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The inappropriate lighting methods can have irreversible effects on artworks available in museums and exhibitions. Several factors affect the choice of the lighting system in the museums. By surveying all possible elements, this paper aims to propose a sustainability-based solution, as it relates to the development of artwork conservation, visual perception and energy efficiency during operation and maintenance (O&M).

The paper elicits optimal solutions out of the method presented based on functions and expert opinion to improve lighting quality in existing museums. To study the optimization, the energy consumption and life cycle cost (LCC) in both the proposed lighting and the existing lighting system are compared using HoneyBee and LadyBug plugins in GrassHopper, as well as BLCC5 energy cost estimation software.

The results indicated a practical method to select the most suitable solution for museum lighting. By applying the proposed solutions obtained from the case study, a significant reduction in energy consumption and LCC were achieved. Besides, greenhouse gases were remarkably decreased.

Providing the proper lighting systems for each museum is the issue that is given special attention during the facilities management. The quality of the lighting, energy consumption and costs are analyzed by the simulation software. It is recommended that the validity considerations of the practice are examined.

The present study tried to present an optimal method to choose the best lighting system by the simultaneous utilization of theoretical and practical aspects. The functional model is also introduced for performing the most effective method to enhance the lighting techniques in the art museums.

The purpose of this study is to identify effective lighting criteria in the museum from two theoretical and practical points of view.

Assessment of theoretical and practical weight of criteria was taken with the aim of concurrent attention in scientific and executive. Finally, ten effective criteria were identified by the Pareto chart.

The findings of this study represents a centralized reference source of the most important criteria and also effective guidance to improve the lighting quality and effective guideline to improve the lighting quality and operational fluency.

The paper can help the lighting experts, contemporary designers and future researchers to enhance the lighting function in art museums and design based on needs as well as up-to-date techniques.

Lighting as a fundamental element in the existing art museum has a significant impact on the better understanding of the artworks by the viewers. On the other hand, according to the importance of protecting valuable museum artefacts, lighting can have an effective or destructive impact on them directly. But with consideration of different museum lighting, there is a large range of effective lighting criteria that can choose the right methods harder.

The purpose of this study is to compare the natural lighting performance of roof skylight systems in buildings with atriums and to compare the sustainability and energy efficiency of several roof skylight systems for educational buildings with atriums.

Five roof skylight systems previously assessed in another study were adapted for simulation. In order to determine the effects of each skylight system on natural lighting, all the physical data of the building to be studied were recorded and entered into a computer.

The results of the study showed that roof skylight systems should be designed both to limit light during periods of maximum daylight to avoid such problems as glare, flare, and so on; and to direct light indoors as fully as possible during periods of limited daylight. In this regard, the “Moving Sunshade Double Layer” roof system showed better performance than the other four roof skylight systems.

In subsequent studies, roof systems appropriate for natural lighting should be studied for other plan types, hospitals, public buildings and so on. Moreover, real structures in which direct environment measurements can be taken could be used for obtaining data, instead of simulations.

Use of the roof system suggested by the research will minimize lighting and air conditioning costs, and enhance building sustainability.

This study explores methods of taking advantage of natural lighting indoors through the use of roof skylight systems, and identifies the most appropriate, sustainable and energy efficient roof skylight system for education buildings having an atrium.

Investigates conservation problems facing cultural collections in libraries and museums. Provides recommended levels of environmental control and a suggested risk assessment of collections. Concludes that conserving items may not be possible for small museums.

Increasingly, diverse urban areas are in growing need of planning and design that include and welcome residents from a wide range of cultural and linguistic backgrounds. This study aims to use a service design framework to assess how the physical design of ten public spaces in New York City impacted visitors’ experience and sense of welcome.

The study used two main approaches to address this question. First, the authors conducted a sentiment analysis and a qualitative content analysis of Twitter data collected from each location as well as Tweets that mentioned each location. Second, they collected data through more traditional means by interviewing staff and visitors at four sites and also performing on site observational research.

These results suggested that certain physical design elements can significantly impact visitors’ sense of welcome and comfort. These include color, natural light, plentiful windows and open space. The study also found that Twitter data can be a useful tool to add a layer of insight into understanding visitors’ experience of a public building and recommends that public agencies should partner with cultural institutions and other community groups to use Twitter to monitor community attitudes and communicate with the public.

The research drew on the emerging service design framework and used novel data collection and analysis techniques.

