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Chike Akua is a doctoral student in educational policy studies at Georgia State University. A former middle school teacher, Akua taught in public schools for 15 years. During his tenure as a teacher, he was selected as a Teacher of the Year in the State of Virginia and acknowledged for exemplary teaching and service in Georgia. Akua is the author of widely disseminated instructional materials and children's literature and has led principal and teacher workshops for more than 500 U.S. schools and school districts. His book A Treasure Within: Stories of Remembrance and Rediscovery was nominated for the National Association for the Advancement of Colored People (NAACP) Award for Outstanding Contribution to Children's Literature.

Teachers are more than just instructors. Teachers are counselors and mentors; teachers guide students and prepare them for the world. Part of that preparation includes being transparent about the challenges that await them in addition encouraging students that they are capable in overcoming them all. Preparing students in that way requires teachers understand both the socioeconomic and sociohistorical psychology of their students, which impact their experiences and circumstances. For African American male students, an African American male teacher provides a natural harmony of understanding these very experiences and circumstances. This is not to say that only an African American male can teach African American male students, rather the unique experiences central to the Black male experience in America require educators who desire to speak of those experiences in the classroom in an attempt to both equip students with the necessary academic and interpersonal skills for their success in life. In the case of the African American male teacher, he not only can speak to the Black male experience in America, he lives it daily. This testimonial is from an African American male teacher who believes that as an African American male who teaches, he has the unique opportunity to mentor and disciple his Black male students through honesty and transparency rather than through “protecting” them from the realities that await them.

In eulogizing Randy Hodson, I reflect on and celebrate the development and deepening of Randy’s intellectual legacy as I have seen it unfold and intersected with it at different points over the years. Our careers commenced in 1980 as labor sociologists were turning their attention toward worker agency in an emerging post-bureaucratic era of neo-liberalism. Our careers next intersected two decades later in an era of globalization through our initiative in building a transnational sociology of work. Randy triumphed as an agent of worker agency as he moved the field into the globalizing, post-bureaucratic epoch of the discipline’s intellectual history.

Films focusing on girls and women with anorexia have not found major producers and distributors in Hollywood, yet movies on subjects such as suicidality and bipolar disorder have been showcased. Eating disorders affect approximately 30 million people in the United States alone, and it has the highest mortality rate of any mental illness, so this invisibility seems incongruous. The authors theorize that Hollywood avoids this subject because of ontological anxiety. Movie plots are schemas and young females are inextricably associated with fertility and futurity. An anorexic’s appearance contradicts and nullifies this symbolic role because anorexia often leads to infertility and death. Psychological studies and philosophical arguments claim that a belief in an afterlife and the regeneration of humankind create coherence and meaning for individuals. An anorexic’s appearance and behavior represent images of self-destruction – images that inflame the viewer’s unconscious and primordial fears about the annihilation of the species. By avoiding the topic of anorexia, Hollywood defends against its symbolic fears of mortality but diminishes the importance of the subject through its absence; it ignores its place in women’s social history and erases its place in American history. Because of Hollywood’s social reach and because greater visibility is correlated with a reduction in stigma, the authors conjecture that a film on this subject would inspire necessary attention to women’s roles, public mores, public policies, and the social good.

Through an analysis of data from depth interviews with modern American consumers, we examine whether and how individuals quest for life's meaning through consumption. Our analysis identifies three worldviews that are differently related to the experience of transcendence through consumption. A rationalist worldview is revealed as being unrelated to such a pursuit. It contrasts two magical worldviews held by most informants in which consumption objects are infused with supernatural and metaphysical beliefs that animate life's meaning for them. Our discussion highlights how recognition of magical worldviews contributes to consumer theory, methods, and concepts of investigation.