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Book part
Publication date: 26 March 2020

Wickham Clayton

With three credited scriptwriters and five credited directors, the 1967 release of Casino Royale saw a gang of multifaceted James Bond 007s facing off against an army of…

Abstract

With three credited scriptwriters and five credited directors, the 1967 release of Casino Royale saw a gang of multifaceted James Bond 007s facing off against an army of beautiful, hypersexualised, personality-less female spies, headed by the real James Bond’s neurotic, insecure, American nephew Jimmy. Perhaps this wasn’t Fleming’s intended storyline for Bond’s first outing at Casino Royale, but the resulting parodic outing absorbed and commented upon some of the inherent gendered archetypes of Fleming’s work. What the 1967 Casino Royale accomplishes is a narrative which contrasts varieties of masculinity which are segmented forms of the masculinity defined by Fleming’s Bond. This chapter compares the masculinity of Bond developed in Fleming’s novel, before examining the representations of masculinity inherent within the four key male characters: Sir James Bond (David Niven), Evelyn Tremble (Peter Sellers), Cooper (Terence Cooper) and Dr Noah/Jimmy Bond (Woody Allen). By showing the depictions of masculine elements each of these characters embodies, along with the metanarrative elements of each performer’s persona, this chapter aims to identify how the 1967 Casino Royale both faithfully depicts the masculine elements of Bond while at the same time satirizing Bond’s particular brand of masculinity. This examination ultimately argues that this segmentation of Bondian masculinity is the core point of cohesion in a deeply incoherent, parodic film adaptation of Fleming’s novel.

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From Blofeld to Moneypenny: Gender in James Bond
Type: Book
ISBN: 978-1-83867-163-1

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Book part
Publication date: 18 December 2003

Arthur De Vany

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Economics of Art and Culture Invited Papers at the 12th International Conference of the Association of Cultural Economics International
Type: Book
ISBN: 978-0-44450-995-6

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Article
Publication date: 13 May 2014

David Bell

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Reference Reviews, vol. 28 no. 4
Type: Research Article
ISSN: 0950-4125

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Article
Publication date: 9 December 2014

Woody Caan

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Journal of Public Mental Health, vol. 13 no. 4
Type: Research Article
ISSN: 1746-5729

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Library Review, vol. 57 no. 1
Type: Research Article
ISSN: 0024-2535

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Article
Publication date: 3 July 2007

Stuart Hannabuss

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Library Review, vol. 56 no. 6
Type: Research Article
ISSN: 0024-2535

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Reference Reviews, vol. 14 no. 6
Type: Research Article
ISSN: 0950-4125

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Book part
Publication date: 30 October 2009

Michael A. Katovich

David Altheide has provided a sociological story that may not resemble the fabled bed time stories of your youth, or even the moral parables that guide our commonsensical…

Abstract

David Altheide has provided a sociological story that may not resemble the fabled bed time stories of your youth, or even the moral parables that guide our commonsensical understanding of the everyday world. However, the story has some resemblance to Hans Christian Anderson's “The Emperor's Clothes,” especially with regard to his observation that we Americans have accepted and complied with policies, directives, and rationalizations that seemed problematic in the first place and downright odious in retrospect (see Cetola, Willer, & Macy, 2005, pp. 1010–1011). Just as Denzin (2007, pp. 449–451) noted with regard to the “one percent doctrine” (if something can happen once it will therefore happen again), Altheide points out the simple fact that our fears, lacking logical premise, have instead become dressed up in vivid colors on television screens. We as citizens seem mesmerized by an apparently inevitable concept that if we fear it, it will indeed come. A few years ago Glassner (2000) discussed how fear mongers create a false logic of inevitability. Currently, Altheide extends this argument to show how such logic has become clothed in the regalia of patriotism, news void of context, and incessant anger.

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Studies in Symbolic Interaction
Type: Book
ISBN: 978-1-84855-785-7

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Article
Publication date: 14 October 2014

Joshua Cohen

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Reference Reviews, vol. 28 no. 8
Type: Research Article
ISSN: 0950-4125

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Article
Publication date: 6 June 2008

Sven Modell and Christopher Humphrey

The purpose of this paper is to reflect on the motivation for this special issue and its contributions.

Abstract

Purpose

The purpose of this paper is to reflect on the motivation for this special issue and its contributions.

Design/methodology/approach

This paper is a conceptual editorial piece which discusses current methodological tendencies in qualitative accounting research.

Findings

The paper argues that qualitative research involves some balancing acts between, on the one hand, pragmatic and aesthetic aspects and, on the other, the necessary steps for establishing trust in a particular piece of research. The authors explicate how this is manifest in the contributions to this special issue.

Originality/value

This paper highlights the need for greater attention to the many pragmatic aspects associated with qualitative accounting research rarely accounted for in previous texts on the topic.

Details

Qualitative Research in Accounting & Management, vol. 5 no. 2
Type: Research Article
ISSN: 1176-6093

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