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Like other complex visual articles with small details, musical scores are difficult to capture and present well in digital form. This article presents methods that can be used to reproduce detail and tone from printed scores for creating archival images, based on best practices commonly used by the library community. Capture decisions should be made with a clear idea of the purpose of the imaging project yet be flexible enough to fulfill unanticipated future uses. Options and recommendations for file formats for archival storage, Web delivery and printing of musical materials are discussed.

In 2008, Indiana University received a National Leadership Grant from the Institute of Museum and Library Services for a project entitled “Variations/FRBR: variations as a testbed for the FRBR conceptual model”. The V/FRBR initiative aims to provide a real world, production implementation in a music digital library system of the Functional Requirements for Bibliographic Records (FRBR) suite of reports from the International Federation of Library Associations and Institutions (IFLA) that are being presented as revolutionizing library discovery systems. This paper seeks to examine this issue.

This paper discusses the issues encountered in creating an interoperable data model that implements FRBR concepts. It uses the work of the V/FRBR initiative to describe how FRBR can be used in both a generic and a music‐specific environment.

An abstract data model representing FRBR at three levels of specificity (two generic and one music‐specific) is defined, along with its binding in XML and plans for expanding into an RDF representation into the future.

The data model and its XML representation created by the V/FRBR project have the potential to be re‐used by other FRBR‐based cataloging and discovery systems in the future.

While much discussion of FRBR has taken place in the library community, relatively little formal testing of FRBR‐ized data has been done, with even less widespread reporting of lessons learned. The V/FRBR project is among the first to share detailed information about the practical issues faced when implementing the FRBR models.

The purpose of this paper is to describe a user‐centered approach to developing a metadata model for an inter‐institutional project to describe and digitize sheet music collections.

Query logs analysis, card sort, and task scenario studies were used to explore users' needs for the discovery of sheet music. Findings from these studies were used to design an interoperable metadata model for sheet music meeting the needs of libraries, archives, and museums.

The user studies conducted demonstrated to the project team the need and methods for recording titles, names, dates, subjects, and cover art for sheet music described as part of the IN Harmony project. It was also learned that tying user studies directly to the design of metadata models can be an effective approach for digital library projects.

The metadata model developed by the IN Harmony project will be reusable for other sheet music collections at a wide variety of institutions. The user‐centered methodologies used to develop the metadata model will similarly be reusable for other digital library projects in the future.

The approach described in this paper brings together standard user study methodologies with metadata design in a novel way, and demonstrates the effectiveness of a methodology that can be reused to plan metadata creation in future digital projects.

Formal quality review processes are a necessary part of any digital imaging workflow. This article illustrates a set of quality review processes implemented in the Indiana University Digital Library Program's Digital Media and Image Center.

A methodology for automatic batch review of large numbers of images is presented, along with rationale and procedures for supplemental visual review. The initial stages of an effort to further automate and centralize image quality control at Indiana University are described.

Automation of checks for objective image criteria, together with formal visual review of a sample of digitized images, is an effective means of implementing a quality review process.

The methodologies described can be used as a model for other institutions performing digital imaging projects of any size.

Seeks to share with digital library practitioners the development process of an online image collection that integrates the syndetic structure of a controlled vocabulary to improve end‐user search and browse functionality.

Surveys controlled vocabulary structures and their utility for catalogers and end‐users. Reviews research literature and usability findings that informed the specifications for integration of the controlled vocabulary structure into search and browse functionality. Discusses database functions facilitating query expansion using a controlled vocabulary structure, and web application handling of user queries and results display. Concludes with a discussion of open‐source alternatives and reuse of database and application components in other environments.

Affirms that structured forms of browse and search can be successfully integrated into digital collections to significantly improve the user's discovery experience. Establishes ways in which the technologies used in implementing enhanced search and browse functionality can be abstracted to work in other digital collection environments.

Significant amounts of research on integrating thesauri structures into search and browse functionalities exist, but examples of online resources that have implemented this approach are few in comparison. The online image collection surveyed in this paper can serve as a model to other designers of digital library resources for integrating controlled vocabularies and metadata structures into more dynamic search and browse functionality for end‐users.

The purpose of this study is to investigate why and how gatekeepers on social networking sites (SNS) create what types of information benefits for gated, vulnerable, pregnant women in the rural United States.

This qualitative study adopts “network gatekeeping” as a theoretical lens to implement a combination of deductive and inductive qualitative approaches for analyzing in-depth interviews with members and administrators of a Vaginal Birth After Cesarean (VBAC) Group on Facebook with a membership of over 500 pregnant women in rural Appalachia in the United States.

The VBAC group administrators' (a) vision of transforming the existing doctor-centric birth culture to a more mother-centric birth culture in the rural United States, (b) expertise and experience in healthcare and (c) valuing scientific, evidence-based information lead to recurring, authoritative but evolving manifestations of combinations of nine network gatekeeping mechanisms. Implementations of nine network gatekeeping mechanisms (i.e. localization, infrastructure, cost effect, channeling, censorship, regulation, editorial, user-interaction and value adding mechanisms) help VBAC group administrators control interactions and information on the group, thereby creating 16 information benefits for the gated, vulnerable women before, during and after pregnancy.

This sociological study of network gatekeeping posits and proves an “information value chain” (i.e. Why to create information benefits? – How to create information benefits? – What types of information benefits?) for vulnerable, pregnant women on Facebook. Rarely any study shows the role of network gatekeeping mechanisms in implementing an information value chain.

Our nineteenth volume opens with this page in circumstances as unsettled and uncertain as any in the history of this or any other journal. In defiance of prophecy the European conflict drags its colossal slow length wearily along, bearing with it the hopes and fears of the whole human race. It is not to be wondered at that the aims for which we strive have not made great strides in the year that has just closed. Important as we recognize literature and its distribution to be, the pressing material needs of the people often cause them to lose sight of the invincible fact that the freedom of the human spirit, its intellectual and humane expansion, are, after all is said, the ultimate aims of the war. It will not be of abiding service to the British race if in conquering the Germans we sacrifice beyond redemption all those sources of sweetness and light which have been the outcome of centuries of British endeavour. We do not fear that such sacrifice will be demanded of us, but the logic of material facts demonstrates that all who care for schools, libraries, museums, art galleries, music, and all other agencies for the moral and spiritual uplifting of men, must be on their guard against the well‐meaning but ignorant encroachments of those who would rather “save money” by abolishing them, than, for example, by foregoing their own individual luxuries.