Search results

The purpose of this paper is to explore the modernity of current classification theory and work, and outline a foundation for moving classification toward a late‐modern conception.

The paper examines the conceptual foundation for current modern classification work, provides critical analysis of that approach, and outlines three conflicts with modernity that shape the path out of the consequences of modernity.

The paper presents an understanding of classification that establishes classification on a late‐modern epistemology, and it lays the contours of how to reclaim the intellectual core of classification theory and work.

The paper establishes a foundation for rethinking classification work, outlines consequences of current mainstream work, and provides concept for developing late‐modern classification theory and practice.

The purpose of this paper is to use case study evidence to show that post‐bureaucracy is less marked by a discontinuity in surveillance than by its displacement and intensification.

The paper describes the complex changes that occurred at the International Development Research Center, a Canadian public corporation.

Fundamental clash of values is evident. The reform has brought about a “new order” which relies on a centralized model of governance. Moves towards the “post‐bureaucratic organization” have entailed intensified surveillance and produced a new structure of domination.

The paper argues that Anthony Giddens' theories of late modernity and structuration contain elements that explain the emergence of new organizational forms, their continuity and transformation.

This explores the evolution of leisure in post-industrial consumer capitalist society, specifically the relationships between work, leisure and identity. It begins by suggesting that in contemporary society the association of leisure with freedom, autonomy, voluntarism, enjoyment and its distinction from work are all obsolete. In doing so, it uses ethnographic and interview data to outline how the popular cultural lifestyle sport of parkour and freerunning conforms to the contemporary values of consumer capitalism and is a product of tectonic changes in the global economy in the latter part of the twentieth century. This goes a long way to dismantle the prevailing wisdom that such forms of spatial transgression are a mode of performative resistance against contemporary capitalism.

The purpose of this paper is to analyse the general reasons for the crisis in Italy ' s contemporary public library institution. This crisis is complicated by the historical origins of the public library in Italy and, more broadly, by the difficult relationship between the Italian culture and today ' s world.

A conceptual discussion on the role of public library in Italy.

The paper finds that the continuing delay in the acquisition of literacy, the tendency for points of view to become divided and to go to extremes and the development of a form of politics in the country suspended between centralised government and the claims of the local self-governments are all factors that have influenced the establishment of the public library in Italy.

Understanding the conditions of the controversial origins of the public library in Italy can be of help when deciding which model to use in the future. A suitable model for this institution must not neglect but, on the contrary, must enhance the role of the library as a social institution of the history of a specific community.

The purpose of this paper is to describe strategic improvisation, a contemporary concept and approach based on the creative arts and organizational crisis theory, as a valuable approach for communication professionals. Strategic improvisation combines the need for planning and structure with creative action, and is a normative idea of how to work in an efficient way.

The concept is developed in a collaborative project between a major Swedish communications agency and a university scholar. The empirical foundation consists of 25 qualitative interviews with a strategic selection of successful communication professionals, identified as typical strategic improvisers.

An analysis of the interviews led to 11 defining patterns or themes typical for strategic improvisation and strategic improvisers. The interviews and the theoretical framework is the foundation of a communication model. Strategic improvisation is defined as a situational interpretation within a given framework. The model has three interconnected parts: a clear framework (composition), a professional interpretation (interpretation) and a situational adaptation based on given possibilities and conditions (improvisation).

This is not a peer reviewed paper, but a paper in the section “In Practice,” directed toward communication professionals.

The ideas and model are connected to theories of improvisation, especially in music, which is rare in the field of communication management, and developed in a collaborative project between practice and research.

Global warming is a huge challenge faced by the mankind in the twenty‐first century and beyond. The paradox of ecology lies in the pervasive attitude of lay people who overtly condemn pollution but do not alter their individual practices. Unfortunately, the scientific community has still not reached unanimous conclusions about the causes or impacts of global warming. To close this gap, the present paper aims to stimulate discussion in two main senses: the relationship between industry and global warming; and the role of tourism in the coming decades.

Based on reading and criticism of many works, this paper provides a conceptual framework for readers to understand social adjustment and adapting to climate change.

Many sources blame the tourism industry as being one of the major contributors to global warming and want the industry to take proactive moves to help address this. The present analysis exerts considerable criticism over the existent literature that presents tourism as a vehicle towards mitigation of the greenhouse effect. Based on the theory of commons, the paradox of Giddens and the consuming life, the main thesis of this paper is that modernity has created a symbolic bubble that confers a certain security to viewers but transforms them in consumed objects.

The originality of this research lies in the assumption that global warming or climate change generates a paradox. As a form of cultural entertainment, ecology and global warming form (jointly to apocalypse theories of bottom days) a new way of enhancing the consumption, where tourism unfortunately does not seem to be an exception. The theatricalization of danger contributes to the creation of an underlying state of emergency that is seen but not recognized. As Hurricane Katrina and other disasters show, people only take a stance when the economic order is endangered. Global warming as a phenomenon was considered seriously only when international leaders envisaged the potential economic losses of its effects, and not before. Following this, the tragedy of commons, as Graham puts it, explains the reasons why well‐being can, under certain conditions, be a double‐edge sword.

This chapter outlines the book’s rationale and approach in addition to its general argument. It introduces the reader to what the author has described as a ‘paradox’ of parkour, whereby parkour and freerunning is hyper-conformist to the values of consumer capitalism whilst its free practice is excluded and marginalised from urban space. Before offering methodological commentary on the book’s ethnographic approach and outlining the structure of the book, it looks how this paradox is a product of late-capitalism’s own making – making reference to processes of deindustrialisation, neoliberalism and the rise of consumer capitalism.