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This paper presents an interpretation of freehand drawings produced by supply chain management undergraduates in response to the question: “What is sustainability?” Having to explain sustainability pictorially forced students to distill what the essence of sustainability meant to them and provided insights into how they perceived sustainability and their roles in achieving sustainability in the context of supply chain management.

Students were asked to draw and answer the question “What is sustainability?” These drawings were discussed/interpreted in class. All drawings were initially examined quantitatively, before a sample of four were selected for presentation here.

Freehand drawing can be used as part of a critical pedagogy to create a visual representation to bypass cognitive verbal processing routes. This allows students to produce clear, more critical and inclusive images of their understanding of a topic regardless of their vocabulary.

The authors offer this as a model for educators seeking alternative methods for engaging with sustainability and for creating a learning environment where students can develop their capacity for critical self-reflection.

This study shows how a collaborative learning experience facilitates learners demonstrating their level of understanding of sustainability.

The peer review history for this article is available at: https://publons.com/publon/10.1108/IJSE-11-2022-0718

Although data rich building information models have been widely adopted in the Architecture Engineering and Construction (AEC) industry in the United Kingdom (UK), use of 2D drawings on site for construction is still the norm. The ability of 2-dimensional (2D) drawings to convey complex 3-dimensional information is limited and requires interpretation from operatives, and 2D drawings can be quickly superseded by model updates. Although constructing directly from a model has been adopted in the aerospace and automotive industries, its use in construction is in its infancy. This research therefore aims to investigate the potential for, and barriers to, model-based construction in the UK.

This research uses a qualitative approach, thematically analysing 13 semi-structured interviews with UK-based construction professionals who have experience of paperless or model-based construction.

Although model -based construction has been implemented to a limited extent on some civil engineering projects; research and investment in software, network capacity, legal and contractual issues, and cultural and human factors will need to be considered before model-based construction can be implemented more widely.

The research contributes to an understudied, emergent area of construction practice and outlines hurdles that need to be understood and overcome before more widespread adoption of model-based construction can take place.

This study aims to compare similarities and differences in library and information science (LIS) and non-LIS undergraduates’ conceptions and perceptions of smart libraries via drawing analysis.

In this study, a total of 156 undergraduate students described their perceptions of smart libraries as drawings and textual descriptions. A modified coding scheme with 8 categories and 51 subcategories was used to analyse the undergraduate students’ drawings.

Most of the undergraduate students’ conceptions of smart libraries still involve self-checkout and learning/reading, focusing on information appliances, technical services, activities and objects. The differences are that the LIS undergraduates’ drawings showed smart libraries with robots, interactive book borrowing with technology tools, intelligent services, location-aware services or mobile applications, whereas non-LIS undergraduates presented smart libraries as readers (learners), other activities and no smart technology services. LIS undergraduates focused on providing patron services with technologies. Non-LIS undergraduates were more likely to draw a complex space with immediate access to books or digital resources, quiet reading and the freedom to engage in library activities.

The results provide a baseline for future research on the topic and provide preliminary evidence of using the methods to discern LIS and non-LIS undergraduates’ conceptions of smart libraries.

Architectural drawing is changing because architects today draw with computers. Due to this change digital diagrams employed by computational architectural practices are often emphasized as powerful structures of control and organisation in the design process. But there are also diagrams, which do not follow computational logic worth paying attention to. In the following I will investigate one such other kind of diagram, a sketch diagram, which has a play-like capacity where rules can be invented and changed as you go. In that way, sketch diagrams are related to steered indeterminacy and authorial ways of directing behaviour of artefacts and living things without controlling this behaviour completely. I analyse a musical composition by John Cage as an example of a sketch diagram, and then hypothesize that orthogonal, architectural drawing can work in similar ways. Thereby I hope to point out important affordance of architectural drawing as a ¬hybrid between the openness of hand-sketching and the rule-basedness of diagramming, an affordance which might be useful in the migrational zone of current architectural drawing where traditional hand drawing techniques and computer drawing techniques are being combined with each other.

This article aims to explore, and compare, the perceived association between economic resources and peer relationships among two age groups of Swedish tweens.

The data consist of 101 drawings by Swedish tweens, aged nine, and aged 12. The children were asked if and how children can attract friends through the use of money.

Most children did perceive economic resources as a means to attract friends. However, both the kind of items that were found in the drawings, and the children's perceptions of how to use the items, were relatively different between children aged nine and children aged 12.

Because of the small sample size, it is not possible to generalize results obtained in the current study to a population of children in general.

If children believe that they can use material goods to become more popular and accepted, they may be highly vulnerable to the internalisation of materialistic values. In order to more deeply understand the meaning of consumption in children's peer relationships, there is a need to gain more knowledge of the extent to which children themselves perceive money as a means of attracting friends.

Previous research indicates that material possessions are important for children in order to gain popularity among peers. However, few studies have tried to investigate if and how children perceive economic resources as a means to attract friends, in different age groups.

The PROCESS OF MAKING WIRE by drawing operations through dies, as distinct from hammering, though believed to be several thousand years old, until the last century was performed only by man‐, horse‐ or water‐power, so that production was slow and small. These old methods could not meet the greatly increased demand that then arose for wire of all kinds, such as copper wire for electrical purposes, and consequently power‐driven multi‐die benches were developed. Drawing speeds were still limited to several hundreds of feet per minute because of the rapid wear of the chilled iron and steel dies then used; but with the introduction of tungsten carbide dies and diamond dies, speeds were again increased, and now figures of 2,000 ft. per minute for steel wire, and 5,000 ft. per minute or more for copper and aluminium, are commonplace. These advances have required improved drawing lubricants, and future increases in drawing speeds likewise largely depend on improving lubricants still further. The general problem is to provide adequate lubrication for long die life, coupled with the intensive cooling that higher drawing speeds compel.

An investigation of very young children’s perceptions of a natural disaster, a tornado, used a stratified random sample of 40 children, aged 4-5 years, from a population of 108 in ten classes. The study also investigated a research protocol for ascertaining prior knowledge through children’s responses: physical representation, drawing responses, and retelling of personal stories through dictating captions for drawings. Two data sets were taken soon after the tornado. The children physically represented what happens in a tornado and how one takes shelter. Drawings increased in complexity by the second data set. Children’s stories included personal experiences: houses lost or damaged, being scared, friends missing, and wanting a significant other. Researchers can use a variety of methods to investigate very young children’s prior knowledge. An implication is that disaster education has a role in early social studies education promoting meaningful understanding by children of dangers posed, protecting oneself, and coping with the aftermath. Such a role is increasingly important as recent major U.S. disasters have impacted large numbers of citizens including our very young students. Further research especially with very young children in the area of disaster and hazards education is warranted in the field of social studies education.

DRAWING technique comprises the methods of working in which hollow components are formed from plane material by means of a drawing die ring and a drawing punch and, if necessary, by using blank holders so that a more or less considerable movement of material takes place.

THE great intake of unskilled labour into industry and ‐the fighting services during the War has made a heavy demand for perspective drawings; drawings that can be readily understood by those who have not the experience to read the plain engineering drawing. In this country these drawings arc mainly used for instruction and maintenance handbooks, although in the U.S.A. they are also being very largely used for shop assembly drawings.

DRAWING of metals occurs in innumerable ways, both hot and cold. Here, however, we are concerned only with the cold drawing operations used to form vast tonnages of steel, and large quantities of non‐ferrous metals, as tube and wire, and for the forming of sheet metals (especially by deep drawing).