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Consecration is the process by which producers in creative fields become canonized as “greats.” However, is this the end of the story? Research on consecration focuses on the drivers of consecration but pays little attention to the post-consecration period. Furthermore, the research ignores the dynamics of consecration. To address these gaps, we examine the changing fortunes of a consecrated artist – the musician Phil Collins. We identify the ways in which three actors (fans, critics, and peers) assemble for consecration, disassemble for deconsecration, and reassemble for reconsecration. Examining the changing public image and commercial fortunes of Collins as a solo artist between 1980 and 2020, we identify an N-shaped process of rise-fall-rise that we call the Phil Collins Effect. This effect offers a new way of thinking about how cultural producers gain, lose and regain status in their fields.

Relatively limited attention has been paid to the academic needs of students with emotional and behavioral difficulties. Effective interventions are needed to support these students academically, behaviorally, and socially. The purpose of the concurrent studies reported here was to investigate the effectiveness of academic support in writing for fourth- and fifth-grade students (six boys, two girls) and second- and third-grade students (seven boys, one girl) with writing and behavioral difficulties. The Self-Regulated Strategy Development (SRSD) approach was implemented as a tier-2 intervention within a comprehensive, integrated three-tiered model of prevention including academic-, behavioral-, and social-skills components. Students learned an on-demand writing strategy for their state writing-competency test. Dependent measures included number of story writing elements, total number of words written, and writing quality. Fourth- and fifth-grade students who completed the intervention improved in total number of story elements. There were mixed results for the total number of words written and writing quality. Second- and third-grade students did not improve their total number of story elements, total words written, or writing quality. Students in both studies scored the intervention favorably, while there were mixed reactions from teachers. Findings, limitations, and suggestions for future research are discussed. Implications for the construct of evidence-based practice (EBP) are also explored, including concerns regarding frequent assessment of writing throughout intervention regardless of stage of instruction in the SRSD model.

This chapter discusses the contribution of the narrative and interpretive work of Dianne Ferguson (and Phil Ferguson) to the discourse of inclusive education research and practices. The chapter explores the concept of authentic inclusion that accepts a discourse contextualized in a needs-based, individualized focus within a perspective of diversity. The chapter continues to reiterate Ferguson’s call to mesh general and special education even within our present day, and emphasizes the need for a genuinely inclusive yardstick – not only to beat the inclusion drum, but also to focus on what authentic inclusion actually looks like.

Miriam Adelman, who holds the M. Phil. in sociology from New York University and Doctorate in Human Sciences from Universidade Federal de Santa Catarina, has been Professor of Sociology at the Universidade Federale do Paraná (UFPR), since 1992. She is responsible for initiating the first gender studies and research activities at that institution, as co-founder of its “Núcleo de Estudos de Gênero,” begun in 1994 and continuing today as the major institutional space for promoting women's and gender studies at the UFPR. In addition to current research and teaching in undergraduate and postgraduate Social Science and Sociology programs at the UFPR, she is also an active member of the Brazilian gender studies community and participates on the Editorial Board of the Revista de Estudos Feministas, one of Brazil's two major feminist academic journals. She has published numerous articles in scientific journals in Brazil and abroad, as well as book chapters on topics ranging from feminist theory, post-colonialism and contemporary sociology to women in sport and gender in film. She has one edited volume (Gênero Plural: um Debate Multi-disciplinar, 2002, Editora UFPR, with Celsi Bronstrup Silvestrin) and is currently organizing another, on gender representations in film.