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Since the Millennium, the world of TV horror has radically altered. Aided by newer production methods including streaming, downloading and narrowcasting, programmes like The Waking Dead, American Horror Story, Penny Dreadful and the reinvention of Doctor Who have shown how resilient the horror genre is to both television formats and platforms.

This conclusion ties together the chapters, whilst offering the idea that much more work is needed to fully comprehend the importance of gender studies linked to horror television.