field.

Over the coming decades, the widespread application of social distancing creates challenges for the urban planning and design profession. This article aims to address the phenomenon of boredom in public places, its main influences that generate change in repetition, monotony and everyday lifestyle, whether positive, negative or both – depending on the binding and governing rules of urban shape variations and daily lifestyles.

This viewpoint relied on literary narration to discuss the phenomenon of boredom vis-à-vis urban design and placemaking solutions in the face of social distancing. It builds its orientation by analyzing the works of nine scholars and five of their relevant theories.

Evidence from previous studies helped develop three-pillar guidelines that can produce better results for post-pandemic development in the face of boredom. These pillars include recommendations for the trinity of heterogeneity for metamorphosis in urban form, changes in public life and digital transformation in a time of uncertainty on how to confront (un)seen boredom in public spaces. Practitioners should develop new insights into the relationship between people and place by reviewing existing paradigms in urban studies to avoid repetition, monotony and change in everyday life after a pandemic.

The added value here is in underlining boredom as one of the consequences of social distancing and lockdown applications building on the phenomenon's theorizers. The key contribution of this work is the three-pillar recommendation for confronting the boredom in public spaces that happens because of social distancing and lockdown.

Purpose – The purpose of this essay is to look at the workplace of hostess clubs as moral projects and examine the constitution of morals in the marketplace “from below,” meaning from the perspective of workers. It focuses specifically on the experiences of Filipina hostesses, who constitute the majority of foreign hostesses in Japan. Specifically, it looks at their moral construction of commercial sex in the clubs where they work, which are usually Philippine clubs, meaning clubs that solely employ Filipino women.

Methodology/Approach – Ethnographic research in Philippine hostess clubs in Tokyo, Japan.

Findings – The analysis illustrates the emergence of three moral groupings among Filipina hostesses. They include moral prudes (those who view paid sex as immoral), moral rationalists (those who morally accept paid sex), and lastly moral in-betweeners (those who morally reject the direct purchase of sex but accept its indirect purchase). The case of hostess clubs shows us market activities – in this case, customer–hostess interactions – do not inevitably result in a hegemonic churning of a particular moral order, as the constitution of morals in the marketplace is not only a top-down process but depends on the actions from below, specifically the personal moral order of hostesses, the club culture (sex regimes), peer pressure, and employment status concerns.

Value – This essay provides concrete empirical evidence on an understudied group of migrant workers, and it advances our knowledge on the experiences of sex workers and their negotiation of moral views on commercial sex.

This paper aims to investigate the effect of tourists’ social media usage when planning trips on the probability of tourists consuming nightlife activities and their spending on nightlife consumption.

Two thousand questionnaires comprising questions about social media usage, consumption of nightlife entertainment and decisions to consume nightlife activities are distributed to international visitors at the departure hall of Phuket International Airport. A series of regressions are estimated. A Heckman two-step correction model is conducted to avoid the potential of selection bias.

Results show that the information available on Facebook positively links with the probability of tourists consuming nightlife activities. Furthermore, findings indicate that the usage of YouTube in tourist trip planning could statistically influence tourists to spend more on their nightlife consumption. Therefore, the results suggest that entrepreneurs could use Facebook to stimulate tourists’ nightlife consumption, while YouTube could be used to elevate tourists’ spending on nightlife consumption. The influence of these two social media sites on tourists’ decisions aids the authorities in the mitigation of the negative impacts of nightlife tourism.

Given the increasing role of social media in tourists’ consumption choices, to the best of the authors’ knowledge, this is the first paper to quantitatively explore the relationship between tourists’ social media usage and nightlife consumption in Thailand. The revealed relationship between the use of specific social media sites (Facebook and YouTube) and tourists’ decisions to consume and the amount spent on nightlife consumption could be used by nightlife tourism entrepreneurs and destination marketers in their marketing campaigns, yielding competitive advantages. Meanwhile, related authorities and non-profit organisations could apply this study’s findings to demarket tourists’ consumption of nightlife activities in areas affected by the negative impacts of tourists’ nightlife consumption.

During these past years, contemporary urban entertainment economy has been increasingly driven by social and spatial inequality and segmentation of consumer markets. This dominant mode of production has involved a displacement of older modes of working-class nightlife. However, social resistances mainly played by suburban young working classes are being especially (re)produced during their nighttime leisure activities. In the case of Barcelona (Catalonia), youth policies carried out by local administration during these past three decades have intended to reinforce social sanitation through the re-catalanization of its suburbs and by marginalizing social and cultural practices of the young suburban working classes. Focusing on the Catalan capital, this chapter explores how a suburban otherness is mainly built up through the (re)production of highly politicized suburban nightscapes, which are largely related to the claiming of a Spanished ‘suburban’ identity, clashing with the Catalan official one. This chapter ends up opening a debate about the relationship of the re-bordering of postcrisis urban inequalities, the collapse of social cohesion in suburbs, and the emergence of new topographies of urban and suburban power in Barcelona.