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This paper seeks to adopt FRBRoo as an ontological approach to integrate heterogeneous metadata, and transform human-understandable format into machine-understandable format for semantic query.

Two cases of use with museum artefacts and literary works were exploited to illustrate how FRBRoo can be used to re-contextualize the semantics of elements and the semantic relationships embedded in those elements. The shared ontology was then RDFized and examples were explored to examine the feasibility of the proposed approach.

FRBRoo can play a role as inter lingua aligning museum and library metadata to achieve heterogeneous metadata integration and semantic query without changing either of the original approaches to fit the other.

Exploration of more diverse use cases is required to further align the different approaches of museums and libraries using FRBRoo and make revisions.

Solid evidence is provided for the use of FRBRoo in heterogeneous metadata integration and semantic query.

This is the first study to elaborate how FRBRoo can play a role as a shared ontology to integrate the heterogeneous metadata generated by museums and libraries. This paper also shows how the proposed approach is distinct from the Dublin Core format crosswalk in re-contextualizing semantic meanings and their relationships, and further provides four new sub-types for mapping description language.

Extending documentation and analysis frameworks for acousmatic music to performance/interpretation, from an information science point of view, will benefit the transmission and preservation of a repertoire with an idiosyncratic relation to performance and technology. The purpose of this paper is to present the outcome of a qualitative research aiming at providing a conceptual model theorizing the intricate relationships between the multiple dimensions of acousmatic music interpretation.

The methodology relies on the grounded theory. A total of 12 Interviews were conducted over a period of three years in France, Québec and Belgium, grounded in theoretical sampling.

The analysis outcome describes eight dimensions in acousmatic performance, namely, musical, technical, anthropological, psychological, social, cultural, linguistic and ontological. Discourse profiles are provided in relation to each participant. Theory development led to the distinction between documentation of interpretation as an expertise and as a profession.

Data collection is limited to French-speaking experts, for historical and methodological reasons.

The model stemming from the analysis provides a framework for documentation which will benefit practitioners and organizations dedicated to the dissemination of acousmatic music. The model also provides this community with a tool for characterizing expert discourses about acousmatic performance and identifying content areas to further investigate. From a research point of view, the theorization leads to the specification of new directions and the identification of relevant epistemological frameworks.

This research brings a new vision of acousmatic interpretation, extending the literature on this repertoire’s performance with a more holistic perspective.

There has been a significant increase in activity over the past few years to integrate library metadata with the Semantic Web. While much of this has involved the development of controlled vocabularies as “linked data”, there have recently been concerted attempts to represent standard library models for bibliographic metadata in forms that are compatible with Semantic Web technologies. This paper aims to give an overview of these initiatives, describing relationships between them in the context of the Semantic Web.

The paper focusses on standards created and maintained by the International Federation of Library Associations and Institutions, including Functional Requirements for Bibliographic Records, Functional Requirements for Authority Data, and International Standard Bibliographic Description. It also covers related standards and models such as RDA – Resource Description and Access, REICAT (the new Italian cataloguing rules) and CIDOC Conceptual Reference Model, and the technical infrastructure for supporting relationships between them, including the RDA/ONIX framework for resource categorization, and Vocabulary Mapping Framework.

The paper discusses the importance of these developments for releasing the rich metadata held by libraries as linked data, addressing semantic and statistical inferencing, integration with user‐ and machine‐generated metadata, and authenticity, veracity and trust. It also discusses the representation of controlled vocabularies, including subject classifications and headings, name authorities, and terminologies for descriptive content, in a multilingual environment.

Finally, the paper discusses the potential collective impact of these initiatives on metadata workflows and management systems.

The paper provides a general review of recent activity for those interested in the development of library standards, the Semantic Web, and universal bibliographic control.

The term “Brazilian popular music” refers to a varied repertoire of musical styles with a strong connection to local culture. The initiatives of representation of this domain of interest occur through adaptations of generic models and strategies coming from contexts and musical styles that differ from the essential characteristics of the national music. The purpose of this paper is to present a characterization of Brazilian popular music as a conceptual model which supports the communication and analysis of this domain and serves as a reference ontology for various applications in the field of Information Science and others.

To achieve the purpose, a mapping about Brazilian popular music was done from a literature review and a data collection with expert users, based on domain analysis theory. From this characterization, the conceptual model was built using an Ontology Engineering approach. To facilitate understanding, the results were described using a more user-friendly notation.

The paper presents a conceptual model as a first semantic reference on Brazilian popular music that serves (1) to better understand, communicate and analyze the domain of Brazilian popular music and, (2) to supply some semantic aspects not covered by the adaptations that have been proposed on the literature for musical representation.

The paper adds a new perspective to the understanding of Brazilian popular music and open opportunity to explore other repertoires about popular music.

Considerable effort is devoted to developing new models for organizing bibliographic metadata. However, such models have been repeatedly criticized for their lack of proper user testing. The purpose of this paper is to present a study on how non-experts in bibliographic systems map the bibliographic universe and, in particular, how they conceptualize relationships between independent but strongly related entities.

The study is based on an open concept-mapping task performed to externalize the conceptualizations of 98 novice students. The conceptualizations of the resulting concept maps are identified and analyzed statistically.

The study shows that the participants’ conceptualizations have great variety, differing in detail and granularity. These conceptualizations can be categorized into two main groups according to derivative relationships: those that apply a single-entity model directly relating document entities and those (the majority) that apply a multi-entity model relating documents through a high-level collocating node. These high-level nodes seem to be most adequately interpreted either as superwork devices collocating documents belonging to the same bibliographic family or as devices collocating documents belonging to a shared fictional world.

