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Hazel Kyrk’s recognised contributions include a shift in analytic focus from production to consumption, pioneering work to measure household production as part of family income, empirical studies of family behaviour, and contributions to policy. But her account of ‘wise’ consumption and its intersection with ‘high’ living standards is not well understood. The three aims of this chapter are to explain ‘wise’ consumption across Kyrk’s three major books, to consider its role in Kyrk’s empirical studies, and to explain why it fell into oblivion. Tackling what Wesley Mitchell described as the ‘most baffling of difficulties’, Kyrk explained what constitutes a family’s ‘good’ in a manner that was critical of mere emulation. Her 1923 book required that wise consumption include new and personal elements. Her 1929/1933 book detailed five qualitative criteria (balance between interests, full and varied experiences, originality, rational sources of satisfaction, and the use of scientific information). But her 1953 book weakened this normative language, reflecting Margaret Reid’s view that Kyrk’s account was too demanding. Although Kyrk felt wise consumption avoided paternalism, her peers disagreed (Hoyt, 1938/1945; Reid, 1938/1945). We close with some problems with Kyrk’s account and a brief consideration of its continuing relevance.

In the years following the publication of A Theory of Consumption (1923), Hazel Kyrk’s book became the flagship of the field that would later be known as the economics of consumption. It stimulated theoretical and empirical work on consumption. Some of the existing literature on Kyrk (e.g., Kiss & Beller, 2000; Le Tollec, 2020; Tadajewski, 2013) depicted her theory as the starting point of the economics of consumption. Nevertheless, how and why it emerged the way it did remain largely unexplored. This chapter examines Kyrk’s intellectual background, which, we argue, can be traced back to two main movements in the United States: the home economics and the institutionalist. Both movements conveyed specific endeavors as responses to the US material and social transformations that occurred at the turn of the 20th century, notably the perceived changing role of consumption and that of women in US society. On the one hand, Kyrk pursued first-generation home economists’ efforts to make sense of and put into action the shifting of women’s role from domestic producer to consumer. On the other hand, she reinterpreted Veblen’s (1899) account of consumption in order to reveal its operational value for a normative agenda focused on “wise” and “rational” consumption. This chapter studies how Kyrk carried on first-generation home economists’ progressive agenda and how she adapted Veblen’s fin-de-siècle critical account of consumption to the context of the household goods developed in 1900–1920. Our account of Kyrk’s intellectual roots offers a novel narrative to better understand the role of gender and epistemological questions in her theory.

Care options for older people are important to individuals and to society, and currently, there is a crisis in this care. The chapter presents a research base projection onto the situation in England in 2045, using Office for National Statistics (ONS) modelling based on current population reaching the age of 85-years plus. We take three The Archers characters and fantasise about their lives in 2045, Shula and Kenton Archer and Hazel Woolley. Through them, we illustrate three options for care, namely, cared for by family members, buying in care in own home and moving into a care home. The financial aspects of these choices are explored.

This study examines employment dynamics of youth in the central highlands of Guatemala. It is during late adolescence and early young adulthood that rural youth explore and settle into occupational structures that often define their economic lives and the region’s economic outlook. However, the occupational orientations of this group are poorly documented.

The study used a combination of qualitative and quantitative methods. A three wave longitudinal design with six-month intervals was implemented. Households were identified using random sampling based on household maps. Two individuals per household were interviewed, a female adult and a younger woman/man between 15 and 25 years old in 451 households. In-depth interviews also were conducted with 25 individuals.

Youth occupational choices were associated not only with their health, income, and standing in their household, but also their self-image, sense of independence, and control. Nonfarm jobs were found to be most attractive to youth, who identify them as more “modern” and urban jobs. The study documents shifts from farm to nonfarm jobs, gender dynamics, the impact education has on jobs for youth, and health correlates of employment and unemployment.

Most characterizations of employment patterns in rural areas of Guatemala focus on the “head of household,” while overlooking the diverse job activities of other members of the household. The study not only addresses a population that is often understudied but also provides a longitudinal perspective to understand job switching and youth ideas of a “good” and “better” job.

