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1 – 10 of over 1000Gomaa Abdel-Maksoud, Mostafa Abdel-Hamied and Ahmed A.M. Abdelhafez
This paper aims to present the components' characterization and condition assessment of an important deteriorated Mamluk-illuminated paper manuscript housed in Al-Azhar Library…
Abstract
Purpose
This paper aims to present the components' characterization and condition assessment of an important deteriorated Mamluk-illuminated paper manuscript housed in Al-Azhar Library, Egypt.
Design/methodology/approach
Different analytical techniques used in this study were the portable digital optical microscope, stereomicroscope, scanning electron microscope with EDX (SEM.EDX), portable X-ray fluorescence (pXRF), X-ray diffraction (XRD), pH measurement and Fourier transform infrared spectroscopy (FTIR).
Findings
The results obtained by different microscopes showed that the gilding in the surface of illuminated paper sheets was performed with gold leaves. Additionally, these microscopes revealed that the illuminated paper manuscript has different aspects of deterioration such as adhered dirt, staining, some micro-cracks, cracks and detachment of some parts in some illuminated areas. The results of elemental analysis by EDX, portable XRF and XRD analysis showed that the orange red pigment is red lead (Pb3O4), blue pigment is azurite (2CuCo3.Cu (OH)2), and the gold layer is has consisted of brass alloy (Cu-Zn) with a small amount of gold element (Au). The pH measurement stated that the historical paper in the acidity level. The ATR-FTIR analysis also revealed the oxidation of cellulose. Moreover, it was found from ATR-FTIR that Arabic gum was used as a binder for the pigments.
Originality/value
This study presents the important results of analytical methods used for condition assessment and identification of the components of an important Mamluk-illuminated paper manuscript, where these results referred that the studied paper manuscript had different aspects of deterioration. The conservation steps either conservation treatment or preventive conservation are urgently needed in future studies.
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Mostafa Abdel-Hamied, Ahmed A.M. Abdelhafez and Gomaa Abdel-Maksoud
This study aims to focus on the main materials used in consolidation processes of illuminated paper manuscripts and leather binding.
Abstract
Purpose
This study aims to focus on the main materials used in consolidation processes of illuminated paper manuscripts and leather binding.
Design/methodology/approach
For each material, chemical structure, chemical composition, molecular formula, solubility, advantages, disadvantages and its role in treatment process are presented.
Findings
This study concluded that carboxy methyl cellulose, hydroxy propyl cellulose, methyl cellulose, cellulose acetate, nanocrystalline cellulose, funori, sturgeon glue, poly vinyl alcohol, chitosan, chitosan nanoparticles (NPs), gelatin, aquazol, paraloid B72 and hydroxyapatite NPs were the most common and important materials used for the consolidation of illuminated paper manuscripts. For the leather bindings, hydroxy propyl cellulose, polyethylene glycol, oligomeric melamine-formaldehyde resin, acrylic wax SC6000, pliantex, paraloid B67 and B72, silicone oil and collagen NPs are the most consolidants used.
Originality/value
Illuminated paper manuscripts with leather binding are considered one of the most important objects in libraries, museums and storehouses. The uncontrolled conditions and other deterioration factors inside the libraries and storehouses lead to degradation of these artifacts. The brittleness, fragility and weakness are considered the most common deterioration aspects of illuminated paper manuscripts and leather binding. Therefore, the consolidation process became vital and important to solve this problem. This study presents the main materials used for consolidation process of illuminated paper manuscripts and leather bindings.
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Gomaa Abdel-Maksoud, Hanaa Nasr, Sayed Hussein Samaha and Mahmoud Saad ELdeen Kassem
This study aims to evaluate the state of preservation of one of the most famous manuscripts dated back to the 15th century using some analytical techniques to identify the…
Abstract
Purpose
This study aims to evaluate the state of preservation of one of the most famous manuscripts dated back to the 15th century using some analytical techniques to identify the manuscript components, explain its deterioration mechanisms and produce some solutions for conservation processes in future studies.
Design/methodology/approach
The analytical techniques used were visual assessment, digital microscope, scanning electron microscope (SEM) with EDX, pH measurement, attenuated total reflection – Fourier transform infrared spectroscopy (ATR/FTIR) and cellulose crystallinity.
Findings
Stains, missed parts and scratching were the most common aspects of deterioration. Some insects were observed by digital microscope. The SEM showed that linen fibers and goat skin were used to manufacture paper sheets and leather binding. Energy dispersive X-ray analysis proved that niobium and tantalum were added during the manufacture of paper sheets. Carbon black ink was the main writing material. The other pigments used were cinnabar in red ink, gold color from brass and blue color from lapis lazuli. FTIR analysis proved that some chemical changes were noticed. Low crystallinity of the historical paper was obtained. There was a reduction in the pH value of the historical bookbinding.