The purpose of this paper is to discuss the role of contemporary architecture in heritage protection, reinterpretation and reuse, an issue that has become increasingly relevant due to the recognition of architectural heritage as a key factor for cultural and economic development.

In Portugal, as elsewhere in Europe, cultural heritage management has often been associated with the creation of new museum spaces, namely, within national monuments and archaeological sites. Drawing on restoration theories and international charters, this paper analyses and compares two parallel interventions recently built inside São Jorge Castle, in Lisbon: the Museum Centre (Victor Mestre and Sofia Aleixo, 2007-2008) and the Archaeological Site (João Luís Carrilho da Graça, 2008-2010). This approach offers insight on the complexity of addressing and reconfiguring the profusion of past transformations within a single monument.

These two complementary museum spaces are representative of different attitudes towards heritage appropriation, substantiating the thesis that musealizing always entails the creation of narratives, which translate history and heritage into architectural and curatorial discourses. Besides meeting the functional requirements of specific museum programmes, such interventions frequently deal with the challenge of opening up new perspectives on the past.

Considering the central role of communication in contemporary museums, this paper discusses how heritage musealization can contribute to the translation of historical evidence into updated iconographies, narratives and dialogues. Furthermore, the unique characteristics of this twofold case study can provide an insightful contribution for a broader debate on the reinterpretation of iconic monuments and sites.

The purpose of this research is to investigate the practice of business investment in arts and culture, and provide a better understanding of this phenomenon from a competitive strategy perspective.

Our understanding of the way in which companies build relations with the arts and cultural world is very limited. Many studies have looked at the marketing implications but have not really expanded on the larger impact of these activities on overall company strategy and results. The competitive advantage/competitive strategy framework provides a new perspective on the issue and highlights how the different ways in which businesses collaborate and build relations with the arts can be understood as an integral part of the company's activities. In order to illustrate how arts and culture can impact on companies' competitive advantage we present a series of case studies from Italy.

The case studies presented provide a useful set of tools for other companies, involved in supporting the arts or considering similar activities, to benchmark their activities and the nature of their involvement against some successful international case studies.

The paper is an original attempt to situate a common business practice such as business support of the arts in a larger understanding of our socio‐economic context. Such practices are usually dismissed as simple philanthropy, although they can have a strong connection with the competitive strategy of a company and be a source of competitive advantage, particularly in a new economic era where aesthetic, creative and symbolic values attached to goods and services are becoming increasingly important.

Intensive, informative, interesting and also highly enjoyable—such were the adjectives that immediately sprang to mind during the short homeward flight from Eindhoven's modern international airport after the busy and varied two‐day SMD Technology Workshop. Time during the brief visit did not permit any exploration of the area, but journeys between airport, De Brug Congress Centre at Mierlo, and Philips SMD Centre provided a few impressions of the enviably clean and pollution‐free, and generously spacious centre and suburbs of this modern city in Southern Holland. Encompassing an agglomeration of what were originally small villages, Eindhoven currently has a population of 200,000. The presence of Philips is inescapable, as, apart from the sheer size of its production and research facilities employing some 35,000 people, many other buildings in the city have been constructed by the company. In 1891, when Anton and Gerard Philips established the Gloeilampenfabriek (the original building now housing a museum of lighting), the town had virtually no infrastructure. Schools and shops were built at Philips' instigation over the ensuing years, followed more recently by the huge Philips Stadium, a theatre and entertainment centre, and now the airport. The company at present engages 75,000 personnel in The Netherlands, and employees worldwide total 350,000, with a turnover of more than 60 billion guilders in 1985.

This paper aims to analyse the socio-economic role of museums.

To explore the socio-economic role of museums, relevant literature on the role of museums was reviewed. Books and articles were consulted to shed light on museums as a cultural tourism product offering within the broader context of tourism as a catalyst of societal development.

The literature review revealed that museums are symbols of unity and identity and can serve as a catalyst of economic development of local communities. The article dispels the perception that museums are places where old stuff is stored and that they are at the periphery of societal development.

The paper is based on literature review and not an empirical study.

This paper proposes that museums should play a more active role in the socio-economic development of society.

This paper suggests that museums should educate the public about their role and place in society. Most importantly, they should create awareness about the socio-economic opportunities which they create. Thus, museums should position themselves as part of the societal effort to deal with societal challenges and not relegate themselves to the fringes of society. To this end, museums should establish partnerships with other agents of societal development. These organisations include chambers of commerce, educational institutions, government agencies and tourism organisations.

The paper dispels the perception that museums are places where old stuff is stored and that they are at the periphery of societal development.