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The concept of a creative place has been considered by experts, but a review of the research background shows that the definitions provided for creative place are different, and the factors that make an urban space a creative place are not clear. The main purpose of this study is to investigate the concept of creative place and to extract the indicators that make an urban space considered a creative place.

By extensive library studies and using a specialized panel, 59 items in the form of 12 indicators were extracted as identifiers of a creative place and a researcher-made questionnaire was prepared and tested in a case study. Data analysis of this study was performed in two stages by using the factor analysis method in R software.

The factors of “competitive advantage (economically)”, “freedom”, “attractiveness”, “entrepreneurship and professionalism”, “culture and art”, “vitality”, “diversity”, “distinction”, “participation”, “reconstruction, nobility and infrastructure”, “meaning” and “creative experiences” are important as identifiers of creative place, respectively. The evaluation of the case study showed that the total score of creative places in this urban space is 69.6 (out of 100) and “meaning” gained the most point in this urban space.

The factors of this research can be provided to architects and urban planners as identifiers of a creative place and a case study can be evaluated in terms of the degree of compliance with creative place identifiers.

The purpose of this paper is to develop gendered entrepreneurship theory through a focus on the roles of space and place in the daily lives and businesses of mothers who have configured business around the daily routines of family work.

Through a consideration of the accounts of 29 “mumpreneurs” and using a framework forwarded by Jarvis to understand the geographically embedded “infrastructure of everyday life”, this paper seeks to understand mumpreneurial decision making, choice and constraint.

Spatial factors, in their myriad forms, run through and affect mothers’ different levels of capability and constraint, and thus the (gender-role and entrepreneurial) “choices” that individuals and families make. Placing families in the realities of specific, material locales helps to embed our understandings of these decision-making processes in real places.

This discussion: advances new understanding about how space and place enable or constrain mumpreneurship (in particular) and entrepreneurship (more generally); and provides a lens through which to examine the structure/agency dualism in relation to gendered entrepreneurship.

This paper aims to understand the dialectical relationship between place-making and identity formation of factory women in a free trade zone (FTZ) in the Global South.

Inspired by Judith Butler’s notions of performative acts and performativity, the paper uses poststructuralist discourse analysis to analyze data – oral and written texts – generated through a fieldwork study conducted in an FTZ in Sri Lanka.

Performative acts and the performativity of the occupants in the FTZ demarcate the boundary of the zone and articulate the identities of its occupants. Furthermore, the study shows that, in this process, such performativity and performative acts function as a form of “glue” to amalgamate the places of the zone space as kalape, a complex socio-geographical landscape in flux.

This study provides a new insight into the relationships between discursive-performative acts, place-making and identity formation of (factory) women in the neoliberalized (zone) space(s) of the Global South.

By articulating the FTZ as a (neoliberalized) space in a perpetual present, the study provides new insight into the relationships between performative acts, place-making and identity formation (of factory women) in the zone space.

The purpose of this paper is to determine the required physical and social attributes of open spaces and demonstrate the effects of these attributes on place dependency, which is the functional dimension of place attachment. In this context, the paper only focused on the effects of the physical and social attributes of the environment on the place attachment.

The general framework of the study design included the determination of the place attachment value for the space through identification of its physical and social attributes by the users. The research method included the evaluation of the physical and social attributes and the place attachment.

The study model demonstrated that the place attachment increased in successful urban spaces where user needs are met at a higher level. It was demonstrated that the social attributes, in particular the social environment, had a higher impact on the functional attachment of the users when compared to the physical attributes.

The present study investigated the factors that affected place attachment in urban open spaces within the context of human–environment interaction and specifically in the context of Trabzon square parks.

The study findings are considered important for both urban planners and administrators, who are responsible for protection and development of urban spaces, and the users.

The present study attempted to investigate the effects of physical and social attributes of the place on place dependence.

Within the last decade the media's full potential has been its use as a tool for conception and production of new architecture. What is this new architecture? Is it is really new or it is just a term to describe a transitory fashion development similar to the short lived post-modern flirtations of the 80th? A quick view at some of the buildings being constructed today does certainly suggest that there is a totally different approach to the production and the resultant form of architecture.

Traditional methods of architecture conception are being replaced by digital media; a revolt, that many argue, has far-reaching inference in how the architectural entity is presented, recognized and practiced. More prominently, it proposes new formal possibilities absurd a decade ago. Architects working within this digital realm utilize CAD/Cam systems, CNC milling systems and software programs such as Maya, Form Z, and CATIA. Terms such as beauty, scale and proportion, used to describe the formal character of the pre-digital vernacular are being replaced by adjectives such as smooth, supple, and morphed, derived from the digital practice. The built result of such experiments are obvious the world over, whether it is Gehry's Philadelphia Music Hall, or Itto's new opera in Thailand, among others. The work of these architects was, a decade ago, confined to the virtual space of the computer, only seen in architectural magazines, viewed as a radical approach to architecture. However, the digital revolution has allowed for this vision to be transformed into reality. The use of digital tools both as a presentation tool and form generating device is unquestioned, a given, and will in the future consider any other traditional systems.

Spaces have gone from being a physical to virtual of a gigantic digital network of networks, which shapes our collective future. The way and pace at which we connect, communicate, memorize, imagine and control the flows of valuable information have changed forever. The paper also will introduce a new concept of virtual urban spaces and interaction between it and the physical urban environments.

