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The main objective of this paper is to critically assess sustainable development in the context of Behramkale, a vernacular village in Türkiye.

Vernacular Heritage Sustainable Architecture analysis framework has been adopted to understand and assess vernacular architecture and sustainable development in Behramkale.

The vernacular design of the old Behramkale settlement has shown more sustainable characteristics as compared to the new development area. Key findings show that trade-offs were made with respect to environmental and sociocultural aspects of sustainable development to achieve economic sustainability.

Future research with more in-depth interviews would be helpful to find out the inhabitants’ response to the conservation practices.

Based on the research conducted, life cycle analysis and sustainable strategies of vernacular settlements can be useful tools to design, develop and improve old settlements, as well as newly established settlements.

Key lessons learned from conservation practices can help to identify well-adapted solutions to respond to the needs of local communities in Türkiye and similar vernacular settlements in the Mediterranean region.

This paper critically assesses sustainable development in the context of vernacular architecture, heritage conservation and rural sustainability. Conservation practices in Türkiye are evaluated deeply as there is limited research in this field within the Mediterranean heritage conversation and sustainable development context.

Ever since Robert Ezra Park and Ernest Burgess published their classic research on Chicago which described “how” residential neighborhoods follow a distinct ecological pattern, generations of urban practitioners and theoreticians have been arguing about “why” they are spatially distributed. This essay is designed to demonstrate the utility of Visual Sociology and the study of Vernacular Landscapes to document and analyze how the built environment reflects the changing cultural identities of neighborhood residents. It is strongly suggested that a visual approach can also help build a bridge between various theoretical and applied disciplines that focus on the form and function of the metropolis. While discussing some of these often-competing models, the text is illustrated by a selection of photographs taken in Brooklyn, New York whose neighborhoods over the past century have been a virtual Roman fountain of ethnic transitions. Although many of the oldest and newest residents of Brooklyn such as Chinese, Italians, Jews, and Poles would be familiar to Park and Burgess, others such as Bangladeshis, Egyptians, and Koreans would not. Ideas about Old and New cities from the “classical” to the “post-modern”; from Park and Burgess to Harvey and Lefebvre are also synthesized via the insights of J. B. Jackson.

Some theories about urban ethnics are synthesized here by looking at “ethnic vernacular landscapes.” Since 1965, the diversity of American cities has drastically changed. It might appear at first glance that the new elements are blending together, but a closer look reveals a complex multicultural mosaic. In the wake of the 21st century, new and old ethnic landscapes co-exist, overlap, and compete with one another, and in the process they define the essence of the new American city. A visual approach can be an important tool in studying this complex and rapidly changing social reality.

The purpose of this article is to document the acquisition and processing of an important landscape architecture archive, the J.B. Jackson Collection, and making it available for scholars and researchers.

The first part of the article describes the importance of Jackson's contribution to landscape architecture and his professional legacy. This legacy consisted in a large collection of slides, scattered among various individuals and institutions. The authors then address how the various parts of the collection were identified, acquired, digitized and brought to the University of New Mexico (UNM). Metadata creation and issues of copyright are also discussed.

The paper finds that it requires considerable professional effort and networking to take a working collection and transform it into an archive that has intellectual cogency.

UNM's effort to acquire, preserve and make this collection widely available will inspire future scholars and spark new ways of looking at landscape.

The extensive restoration needed for the Jackson slides warranted a vendor with museum experience, in this instance, Two Cat Digital. Metadata creation requires training qualified personnel. Copyright limitations dictate how the slides display.

J.B. Jackson defined the vernacular landscape. This project made his distinctive and important collection available to the research community. The paper also discussed the process of taking a working collection and turning it into a bona fide research tool.

This research aims to highlight the values, principles and recommendations for conservation in order to establish valid strategies for the conservation of earthen built heritage. This is done following a methodology which uses indirect (bibliography) and direct (case study) sources systematically analysed from different perspectives: the values of Earth as a material and of architectural and vernacular heritage; the heritage conservation principles found in international documents; and the analysis of over 3,000 case studies from which good practices in earthen architecture conservation are extracted.

Earthen built architectural heritage is found widely in all parts of the world, in archaeological sites and monumental and vernacular architecture, which research centres and researchers are increasingly studying and cataloguing. However, despite its richness and historic and cultural values, as well as its many merits in environmental sustainability, sociocultural and socio-economic terms, the value of this heritage has not been fully recognized in fields with major repercussions in conservation.