The findings can guide the work to develop bibliographic standards. Based on the diversity of the conceptualizations, the findings also emphasize the need for more user testing of both conceptual models and the bibliographic end-user systems implementing those models.

This chapter aims to help librarians understand the underlying rationale for Resource Description and Access (RDA) and recognize the great potential of the Semantic Web for libraries.

It explains the linked data model and Semantic Web technologies in basic, informative terms, and describes how the Semantic Web is constructed. Semantic Web standards and technologies are discussed in detail, including URI, RDF, and ontologies. The study also traces the development of RDA and some of the major library Semantic Web projects. The authors explore how RDA shapes bibliographical data and prepares it for linked data in the Semantic Web. In addition, this study examines what libraries in the United States and the rest of the world have achieved in implementing RDA since its release.

RDA is the correct approach libraries should take.

This is the first and only chapter that covers the development of RDA in other countries as well as in the United States. It is highly informative for anyone who wishes to understand the RDA and Semantic Web and their relevance to libraries in a short period of time.

The study aims to paint a representative picture of the current state of search interfaces of Swedish online museum collections, focussing on search functionalities with particular reference to subject searching, as well as the use of controlled vocabularies, with the purpose of identifying which improvements of the search interfaces are needed to ensure high-quality information retrieval for the end user.

In the first step, a set of 21 search interface criteria was identified, based on related research and current standards in the domain of cultural heritage knowledge organization. Secondly, a complete set of Swedish museums that provide online access to their collections was identified, comprising nine cross-search services and 91 individual museums' websites. These 100 websites were each evaluated against the 21 criteria, between 1 July and 31 August 2020.

Although many standards and guidelines are in place to ensure quality-controlled subject indexing, which in turn support information retrieval of relevant resources (as individual or full search results), the study shows that they are not broadly implemented, resulting in information retrieval failures for the end user. The study also demonstrates a strong need for the implementation of controlled vocabularies in these museums.

This study is a rare piece of research which examines subject searching in online museums; the 21 search criteria and their use in the analysis of the complete set of online collections of a country represents a considerable and unique contribution to the fields of knowledge organization and information retrieval of cultural heritage. Its particular value lies in showing how the needs of end users, many of which are documented and reflected in international standards and guidelines, should be taken into account in designing search tools for these museums; especially so in subject searching, which is the most complex and yet the most common type of search. Much effort has been invested into digitizing cultural heritage collections, but access to them is hindered by poor search functionality. This study identifies which are the most important aspects to improve.

Multiple studies have illustrated that the needs of various users seeking descriptive bibliographic data for pop culture resources (e.g. manga, anime, video games) have not been properly met by cultural heritage institutions and traditional models. With a focus on manga as the central resource, the purpose of this paper is to address these issues to better meet user needs.

Based on an analysis of existing bibliographic metadata, this paper proposes a unique bibliographic hierarchy for manga that is also extendable to other pop culture sources. To better meet user requirements of descriptive data, an aggregation-based approach relying on the Object Reuse and Exchange-Open Archives Initiative (OAI-ORE) model utilized existing, fan-created data on the web.

The proposed hierarchy is better able to portray multiple entities of manga as they exist across data providers compared to existing models, while the utilization of OAI-ORE-based aggregation to build and provide bibliographic metadata for said hierarchy resulted in levels of description that more adequately meet user demands.

Though studies have proposed alternative models for resources like games or comics, manga has remained unexamined. As manga is a major component of many popular multimedia franchises, a focus here with the intention while building the model to support other resource types provides a foundation for future work seeking to incorporate these resources.

Library Director Jarmo Saarti introduced a wide or ideal model for fiction in literature in his dissertation, published in 1999. It introduces those aspects that should be included in an information system for fiction. Such aspects include literary prose and its intertextual references to other works, the writer, readers' and critics' receptions of the work as well as a researcher's view. It is also important to note how libraries approach a literary work by means of inventory, classification and content description. The most ambiguous of the aspects relates to that context in cultural history, which the work reflects and is a part of. The paper aims to discuss these issues.

Since the model consists of several components which are not found in present library information systems and cannot be implemented by them, a new way had to be found to produce, save, process and present fiction‐related metadata. The Semantic Computing Research Group of Aalto University has developed several Semantic Web services for use in the field of culture, so cooperation with it and the use of Semantic Web tools were a natural starting point for the construction of the new service. Kirjasampo will be based on the Semantic Web RDF data model. The model enables a flexible linking of metadata derived from different sources, and it can be used to build a Semantic Web that can be approached contextually from different angles.

The “semantically enriched” ideal model for fiction has hence been realised, at least to some extent: Kirjasampo supports literature‐related metadata that is more varied than earlier and aims to account for different contexts within literature and connections with regard to other cultural phenomena. It also includes contemporary reviews of works and, as such, readers' receptions as well. Modern readers can share their views on works, once the user interface of the server is completed. It will include several features from the Kirjasto 2.0‐application, which enables the evaluation, description and recommendations of works. The service should be online by the end of Spring 2011.

The project involves novel collaboration between a public library and a computer science research unit, and utilises a novel approach to the description of fiction.

The system encourages user participation in the description of fiction and is of practical benefit to librarians in understanding both how fiction is organised and how users interpret the same.

Upon completion, the service will be the first Finnish information system for libraries built with the tools of the Semantic Web which offers a completely new user environment and application for data produced by libraries. It also strives to create a new model for saving and producing data, available to both library professionals and readers. The aim is to save, accumulate and distribute literary knowledge, experiences and silent information.