In 1969, the psychiatrist Elisabeth Kübler-Ross wrote On Death and Dying. In this influential essay, she presented her now-famous 5-stage model of approaching death, which can be modelled into a downward trajectory (1. shock and denial, 2. anger, 3. bargaining, 4. depression) followed by a symmetrical psychological rise (5. acceptance).

In 1888–1894, in response to Hans von Bülow's death, Gustav Mahler composed his Symphony No. 2 (subtitled ‘Resurrection’), in which the idea of death is omnipresent: it opens with a funeral march based on a symphonic poem called Totenfeier (‘Remembrance Ceremony’) containing a Dies Irae motive and closes with a very long finale inspired by Klopstock's Die Auferstehung (The Resurrection). The structure of the finale itself is quite similar to the symmetrical mechanism described by Kübler-Ross, which can be summarised in the symphony by this verse sung by the choir: ‘Sterben werd’ ich, um zu leben!’ (‘I shall die, to live!’). With this ‘death and transfiguration’ movement, the orchestra and the choir embodying the psychological process of a dying subject covers every single step of the model: from a ‘cry of despair’ in the first bar (1. shock) to a horn call without response (2. denial), to the depiction of a rivalry between the Dies Irae motive (‘death’) and what will be the Resurrection theme (3. bargaining), to a grieving section (4. depression) and to a long rising towards an optimistic climax at the end (5. acceptance).

Even though the death acceptance process was far from being formalised in Mahler's days, this symphony shows that more than 75 years before Kübler-Ross, the composer, who had many opportunities to grieve since his youth (facing his brothers' and sisters' deaths), intuitively converted these experiences into an in-depth knowledge of the psychological processes of dying. In other words, after having dealt with the loss of loved ones, Mahler turns out to know how to deal with his own.

Rural farm and non-farm based entrepreneurial activities within Sub-Saharan Africa (SSA) play significant roles in job creation as well as food security for the majority of rural dwelling citizens (UNCTAD, 2018). This chapter examines the policies and strategies for supporting both farm and non-farm entrepreneurial activities within rural communities in SSA. In order to achieve this, the authors have completed a systematic literature review of both conceptual and empirical work on the role of policies and strategies for rural entrepreneurship in selected SSA, namely Ethiopia, Rwanda, Sierra Leone, and the United Republic of Tanzania (URT). This was completed alongside an assessment of the constraints and potential opportunities in order to stimulate linkages between rural entrepreneurship and structural economic transformation including the potential roles of both farm and non-farm based entrepreneurial activities. Key linkages between rural farm and non-farm based entrepreneurial activities are emphasised The chapter also highlights mechanisms through which governments and private sectors can work together for the maximisation of available opportunities and best practices that rural entrepreneurship can offer for job creation among rural communities in SSA.

For centuries, death has proved itself a well-spring of inspiration for artists and musicians. In particular, an artist's own experiences with death and bereavement often overflow into their creative process, giving birth to artworks which channel grief and embodied experience. Morning Heroes by the British composer Sir Arthur Bliss (1891–1975) is a paradigm of such praxis.

Morning Heroes (1930) was written in memory of Bliss's brother, Kennard, who was killed in action during the First World War. Using an anthology of texts, the work aims to enshrine a universal experience of war for both soldier and civilian and maintains its connection with the British War Requiem through its use of musico-funerary rhetoric. Bliss, who converted to Catholicism during the war, wrote several times in his later life about the spiritual nature of music, specifically its ability to heal and bring peace. It is significant, therefore, that Morning Heroes was to act as a catharsis for Bliss, sublimating his recurring nightmares of the war.

Adopting Douglas Davies' (2017) ‘words against death’ idea, this chapter considers Sir Arthur Bliss's Morning Heroes as ‘music against death’ through an examination of Bliss's use of text and music to craft a requiem in sound. It explores Bliss's use of death rhetoric and embodied experience to create a vehicle for grief and situates this process within the context of his own spiritual philosophies.