Originality/value
The importance of the analytical techniques used to detect the main components, forms and mechanism of deterioration of the studied manuscript. The elements of niobium and tantalum were added to paper sheets, which protected them from deterioration. The insects such as house flies and Sitophilus granarius were found in the manuscripts.
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The aim of this publication is to list the catalogues of the Department of Manuscripts which are in regular use. Catalogues which have been superseded by later publications are…
Abstract
The aim of this publication is to list the catalogues of the Department of Manuscripts which are in regular use. Catalogues which have been superseded by later publications are not normally included, since whatever their historical or bibliographical interest they are no longer everyday working tools. To save space in cross‐reference, the catalogues, etc., here listed have been numbered serially in Clarendon type, thus: 31. This numeration has no other significance.
The purpose of this paper is to attempt to explore the basics of the collection of medieval manuscripts by institutions by outlining some of the basic principles, challenges, and…
Abstract
Purpose
The purpose of this paper is to attempt to explore the basics of the collection of medieval manuscripts by institutions by outlining some of the basic principles, challenges, and innovations in the realm of medieval manuscript collection.
Design/methodology/approach
Medieval manuscripts involve both curation and librarianship in every step of collection management. Few fields of librarianship involve such fragmented history. This paper explores this fragmentation and demonstrates the intricacies and diversity involved in the collection process. Finally, it examines some collaborative options for institutions to effectively collect together.
Findings
Institutions can effectively collaborate in medieval manuscript acquisition.
Practical implications
Institutions may be able to institute similar programs as those used in the case studies.
Originality/value
It is more important than ever to maintain quality collections on smaller budgets. These findings can assist institutions in acquiring high quality pieces without premium funding.
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The purpose of this paper is to provide a general review and historical context for digitization and interdisciplinary research involving digital surrogates of historical Persian…
Abstract
Purpose
The purpose of this paper is to provide a general review and historical context for digitization and interdisciplinary research involving digital surrogates of historical Persian manuscripts in the National Library and Archives of Iran and similarly engaged institutions.
Design/methodology/approach
The paper explores interdisciplinary aspects of Persian art, poetry, science, and philosophy, as revealed in the scrutiny of digitized manuscripts. It explores the enhancement of Persian, Iranian and Islamic cultural heritage research. It discusses benefits and concerns in conceptual contexts of library and information science literature. It references some manuscript digitization projects involving Islamic heritage, including the HARAM online manuscript service of the National Library and Archives of Iran (NLAI). It addresses issues of availability and access in global contexts.
Findings
Manuscript digitization, placed in the context of interdisciplinary research, reveals modern correlations to the interdisciplinary nature of ancient Persian arts and sciences — and to the purpose of digitization — as appropriate to an historical continuum of Persian written literacy and traditional Islamic cultural heritage.
Practical implications
For future contexts of digital global research, research involving many interrelated fields will benefit from use of digital manuscript surrogates. Institutional cooperation will be necessary. The physical conservation of fragile materials also benefits. Historical contexts should be observed, and preserved with the materials.
Originality/value
This paper shows that interdisciplinary research in international universities, libraries, museums, archives, government agencies, and other public institutions uniquely benefits from access to digitized manuscripts. It provides contexts for solving problems of physical manuscript decay and destruction.
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THE enterprise of two London newspapers, the Tribune (for the second time) and the Daily Chronicle, in organizing exhibitions of books affords a convenient excuse for once again…
Abstract
THE enterprise of two London newspapers, the Tribune (for the second time) and the Daily Chronicle, in organizing exhibitions of books affords a convenient excuse for once again bringing forward proposals for a more permanent exhibition. On many occasions during the past twenty years the writer has made suggestions for the establishment of a central book bazaar, to which every kind of book‐buyer could resort in order to see and handle the latest literature on every subject. An experiment on wrong lines was made by the Library Bureau about fifteen years ago, but here, as in the exhibitions above mentioned, the arrangement was radically bad. Visiting the Daily Chronicle show in company with other librarians, and taking careful note of the planning, one was struck by the inutility of having the books arranged by publishers and not by subjects. Not one visitor in a hundred cares twopence whether books on electricity, biography, history, travel, or even fairy tales, are issued by Longmans, Heinemann, Macmillan, Dent or any other firm. What everyone wants to see is all the recent and latest books on definite subjects collected together in one place. The arrangements at the Chronicle and Tribune shows are just a jumble of old and new books placed in show‐cases by publishers' names, similar to the abortive exhibition held years ago in Bloomsbury Street. What the book‐buyer wants is not a miscellaneous assemblage of books of all periods, from 1877 to date, arranged in an artistic show‐case and placed in charge of a polite youth who only knows his own books—and not too much about them—but a properly classified and arranged collection of the newest books only, which could be expounded by a few experts versed in literature and bibliography. What is the use of salesmen in an exhibition where books are not sold outright? If these exhibitions were strictly limited to the newest books only, there would be much less need for salesmen to be retained as amateur detectives. Another decided blemish on such an exhibition is the absence of a general catalogue. Imagine any exhibition on business lines in which visitors are expected to cart away a load of catalogues issued separately by the various exhibitors and all on entirely different plans of arrangement! The British publisher in nearly everything he does is one of the most hopeless Conservatives in existence. He will not try anything which has not been done by his grandfather or someone even more remote, so that publishing methods remain crystallized almost on eighteenth century lines. The proposal about to be made is perhaps far too revolutionary for the careful consideration of present‐day publishers, but it is made in the sincere hope that it may one day be realized. It has been made before without any definite details, but its general lines have been discussed among librarians for years past.
