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Composites based on fiber are commonly used in high-performance building materials. The composites mostly use petrochemically derived fibers like polyester and e-glass, due to their advantageous material features like high stiffness and strength. All the same, these fibers also have important shortcomings related to energy consumption, recyclability, initial processing expense, resulting health hazards, and sustainability. Increasing environmental awareness and new sustainable building technologies are driving the research, development, and usage of “green” building materials, especially the development of biomaterials.

In this chapter, the natural fiber evaluation approach is applied, which covers a diverse set of criteria. Consequently, the comparative assessment of diverse natural fiber types is applied through the use of an expert decision system approach. The best performing fiber choice is made by comparatively evaluating the materials related to green building. The proposed fiber can be used and applied by green building material manufacturing companies in various countries or locations as a reference when selecting the fiber with the best performance.

Because I want the next generation of women to be set free from the birdcage of racial, gender and class stereotypes, a place from which my mother, grandmothers and great grandmothers never had the chance to escape, it is a personal and political choice to rupture the experiences of racial prejudice that bind us into phobic races within various shades of hatred. I am both digging a new place to find “truth” and criticizing an essential part of who I am or what I was taught to believe about our black and indigenous heritage. An epiphanic moment combines past, present and future moments into an act of doing and becoming. In honoring the first “queen” in my family, I wrote the following non-fiction children's story about my great grandmother Bernarda in three languages. Although I have never seen a picture of Bernarda, I feel her Chibcha blood burning inside of me and within every awkward phrase that I piece together as I fumble through grammatical structures, reviving memories into performative language. I wrote the first draft in English and later translated it into French and Spanish.