The purpose of this paper is to investigate COVID-19 as a super crisis in the design and management of places.

This theory-driven work outlines why and how, by treating COVID-19 as a super crisis, the immunological view rises in priority and swiftly ushers in short- and long-term implications for space design and place management.

First, this paper looks at the short-term impact of COVID-19 upon space and place management in addressing how porous bubbling, stippling and flexible curtaining respond to immediate retrofitting needs during the pandemic. Using the concept of COVID-19-induced collective trauma, this paper draws attention to health-care facilities, schools, workplaces, commercial buildings and public outdoor spaces. These sites require short-term improvisation in place and space design and will, where the collective trauma of COVID-19 leaves strong traces, require long-term redesign and rethinking.

As a super crisis, COVID-19 generates contradictions in the existing trend in space and place studies from the notion of space and place as a container to one focusing on “flow.” A focus on flow highlights a focus on space and place as adaptable to changes in flow, especially as augmented and mediated by technology.

This treatment of COVID-19 as a super crisis is intended to stimulate the design and management of spaces and places in the post-COVID-19 period.

The decline in neighbourhoods resulting from globalization and technology, which trigger high rise buildings, has been discussed by several disciplines. Changes in life styles destroy not only traditional neighbourhoods but also open spaces. This situation leads to a decrease in both collective efficacy and neighbourhood attachment. Place attachment would play an important role in overcoming fear of crime and low security perception, which are the most substantial social problems of today's cities. Therefore, it is important that urban designers, architects and landscape architects develop design policies that contribute to place attachment. The aim of this study is to develop models that explain neighbourhood attachment by collective efficacy, open space quality and socio-demographic variables. Kuzguncuk neighbourhood was chosen as a study area because of its unique character, socio-cultural diversity and the collective power that is due to the various social groups in the neighbourhood. This study seeks to answer the following question: Do open space quality, collective efficacy and socio-demographic factors predict neighbourhood attachment? We examined whether attachment to a neighborhood is associated with collective power and perception of open space quality by inhabitants. Therefore, neighbourhood attachment and its predictors were studied in this specific neighbour-hood. Face to face interviews were conducted with 313 inhabitants using a stratified sampling method. Descriptive statistics and hierarchical linear modelling analyses were used to predict neighbourhood attachment. We found that collective efficacy, open space quality, place of birth and length of residence were predictors of neighbourhood attachment. Therefore, to prevent social problems, such as fear of crime, low security perception, loneliness and segregation, policy makers, designers, planners and social scientists should focus on neighbourhoods that have small communities. In conclusion, the quality perception of open spaces should be considered to increase neighbourhood attachment, and inhabitants should be encouraged to use public spaces in which social ties can develop.

The purpose of this paper is to reconceptualize space as a field of struggles between multiple agents.

The author draws from field theory and uses visual methods to explain how graffiti shapes how neighborhoods are branded and aligned with creative city redevelopment plans.

By exploring space/place as field, the author moves beyond the structure/culture dichotomy to explain both place making and displacement.

The findings suggest gentrification is not an abstract force, but rather the outcome of struggles to define place and attract new, consuming populations to the neighborhood.

Sociologists share a long and rich tradition of associating opportunity with space that traces back to W.E.B. DuBois’ research on the seventh ward in The Philadelphia Negro (1899). More recently, sociologists have reified space and have attempted to distinguish place as an outcome of human experience. How space and place is reproduced remains unclear. This paper contributes toward the understanding of space, place-making and displacement.

The purpose of this paper is to present a high‐level investigation of the physical‐conceptual continuum occupied by both digital and physical libraries.

A framework is provided for thinking about the notions of place and library. The issue of materials and the ideas they represent is considered. Places for people are considered, including issues of people's sense of place in physical and digital spaces. The issue of physical and digital spaces as places for work, collaboration, and community‐building is considered.

As more digital libraries are built, and as more physical libraries offer electronic access to parts of their collection, two trends are likely to result: the role of the library as a storage space for materials will become decreasingly important; and the role of the library as a space for users, for individual and collaborative work, and as a space for social activity, will become increasingly important.

Digital libraries are unable to fulfill some of the functions of the physical library as physical spaces, but are able to offer functions beyond what the physical library can offer as cognitive spaces.

Areas of likely future development for digital libraries are suggested, as vehicles for enhancing cognitive space by augmenting representations of ideas in materials.

This paper argues that in many ways digital libraries really are places in the conceptual sense, and will continue to broaden and enrich the roles that libraries play in people's lives and in the larger social milieu.

This article examines the relation between place, space and information behaviour.

Concepts of place and space are explored through a comparison of three leisure pursuits: running, urban exploration and genealogy, based on the authors' research and the published literature.

A socially constructed meaning of place is central to each leisure activity but how it is experienced physically, emotionally and imaginatively are different. Places have very different meanings within each practice. Mirroring this, information behaviours are also very different: such as the sources used, the type of information created and how it is shared or not shared. Information behaviour contributes to the meanings associated with place in particular social practices.

Meaning attached to place can be understood as actively constructed within social practices. Rather than context for information behaviours in the sense of an outside, containing, even constraining, environment, the meaning of place can be seen as actively constructed within social practices and by the information behaviours that are part of them.

The paper adds a new perspective to the understanding of place and space in the study of information behaviour.