Medievalists have such reason to be grateful to the makers of manuscript catalogues in the last half century that any criticism of the products of their labours must inevitably…
Abstract
Medievalists have such reason to be grateful to the makers of manuscript catalogues in the last half century that any criticism of the products of their labours must inevitably sound ungracious. M. l'Abbé Leroquais may deny that the cataloguer, engaged on work ‘so varied and rich in surprises’, needs our pity, but he is, after all, speaking of France, where such work is sponsored by the State. The British cataloguer, frequently prompted only by his own urge, defraying often the expenses of his visits to the collections, hampered by shortness of time and lack of funds both for the work and for publication, must be revered as a pioneer. He ploughs a lone furrow, frequently self‐taught.
Ivan Poliakov and Maria Smirnova
This paper aims to characterize community archives in the common array of the manuscript collection of the National Library of Russia (NLR). The purpose of the paper is to…
Abstract
Purpose
This paper aims to characterize community archives in the common array of the manuscript collection of the National Library of Russia (NLR). The purpose of the paper is to identify the features of organization of the archival system of Russia and the place of community archives in it. The authors intend to characterize the features of origin, history of existence and preservation of archives of public organizations in Russia on the example of the archives of Russian societies of the nineteenth and twentieth centuries; to spread knowledge about historical communities of Russia and their archival heritage and to discuss the value of community archives and their information potential.
Design/methodology/approach
The research is based on the traditional methodology of the academic archival studies. At the same time interdisciplinary approach plays a great role in the field of study of community archives. The findings of the study were obtained as a result of the application of methods of historical research and special historical disciplines: archival heuristics, archive studies, source studies and archeography. The data were complemented by documentary analysis, including materials of nine archives, documents concerning acquisition and storage of these archives.
Findings
As a result of the study of different community archives in the Manuscript Department of the NLR the authors came to the conclusion about poor preservation and diffusion of these archives. It suggests the necessity of developing methods of virtual archive reconstruction.
Originality/value
This is the first study to date on the community archives in Russia. The first attempt to attribute and classify community archives of the NLR.
Mohammed Ourabah Soualah, Yassine Ait Ali Yahia, Abdelkader Keita and Abderrezak Guessoum
The purpose of this paper is to obtain online access to the digitised Arabic manuscripts images, which need to use a catalogue. The bibliographic cataloguing is unsuitable for old…
Abstract
Purpose
The purpose of this paper is to obtain online access to the digitised Arabic manuscripts images, which need to use a catalogue. The bibliographic cataloguing is unsuitable for old Arabic manuscripts, and it is imperative to establish a new cataloguing model. In the research, the authors propose a new cataloguing model based on manuscript annotations and transcriptions. This model can be an effective solution to dynamic catalogue old Arabic manuscripts. In this field, the authors used the automatic extraction of the metadata that is based on the structural similarity of the documents.
Design/methodology/approach
This work is based on experimental methodology. The whole proposed concepts and formulas were tested for validation. This, allows the authors to make concise conclusions.
Findings
Cataloguing old Arabic manuscripts faces problem of unavailability of information. However, this information may be found in another place in a copy of the original manuscript. Thus, cataloguing Arabic manuscript cannot be done in one time, it is a continual process which require information updating. The idea is to make a pre-cataloguing of a manuscript, then try to complete and improve it through a specific platform. Consequently, in the research work, the authors propose a new cataloguing model, which the authors call “Dynamic cataloguing”.
Research limitations/implications
The success of the proposed model is confronted with the involvement of all actors of the model. It is based on the conviction and the motivation of actors of the collaborative platform.
Practical implications
The model can be used in several cataloguing fields, where the encoding model is based on XML. The model is innovative and implements a smart cataloguing model. The model is useful by using a web platform. It allows an automatic update of a catalogue.
Social implications
The model prompts the user to participate and enrich the catalogue. The user could improve his social status from a passive to an active.
Originality/value
The dynamic cataloguing model is a new concept. It has never been proposed in the literature until now. The proposed cataloguing model is based on automatic extraction of metadata from user annotations/transcription. It is a smart system which automatically updates or fills the catalogue with the extracted metadata.
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