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This introductory chapter opens up with the notion of ‘technologies of trauma’ and the appropriation of trauma as a cultural form in modernity aided by technologies of vision and sound. Trauma in modernity has been intimately welded with witnessing and testimony, illuminating an inter-relationship with technologies which simulates our senses and affect, with its capacities to re-present past events through present consciousness, and its ability to produce a moral economy in their own right. Humanity's reliance on technologies to narrate and circulate trauma as a cultural form of exchange and transaction articulates a moment of transcendence in which media as cultural artefacts reconfigure trauma as a cultural form. The notion of second-hand witnessing and the simulation of trauma as a shared and popular genre unleashes trauma as a resonant genre bound with technologies which renew human bonds. Equally it can be reduced to fiction or give way to compassion fatigue. In historically tracing the movement of technologies of trauma as a cultural form over time from televisual witnessing to its aesthetic or perverse renditions in the digital age, the chapter discerns trauma's machinic bind and its enactment as a cultural artefact couched within the sensorium of affect and ethics. The development of mass technological forms over time, from print to the digital age, also concerns the rise of trauma as a cultural form in terms of witnessing, testimony, memorializing, mourning and commemoration. Within these configurations the traumatized human figure is submerged through time as one equally enacted and abstracted through the formats of technology and consumption.

Purpose – With political tensions surrounding migrants in post-9/11 Western societies, scholarship on second-generation immigrants has surged. This study explores the narratives of second-generation Iranian-Dutch women, a previously unstudied group, in relation to their positionality regarding identity and belonging.

Methodology/Approach – By combining focus group discussions with in-depth individual interviews, we explored the narratives of 13 second-generation Iranian-Dutch women. Our focus was on their senses of belonging, cultural identities and lived experiences as they navigated between Dutch society and their parents’ complicated heritage, against the backdrop of the post-9/11 world.

Findings – Although these women are perfectly ‘integrated’, they are still frequently approached and labelled as ‘foreigners’ in society, which negatively impacts their sense of belonging in Dutch society. However, our participants navigated contradicting parental and societal expectations, finding new ways to belong and fashioning cultural identities in multiplicity.

Originality/Value of the Paper – To our knowledge, the specific experiences of second-generation Iranian-Dutch migrants have received no scholarly attention. Our findings further the understanding on relevant second-generation themes such as the immigrant bargain, solidarity between different ethnic minority groups, and new ways of belonging.

Mediated trauma pumped through information and communication technologies (ICTs), in highlighting the shared vulnerabilities and precarity of human lives, is also invested in the re-distribution and re-articulation of wounding and violence. This chapter examines what is transacted in the dissemination of human trauma through ICTs and how, within this affective architecture, we can come to understand the notions of wounding and woundedness as a pervasive condition of modernity invoking the human figure as continuously transgressed with the enlargement of trauma as a site of the political, visceral and commemorative whilst raising questions over our human qualities to feel as a community of affect through technologies which transmute trauma as part of their material commodification. The transmuting of trauma through technologies in the digital age means that trauma is re-absorbed as data and altered through its platform economics. Equally, trauma can be refracted through the digital terrain as banal content in which the wounded human becomes a transacted form within an incongruous spectrum ranging from the politics of pity to voyeurism. In the digital economy, trauma imagery enters another realm of disorientation in which it is pulled into typologies and vast ahistorical image repertories that hold non-contextual image as data. The digital economy re-modulates trauma through its own modes of (il)logic and turbulence, patterning trauma through its own modes of violence.

The Flemish Children’s Rights Commissioner of Belgium is among the first independent children’s rights institutions (ICRIs) to be established. The author shares her experiences as the first Flemish ICRI. A student of Professor Eugeen Verhellen, who called for children’s rights and establishment of a children’s ombudsperson for Flanders, the author not only was in the right place at the right time for her academic studies, but also transformed Verhellen’s teachings into the Flemish ICRI as well as into the foundation of the European Network of Ombudsperson for Children. Over the 11 years the author served as the ombudsperson, the Flemish ICRI raised awareness of and bolstered children’s rights, as well as observed retrenchment in children’s rights and the role of the ICRI. It is clear that the Flemish ICRI’s successes not only continue to benefit Belgian young people, but children across the world.

Organizations from the same industry or field often tend to become more similar over time, despite being different in terms of for example strategies, goals, or performance. However, recently scholars pointed out that organizational fields are dynamic entities with permeable boundaries, thus indicating that prior literature may have oversimplified the phenomenon. Indeed, in this paper we draw attention to an organizational field that centers on text, and revolves around shared (or debated) meaning stemming from that text. The guiding research question is, “To what extent do organizations converge or diverge from meaning embedded in interconnected text?” We investigate party manifestos and press releases of organizations from the field of politics, focusing on the topic of immigration. We extract meaning from these texts, using document scaling and similarity analysis. Our results show that while most parties become more similar in their framing of immigration, the anti-immigrant PVV actually radicalizes further and as a result takes an isolated position in the policy space. Thus, Dutch political organizations became similar (converge) as well as different (diverge) over time through interaction, in terms of their shared meaning systems. This paper substantiates findings of isomorphic tendencies of organizations within a shared organizational field. At the same time, we find that Dutch politics constitute an issue field, where parties compete about meanings and framings on controversial issues. Our analysis shows that meaning embedded in texts changes over time; this indicates that change mechanisms in organizational fields may be brought about through changes in meaning systems.

Besides other facts about the Dutch Generation Z, the focus of this chapter of Generation Z research in the Netherlands is aimed on what their fresh updates are in aging Dutch organisations and institutions. Approximately 85 per cent of Dutch companies and institutions are aging spectacularly and will do so until 2035! In the coming decades, the oldest working generations will be the largest, and the younger ones the smallest. These aging organisations need the updates of the youngest generation to stay vital and in a good social, economic and ecological health. Successive generations form horizontal layers in every culture. They play a key role in the evolution of the culture of which they are a part. This can be seen as a natural function of every generation. However, this chapter is mainly about Generation Z and a little bit about the other Dutch generations at work.