Finally, these data are cross-referenced to establish the broadest possible strategies to guarantee all aspects to be taken into account in the conservation of earthen built architectural heritage.

The text provides an overview of the different methodologies in order to extract specific strategies applicable to the conservation of this heritage, both locally and globally.

This paper presents the remarkably edible landscape of Tilting, Fogo Island, Newfoundland. Tilting is a Cultural Landscape District (Historic Sites and Monuments Board) and a Registered Heritage District (Heritage Foundation of Newfoundland and Labrador). Tilting has outstanding extant examples of vernacular architecture relating to Newfoundland's inshore fishery, but Tilting was also a farming community despite its challenging sub-arctic climate and exposed North Atlantic coastal location. There was a delicate sustainable balance in all aspects of life and work in Tilting, as demonstrated through a resource-conserving inshore fishery and through finely tuned agricultural and animal husbandry practices. Tilting's landscape was “literally” edible in a way that is unusual for most rural North American communities today. Animals like cows, horses, sheep, goats, and chickens were free to roam and forage for food and fences were used to keep animals out of gardens and hay meadows. This paper documents this dynamic arrangement and situates local agricultural and animal husbandry practices in the context of other communities and regions in outport Newfoundland. It also describes the recent rural Newfoundland transition from a working landscape to a pleasure landscape.

This essay employs a visual approach to explore some of the ways that spatial practices become markers of a globalising and glocalizing world. Images are offered that reflect some of the symbolic competition created by more and less recent migrants as they lay claim to ‘contested terrains’ by changing what they look like. Although often dismissed as mere “marking” of territory, such ordinary practices by migrants of symbolic home or community building are crucial to understanding global cities. One indicator of their importance is the, often hostile reactions by the dominant society to them. A brief review of some of the most important theoretical perspectives on these interrelated phenomena, such as those of Saskia Sassen, David Harvey, and Manuel Castells, isolates common expectations about the visibility of resulting competing spatial practices in shared multiethnic residential and commercial environments. It is argued that many of the contradictions created by the concentration of global capital can be seen in the neighborhood streetscapes of global cities. From Georg Simmel, through Henri Lefebvre, and Lyn H. Lofland, the visible, and the symbolic, have been central to urban analysis. Therefore, the ubiquitous aspects of what Jackson called ‘vernacular landscapes,’ such as commercial signs and graffiti in Berlin, Frankfurt am Main, London, New York, and Rome are addressed.

Dominant in the urban sociology literature on immigrant incorporation is the role of ethnic enclaves – ethnic neighborhoods that provide a “port of entry” or “context of reception” and help facilitate incorporation in the host society by generating informal resources, networks, and institutions that provide linguistic and cultural services and products (Portes & Rumbaut, 1990). While New York City's stature as a global city is replete with nostalgia about historic ethnic immigrant neighborhoods, contemporary immigrant settlement is once again transforming urban landscapes not only by renewing enclave formations but by creating numerous multiethnic, multiracial neighborhoods (Hum, 2004). As often cited, in no other historic period has New York City received as diverse a range of people from all over the world – certainly, this diversity is reshaping local neighborhood landscapes.

Ecologically fit built form and settlement is an outcome of harmonious modes of interaction between the man-made and the natural environment. It is also the prerequisite of a sustainable planning and design process. In building terms, an ecologically fit building involves the existence of appropriate schemes of enclosures and exposures of indoor spaces which is achieved through fundamental building features like relations with the ground, properties of building mass, treatment of the building envelop and roof performance.

While the debate on the conflicting aspects of the two extremes, namely the international style and regionalism, continues to occupy architectural media, a new paradigm of place dependent ecological architecture has to be formulated. In this connection it is not surprising to notice that vernacular built form based on building traditions are ecologically fit and may well constitute a sound source of information. This study aims at deciphering relevant clues to be utilized as design guidelines through the analysis of fundamental building features of vernacular built environments.

This chapter examines the role of heritage as a means of empowering destination communities and providing deeper and more meaningful encounters between tourists and their destination, which contributes to the notion of Destination Conscience by highlighting more sustainable and humane ways of ‘doing’ tourism and opening places up to greater community involvement and access by visitors. This includes heritage concepts such as Indigenous communities, local spirituality and religious traditions, public archaeology and ordinary heritage, and how these translate into deeper engagement between residents and tourists, community empowerment and a more creative and holistic tourist experiences. Conceptually, this chapter highlights notions of empowerment, tourists' experiences and Destination Conscience.