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Compiled by K.G.B. Bakewell covering the following journals published by MCB University Press: Facilities Volumes 8‐17; Journal of Property Investment & Finance Volumes 8‐17; Property Management Volumes 8‐17; Structural Survey Volumes 8‐17.

Index by subjects, compiled by K.G.B. Bakewell covering the following journals: Facilities Volumes 8‐18; Journal of Property Investment & Finance Volumes 8‐18; Property Management Volumes 8‐18; Structural Survey Volumes 8‐18.

Compiled by K.G.B. Bakewell covering the following journals published by MCB University Press: Facilities Volumes 8‐18; Journal of Property Investment & Finance Volumes 8‐18; Property Management Volumes 8‐18; Structural Survey Volumes 8‐18.

Compiled by K.G.B. Bakewell covering the following journals published by MCB University Press: Facilities Volumes 8‐17; Journal of Property Investment & Finance Volumes 8‐17; Property Management Volumes 8‐17; Structural Survey Volumes 8‐17.

Compiled by K.G.B. Bakewell covering the following journals published by MCB University Press: Facilities Volumes 8‐18; Journal of Property Investment & Finance Volumes 8‐18; Property Management Volumes 8‐18; Structural Survey Volumes 8‐18.

Compiled by K.G.B. Bakewell covering the following journals published by MCB University Press: Facilities Volumes 8‐17; Journal of Property Investment & Finance Volumes 8‐17; Property Management Volumes 8‐17; Structural Survey Volumes 8‐17.

Sketching is a creative skill that most architects develop over their long period of study and is considered an effective medium for communicating imaginative thinking and conceptual ideas in architecture. As a concept, mood is generally associated with imagining specific ambiance and spatial experience during the schematic phase of the architectural design process. While most architectural research on mood revolves around post-occupancy evaluation, colour effect and lighting comfort, few studies have been conducted to systematically investigate conceptual issues related to mood imagination. Besides, there has been little attempt to appreciate sketches as a reliable conceptual data source for architectural research.

To bridge this knowledge gap, this paper explores a semiological analysis of mood visualisation using architectural sketches. By framing the experiment within the architecture education context, the paper begins by discussing the relationship between sketching, mood and semiology in architecture. The discussion continues by highlighting methodological issues in the design of our experiment. The experiment comprised architecture students from undergraduate and postgraduate programmes. Following the visual and textual data derived from the experiment, two semiological analyses, namely, mood sign analysis and mood signifier analysis, were conducted to understand their imaginative thinking.

The results revealed significant preferential differences between the students on the use of specific semiotic representation and design language to conceptualise their mood idea.

As a preliminary experiment, this study constitutes an early attempt to further explore potential research related to architectural sketches and the creative imagination that may be beneficial to designers, art psychologists, educators and researchers alike.

Introducing new technology to the processes of design, production, assembly and management in manufacturing offers enormous opportunities — greater flexibility and quality; reduced costs, inventory and lead‐times. But it often doesn't work out like that — a report commissioned by Ingersoll Engineers showed that 50% of Advanced Manufacturing Technology applications were judged unsuccessful by the firms involved.

February 7, 1973 Factories — Eyes — Protection — Goggles — Duty to provide — Whether common law duty to take reasonable care that goggles are worn — Construction (General Provisions) Regulations, 1961 (S.I. 1961 No. 1580), reg. 52 — Non‐ferrous Metals (Melting and Founding) Regulations, 1962 (S.I. 1962 No. 1667), reg. 13 (1).

During the last three decades, thanks to the efforts of J. Schumpeter, G. Stigler, M. Blaug, P. Schwartz, T.W. Hutchison and others, a revaluation of the contribution of John Stuart Mill to the history of economic doctrines in general and to that of economic analysis in particular has taken place on a quite significant scale. The basic portrayal of J.S. Mill as an unoriginal and incoherent writer which prevailed from about the time of his death till around the middle of the present century came to be seriously and, one may say, successfully challenged. While the “eclecticism” of Mill was traditionally emphasised with a pejorative tone, no less than M. Blaug concluded that in the final analysis, it “worked to Mill's advantage” and that “the multiplicity of analytical ideas, often running in opposite directions, opened the way to subsequent refinement and development” (Blaug, 1968, p. 220). The theoretical inventiveness of J.S. Mill was stressed in still louder terms by G. Stigler when he wrote that “he was one of the most original economists in the history of the science” (Stigler, 1955, p. 7).